![]() |
Because it's all about embodying a certain lifestyle... as well as having another excuse to go further down the rabbit hole known as consumerism.
I grew up with analogue music formats and I have no desire to go back there. Digital formats may not possess that 'warmth' but at least the recordings don't degrade. |
Quote:
|
I love to own vinyl LPs of albums that I hold dear. It's not about embodying a lifestyle, it's not about projecting an image, it's not about consumerism. It's not even about the sound. Hell, many of them, I just keep sealed.
It's more about the authenticity - the feeling of owning a piece of something meaningful to me and also supporting the artist. Some day, when my kids are forced to divvy up my records and decide what to do with them, you bet they're gonna know that my autographed LP copy of the Manic Street Preachers' Holy Bible meant something to me. I love the convenience of digital formats and streaming - but when your hard drives fail, your subscriptions to streaming services run out, or the company that you own purchase rights on digital songs folds, you don't own that music any more. It's gone. Is there vanity involved in this? Sure, probably. Maybe my kids won't give two ****s what albums meant the world to me. But in a time when music is as expendable as a piece of bubblegum, it's nice to give something back to an artist that provided you something meaningful - to have a memento of this experience in the physical world. A piece of art, truly. I'll get off the soap box now. Whatever way you love to own and consume music, just support the artists you love, somehow, even if it's just buying some merch or attending shows. They deserve it. |
It's mainly the love of everything vintage, that causes hipsters to like things analog.(See also, 80s and 90s nostalgia and to a lesser extent, 60s and 70s nostalgia)
|
When it comes to supporting artists, you can buy digital releases.
For small artists, printing LPs or whatever is going to cost money that they're probably not gonna make back, so even for them it's more or less a vanity project. |
Quote:
https://www.orpheusaudioacademy.com/...ay-per-stream/ The best way to support artist is to see them live, since most artist now make money by performing their songs live(some even make money by selling their catelog, or have jobs in other fields outside of music). |
As a small artist, digital buys from google play or whatever is very noticeable in a digital landscape where most consumption comes from streaming.
As you mention, gigs are the main source of income. For us, we make like 0,3 cent or so from a single song streaming. Selling a digital EP is more like 7 dollars or so? A small gig pays about 1200 USD. Roughly. Split 3 ways in a band. |
Quote:
I’ve been on music forums where members are clearly more into owning two dozen versions of the same album, or are more into acquiring (or hoarding) as much hi-tech gear as possible. In both cases, I gained the impression that their supposed love for music is secondary (and often very limited or conservative). Quote:
Quote:
Quote:
|
Quote:
|
Quote:
I’ve always been a late adopter, because of my scepticism of the corporations. It took me years to get into MiniDisc and I still use that format. However, around 15 years ago, everyone was dumping their MiniDisc gear on eBay for next to nothing. As a result, I ended up buying quite a bit of MiniDisc gear for very little. Now, the same stuff I purchased is going for at least ten times the price I paid for them! Sorry but I find most humans to be fickle creatures, who are easily swayed by whatever’s fashionable at any particular moment in time. In other words, most of the interest isn't actually genuine. |
All times are GMT -6. The time now is 01:43 AM. |
© 2003-2025 Advameg, Inc.