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12-28-2021, 01:05 PM | #102 (permalink) |
...here to hear...
Join Date: Nov 2010
Location: He lives on Love Street
Posts: 4,444
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There was a time when, despite super-star status EC did a few low-key unadvertised gigs at local village halls near his house. Here's one with Gary Brooker and Andy Fairweather-Low among others:-
They don't pull any punches in the performance, even though there were only about 200 people in the audience. Added bonus: if you look carefully, you can even see Sean Dunphy in the crowd - he's the guy standing next to Trollheart.
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"Am I enjoying this moment? I know of it and perhaps that is enough." - Sybille Bedford, 1953 |
12-28-2021, 01:29 PM | #104 (permalink) | |||||||
Born to be mild
Join Date: Oct 2008
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Trollheart: Signature-free since April 2018 |
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12-28-2021, 05:12 PM | #105 (permalink) | ||
...here to hear...
Join Date: Nov 2010
Location: He lives on Love Street
Posts: 4,444
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Thanks! I didn't recognise her until she took out her false teeth and started whistling Purple Haze.
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With all this focus on his mid-career solo albums & persona: yes, I don't like the way he tried to turn himself into some rather too slick middle-of-the-road singer/songwriter, but if anyone has taken the trouble to listen to some of that Chiddingfold concert, you'll see a different Clapton: member of a really top-notch band cranking out great music, not for money or fame, but just for the joy of playing together. Let's put that on the balance sheet when we are listing all the ways in which the latter-day Clapton sucks, please.
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"Am I enjoying this moment? I know of it and perhaps that is enough." - Sybille Bedford, 1953 Last edited by Lisnaholic; 12-28-2021 at 05:19 PM. |
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12-28-2021, 06:23 PM | #106 (permalink) | |||
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Join Date: Aug 2012
Posts: 4,007
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My problem with any of this Clapton business is that it all comes from an angle of
some kind of worship of technical prowess when the majority of it sounds like revved and hyped-up bar-band music full of all of the sound and fury cliches not only just associated with it, but actually encouraged by his worshippers. The gawd-awful pinched, nasal sax sound ... those chord-banging attempts of repetitious energy ... the rather uninspired drumming/rhythm overall ... semi-unconscious chord changes ... pretend "soul" vocals ... every kind of patterned backing and cliched soloing ... all of this in disregard to actual sound and more in line with him/them being showmanship entertainers. There's room for this in some people's lives, but I couldn't see any reason to look forward to hearing or seeing this. John Peel: Quote:
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12-29-2021, 10:44 AM | #108 (permalink) |
Aficionado of Fine Filth
Join Date: Nov 2009
Location: You don't want to look in there.
Posts: 6,884
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The only time I listen to Eric Clapton is when I'm in the mood to hear some Cream or Blind Faith. His work with John Mayall and The Yardbirds was good but I've never cared much for either one. Everything he did after Blind Faith just bores me.
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12-29-2021, 11:57 AM | #109 (permalink) |
...here to hear...
Join Date: Nov 2010
Location: He lives on Love Street
Posts: 4,444
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Yes, the same: I don't search out Clapton's music as a rule, but if I did it would be the old stuff.
Nonetheless, I'm a big fan of the musical style that rostasi and John Peel take against: pub/jam band rock. To me it's a good combination: a safe, solid beat and wandering instrumental stuff on top. If it has a predictable element about it, it is also capable of endless minor variations that trick the musically ignorant, like me, into thinking they are hearing something new each time.
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"Am I enjoying this moment? I know of it and perhaps that is enough." - Sybille Bedford, 1953 |
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