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Is the pop music paradigm going to die someday?
By that I mean:
- Dominated by 2-to-5 minute "songs" - Verse-chorus structure (usually, with variants) - Repeating melodic lines - Rhyming lyrics (usually) Music, of course, doesn't have to have any of those. But it's basically dominated popular music for well over a hundred years (and maybe longer). Will the most popular music of some era in the future someday (finally!) feature something besides that? What that would be I don't know, just something - anything! - besides that particular form. When 200 million or whatever songs get written following that particular pattern, after a while just about every variant and niche is going to get thought of and filled in and anything new will sound like something already done (probably many times). So wouldn't you think they'd finally give up on it and move onto something else? But maybe not? |
Oh no not rhyming lyrics.
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pop music will never die !!!!
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That's an interesting idea. I suppose if you look at the history of music, the pop format has been around quite a short period of time. Currently I feel our attention spans are going in the direction of shorter music not longer, but maybe at some point in the future we would go back to exploring longer pieces more.
I do feel like music in general is running out of fresh ideas, I guess there are just so many variants in sounds and tempo you can think of. So who knows what the future of music is! |
God, I hope so. Dull as donuts.
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Yes. Everything will die someday.
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Poetry to music must someday end Or music itself will be condemned |
Pop music paradigms will die because of the music world fragmenting and popular music becoming indefinable rather than your open ended parameters shifting.
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Instead of putting poetry to music, put prose to music. In other words, imagine putting, say, Charles Dickens' A Tale of Two Cities to music: Quote:
I wouldn't be surprised if somebody's done something like that already, but imagine it becoming the most popular genre. I think it would end up being far more interesting than the current pop music paradigm. |
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