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Old 05-20-2020, 07:22 PM   #131 (permalink)
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Wow. The lack of love or even downright hate for this record is unbelievable.

Especially since it’s unbelievably good. Thanks
Ron Carter Meets Bach is one of my atf instrumental albums. I can't believe how salty this guy was:
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Originally Posted by thomas hogan
Utter ...
Reviewed in the United States on January 4, 2003
Mastery of baroque music? Comparing this album to even the worst release by any professional classical musician is like comparing the literary value of the babbles of an agitated goat to that of Hamlet. With this recording, Ron Carter gives us an accurate picture of who he is: no longer the great bassist who accompanied Miles Davis, but an arrogant fool who at some point decided that any piece of ... that he recorded was worthy of mass distribution.
I am hesitant to submit this review because I do not think that words can adequately capture just how bad this recording really is. Let me start by saying that Ron's intonation is so terrible that the only thing that could prepare me for it would be a sticker on the front reading "Ron Carter's first release since he switched to playing lefty." His arco technique is almost as bad; it sounds as if he used a stick of crazy glue instead of rosin.
The Arioso did not move me "to tears", but rather to a feeling of sea sickness; in several spots I could swear he's actually trying to modulate. Ron's rendition of the "Air" had me examining the CD for warping. His improvising on several pieces shows an almost unfathomable lack of focus; it consisted of Ron's typical arsenal of semi-slick sounding bass tricks removed from the usual jazz context and forced awkwardly in between two Bach pieces. At several points he clearly runs out of stuff to play, pauses, and then resumes his flurries of gibberish and gratuitous glissandos. I could go on but suffice it to say that there is not a single redeeming moment on this whole album.
Ron, if you're reading, you owe me 15 bucks.
https://www.amazon.com/gp/customer-r...SIN=B01K8R6L8O
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Well

This wraps up this experiment

Thanks for the suggestions everyone
Thanks for this thread. I don't always get the chance to share albums and get feedback telling me they enjoyed them too.
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Actually, I like you a lot, Nea. That's why I treat you like ****. It's the MB way.

"it counts in our hearts" ?ºº?
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“If one listens to the wrong kind of music, he will become the wrong kind of person.” Aristotle.
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Old 05-20-2020, 07:45 PM   #132 (permalink)
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You know jazz dudes often take heat for branching into classical

Parker with Strings, which is gorgeously orchestrated got lots of heat

It often strikes me as racial stay in your lane bs

Another odd thing is from the Baroque period through to the Romantic period it was commonplace to composers/performers to improvise but now there’s this uptight rigid approach to classical music that’s not even traditionally rooted

Real jazz interpretations of classical works are way to few and far between

And performers should be taking far more more liberties more often especially with romantic era composers. A contemporary pianist has no reason not to break into atonal interpretations when playing Chopin and Liszt for example. I mean to the modern ear the endless arpeggios do get tedious there’s no reason not to pepper the performances with some dissonance and atonality. The entire myth that you can’t rewrite this stuff is bull****. Of course you can.
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Old 05-20-2020, 11:42 PM   #133 (permalink)
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Originally Posted by OccultHawk View Post
You know jazz dudes often take heat for branching into classical

Parker with Strings, which is gorgeously orchestrated got lots of heat

It often strikes me as racial stay in your lane bs
I always found the distinction unnecessary, but damn that makes a lot of sense.

Quote:
Another odd thing is from the Baroque period through to the Romantic period it was commonplace to composers/performers to improvise but now there’s this uptight rigid approach to classical music that’s not even traditionally rooted

Real jazz interpretations of classical works are way to few and far between

And performers should be taking far more more liberties more often especially with romantic era composers. A contemporary pianist has no reason not to break into atonal interpretations when playing Chopin and Liszt for example. I mean to the modern ear the endless arpeggios do get tedious there’s no reason not to pepper the performances with some dissonance and atonality. The entire myth that you can’t rewrite this stuff is bull****. Of course you can.
Church. Big ass steeple. I'd kill to see a Mozart performance with a badass pianist taking a lot of liberties with it. I bet Mozart would too.
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Old 05-21-2020, 01:22 AM   #134 (permalink)
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Quote:
Originally Posted by OccultHawk View Post
You know jazz dudes often take heat for branching into classical

Parker with Strings, which is gorgeously orchestrated got lots of heat

It often strikes me as racial stay in your lane bs

Another odd thing is from the Baroque period through to the Romantic period it was commonplace to composers/performers to improvise but now there’s this uptight rigid approach to classical music that’s not even traditionally rooted

Real jazz interpretations of classical works are way to few and far between

And performers should be taking far more more liberties more often especially with romantic era composers. A contemporary pianist has no reason not to break into atonal interpretations when playing Chopin and Liszt for example. I mean to the modern ear the endless arpeggios do get tedious there’s no reason not to pepper the performances with some dissonance and atonality. The entire myth that you can’t rewrite this stuff is bull****. Of course you can.
Damn, I would absolutely love Chopin or Bach broken up with some dissonant improv. Anyone knows about something like this out there?
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Old 05-21-2020, 03:59 AM   #135 (permalink)
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Have y’all heard Gabriela Montero?

I like what she has done but it’s not what I’m describing. Still worth checking out
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Old 05-28-2020, 04:57 PM   #136 (permalink)
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Herbie Mann--Live At The Whiskey A Go-Go

It has two long songs on it. I like Philly Dog much more than the other one. However, your mileage may very.
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Old 05-29-2020, 06:18 PM   #137 (permalink)
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Herbie Mann--Live At The Whiskey A Go-Go

It has two long songs on it. I like Philly Dog much more than the other one. However, your mileage may very.
I think OH either stopped it completely or went on a hiatus for an undetermined amount of time. So I'll say it:
Thanks. I listened to it.

Cool Jazz vibraphones, Austen Powers flutes with break beat drums throughout. The guitar solo lies somewhere between Link Wray and Acid Rock via SF e.g. BB&THCo.
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Actually, I like you a lot, Nea. That's why I treat you like ****. It's the MB way.

"it counts in our hearts" ?ºº?
“I have nothing to offer anybody, except my own confusion.” Jack Kerouac.
“If one listens to the wrong kind of music, he will become the wrong kind of person.” Aristotle.
"If you tried to give Rock and Roll another name, you might call it 'Chuck Berry'." John Lennon
"I look for ambiguity when I'm writing because life is ambiguous." Keith Richards

Last edited by Neapolitan; 05-29-2020 at 07:55 PM.
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Old 05-29-2020, 06:26 PM   #138 (permalink)
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Ftr - I posted exactly when I felt like it was at my limit.

I didn’t give up. I listened to every recommendation up to that point. I know it’s unusual to read an entire thread but I kept my end of the bargain and enjoyed the recommendations.
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Old 05-29-2020, 07:54 PM   #139 (permalink)
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Ftr - I posted exactly when I felt like it was at my limit.

I didn’t give up. I listened to every recommendation up to that point. I know it’s unusual to read an entire thread but I kept my end of the bargain and enjoyed the recommendations.
Sorry, I didn't mean to put it that way.
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Actually, I like you a lot, Nea. That's why I treat you like ****. It's the MB way.

"it counts in our hearts" ?ºº?
“I have nothing to offer anybody, except my own confusion.” Jack Kerouac.
“If one listens to the wrong kind of music, he will become the wrong kind of person.” Aristotle.
"If you tried to give Rock and Roll another name, you might call it 'Chuck Berry'." John Lennon
"I look for ambiguity when I'm writing because life is ambiguous." Keith Richards
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Old 05-29-2020, 08:05 PM   #140 (permalink)
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I think OH either stopped it completely or went on a hiatus for an undetermined amount of time. So I'll say it:
Thanks. I listened to it.

Cool Jazz vibraphones, Austen Powers flutes with break beat drums throughout. The guitar solo lies somewhere between Link Wray and Acid Rock via SF e.g. BB&THCo.


Appreciate your comments. The guitarist was Sonny Sharrock.
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