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08-01-2020, 04:00 AM | #42 (permalink) | |
one-balled nipple jockey
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08-30-2020, 01:39 AM | #43 (permalink) |
one-balled nipple jockey
Join Date: Dec 2010
Location: Dirty Souf Biatch
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Experimental Sound Studio (they had Bill Orcutt today)
Sunday, August 30 Front Porch Productions (Day 2) When Sunday, Aug 30, 2020 more details» copy to my calendar 4:00pm Charles Hayward 4:30pm Daniel Blumberg & Crystabel Riley 5:00pm Tyondai Braxton & Grace Villamil 5:30pm Xylouris White (Jim White & George Xylouris) 6:00pm Xiu Xiu (Jamie Stewart & Angela Seo)
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09-01-2020, 08:10 AM | #45 (permalink) |
one-balled nipple jockey
Join Date: Dec 2010
Location: Dirty Souf Biatch
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I like it better. People can text but they can’t talk over the music. You don’t have to get out of bed. The view is always spot on. You can control the volume. No parking. No drunk *******s. No wait for the toilet.
As a youngster I don’t think I’d have liked it better though.
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09-01-2020, 10:12 AM | #46 (permalink) |
SOPHIE FOREVER
Join Date: Aug 2011
Location: East of the Southern North American West
Posts: 35,541
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I decidedly do not like it better, though I Iike having the performances accessible now and the other pros you listed. It's better than what our near future alternatives are though, outdoor venues with sad spread out crowds sound weak af. Maybe we'll witness some innovations in safer outdoor performance because **** indoor circulation right now. I've seen a few groups exploring spreading themselves out around parks and ponds.
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09-01-2020, 10:31 AM | #47 (permalink) | |||
the bantering battleaxe
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09-01-2020, 10:54 AM | #48 (permalink) | |
one-balled nipple jockey
Join Date: Dec 2010
Location: Dirty Souf Biatch
Posts: 22,006
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Idk about the real dynamic compared to physical presence but at this point in my life it’s better. Dealing with the crowd, often being physically uncomfortable, frequently unhappy with the clubs, musicians who set up in front of the stage instead of on it (the stupidest **** ever that makes actually seeing the band a ****ing might makes right scenario) - drunk *******s, people who don’t stfu, even at the goddamn symphony!, bull**** ticket prices, drink tickets I don’t want, trendy dickhead fans who don’t know ****ing **** about music About the interaction with the audience- the **** I care if their egos are massaged. I don’t care if the musician is missing out on seeing the fans. 9/10 if you try to talk to the artists after the show you just feel like a nuisance.
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09-01-2020, 11:06 AM | #49 (permalink) |
SOPHIE FOREVER
Join Date: Aug 2011
Location: East of the Southern North American West
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I'm surprised that you don't see how much an artist feeding off of the crowd can change a performance, especially with jazz and improvisation. It's for better or worse, but when it's noticeable it's usually for the better.
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Studies show that when a given norm is changed in the face of the unchanging, the remaining contradictions will parallel the truth. |
09-01-2020, 11:19 AM | #50 (permalink) |
Forever Electro
Join Date: Sep 2019
Posts: 511
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How will I enjoy artists beating down drunks in dingy bars now?
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