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Old 09-08-2019, 06:49 AM   #1 (permalink)
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The spoken french intro to the new magma album is annoying af.
Do you understand French?
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Old 09-08-2019, 07:23 AM   #2 (permalink)
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A bit. Which makes it even more annoying.
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Old 09-08-2019, 07:56 AM   #3 (permalink)
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I've given it two full spins now. I could see it being AOTY material. Might be the best thing they've done since Attahk way back in '78.
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Old 09-08-2019, 08:11 AM   #4 (permalink)
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A bit. Which makes it even more annoying.
Yes. It occurred to me that ignorance was probably bliss tbh. Since I can’t even count to one in French it’s just sound. I’m sure if it were English I’d hate it.
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Old 09-08-2019, 08:16 AM   #5 (permalink)
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Dogrel
Studio album by Fontaines D.C.

If you get tired of digging through The Fall’s discography these guys do an excellent imitation.
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Old 09-08-2019, 08:22 AM   #6 (permalink)
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murder capital -when i feel fear

These guys borrow sounds from all over the older alternative spectrum and put together a solid release.
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Old 09-08-2019, 02:58 PM   #7 (permalink)
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Damn I was pretty bored

don't get it

aw well
I didn’t think you’d like it but otoh in a certain context the new LPD record doesn’t seem exactly how I (used to) pigeon hole you.
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Old 09-08-2019, 03:26 PM   #8 (permalink)
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I think LPD is like a dark Krautrock group a lot of the time
Definitely
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Old 09-08-2019, 05:49 PM   #9 (permalink)
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The Sand That Ate The Sea
Album by Luke Howard

ambient/soft neo-classical
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Old 09-09-2019, 01:20 AM   #10 (permalink)
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there's some psychedelic free jazz here



Helm I'd say is one of today's premier power electronics acts and this new album is something really special


https://hhelmm.bandcamp.com/album/chemical-flowers

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The album navigates dense passages with recurring signifiers. Hollow percussion, modulating delay and curious field recordings come and go, maintaining a perpetual state of flux where nothing stays the same for long. The drowned world theatricals return on the swamp-like ‘Lizard in Fear’ whilst string rhythms creep in on the penultimate track to incite momentary electroacoustic harmony. Floating synthesis slowly washes over and the title track unfolds - five minutes of reverb-laced portamento, visions of decay and Editions EG influenced world-building. Movement is key.
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