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The Album Club: "Other Voices | Other Rooms" by Nanci Griffith
https://upload.wikimedia.org/wikiped...ciGriffith.jpg
And so we launch into round seven, and as usual it's me that kicks it off. Vote, rate, discuss, debate and comment here. |
I don’t have to listen to this now because I’ve owned this album for years and I’ve listened to it many many times. I bought this the year it come out.
I’m not a musician but I understand that a major chord is the least dissonant. I’m pretty sure that a common technique of Griffith when interpreting these songs is to lean on major chords and to make sure everything resolves. Before this album came out a cassette culture zine that played an important role in introducing me to new music called Sound Choice ran a long article on Kate Wolf. I remember the author talking about putting down our “punk swords” and opening up our hearts. At the time cassette culture was all about experimental noise and I had been heavily immersed in experimental music for a few years. Kate Wolf was welcomed into my life like an ice cold keg of beer in hell. When other voices came out a lot of things were changing in my life. I graduated, I moved, I got new job and this album (that I would probably **** on if I first heard it now) really REALLY hit the spot. Her sweet syrupy interpretations were delicious. The cover that I probably love the most is Morning Song for Sally. Obviously the brilliance is Jerry Jeff Walker’s but Griffith’s interpretation also works so well. I could go through song for song. It’s a great collection of covers. I loved it then and I love it now. |
How assailable would you say that it is?
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Gonna start listening to it now. |
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She thinks she's soooo funny. And sophisticated. And white.
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https://s25.postimg.cc/4vpobhdtb/Oth...ther_ROOMS.png
^ Figured it out. She's laughing at Trollheart for getting the title backwards. |
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Ugh... I hate this kind of soft radio country. I'm not sure there is a worse genre.
This is like that crap my parents listen to in their car all the time. Not quite as bad, but close. This is going to be the most difficult album club week yet for me. Sorry Troll, but this kind of music is my Achilles heel. Maybe I'll be less grumpy about it in a few days, so I'll wait with listening to the whole thing (can I pay anyone to do it for me?) |
What do think of the synth in the introduction to "Speed of The Sound of Loneliness" first track from "Other Voices | Other Rooms" by Nanci Griffith, does it sound more like Jack Horkheimer's "Star Hustler" or Carl Sagan's "Cosmos" theme?
"Star Hustler" https://www.youtube.com/watch?v=VUWlVLQ-6Nw "Comos" theme https://www.youtube.com/watch?v=aNxY_8sHOjg |
I was impress who was on the album so I copy/paste the credits. It has a few of my favorite Country artists like Emmylou Harris, Iris DeMent, Chet Atkins and American Primitive guitar player Leo Kottke. There is a good songs selection. I was familiar with a few. They were written by Kate Wolf (I love Kate), Gordon Lightfoot, Bob Dylan et al. Initially I didn't like the weak keyboards, but seeing people I love in Country I think that alone will push this from a "meh" (for being a TH pick) all the way up to a "Loved It."
"Other Voices | Other Rooms" by Nanci Griffith Tracklist: 1 Across The Great Divide 3:57 Acoustic Guitar, Harmony Vocals – Lee Satterfield Acoustic Guitar, Lead Vocals – Nanci Griffith Drums, Percussion – Fran Breen Harmony Vocals – Emmylou Harris Lead Guitar [Acoustic] – Pete Kennedy Mandolin, Violin – Stuart Duncan Percussion – Pat McInerney Piano – James Hooker Words By, Music By – Kate Wolf 2 Woman Of The Phoenix 2:42 Acoustic Guitar – Lee Satterfield Arranged By [String] – Nanci Griffith Drums – Fran Breen Lead Guitar [Acoustic] – Frank Christian, Pete Kennedy Lead Vocals, Harmony Vocals – Nanci Griffith Mandolin – Stuart Duncan Percussion – Pat McInerney Piano, Harmony Vocals – James Hooker Strings, Bass – Edgar Meyer Strings, Cello – John Catchings Strings, Viola – Andrea Zonn Strings, Violin – Alison Krauss Words By, Music By – Vince Bell 3 Tecumseh Valley 4:30 Acoustic Guitar – Frank Christian, Pete Kennedy Acoustic Guitar, Lead Vocals, Harmony Vocals – Nanci Griffith Percussion – Pat McInerney Piano – James Hooker Violin – Stuart Duncan Vocals [Duet], Harmony Vocals – Arlo Guthrie Words By, Music By – Townes Van Zandt 4 Three Flights Up 3:32 Drums, Percussion – Fran Breen Guitar [Cathedral Bell Harmonic] – Pete Kennedy Keyboards – James Hooker Lead Guitar [Acoustic] – Frank Christian Lead Vocals – Nanci Griffith Percussion – Pat McInerney Words By, Music By – Frank Christian 5 Boots Of Spanish Leather 5:17 Acoustic Guitar – Pete Kennedy Drums, Percussion – Fran Breen Harmonica – Bob Dylan Lead Guitar [Acoustic] – Frank Christian Lead Vocals – Nanci Griffith Percussion – Pat McInerney Words By, Music By – Bob Dylan 6 Speed Of The Sound Of Loneliness 4:20 Acoustic Guitar – Pete Kennedy Acoustic Guitar, Electric Guitar – Philip Donnelly Acoustic Guitar, Lead Vocals, Harmony Vocals [Lonely] – Nanci Griffith Drums – Fran Breen Harmony Vocals [Lonesome] – John Prine Keyboards – James Hooker Percussion – Pat McInerney Words By, Music By – John Prine 7 From Clare To Here 5:11 Acoustic Guitar [Diamonds On Acoustic Guitar] – Pete Kennedy Drums, Percussion – Fran Breen Keyboards – James Hooker Lead Guitar [Acoustic], Electric Guitar – Philip Donnelly Lead Vocals – Nanci Griffith Percussion – Pat McInerney Vocals [Irishman's Duet], Harmony Vocals – Pete Cummins Words By, Music By – Ralph McTell 8 Can't Help But Wonder Where I'm Bound 3:16 Acoustic Guitar, Lead Vocals – Nanci Griffith Drums – Fran Breen Guitar [High String Acoustic Parlor], Acoustic Guitar – Philip Donnelly Harmony Vocals [Duet] – Carolyn Hester Lead Guitar [Acoustic] – Pete Kennedy Percussion – Pat McInerney Piano – James Hooker Words By, Music By – Tom Paxton 9 Do Re Mi 2:53 Acoustic Guitar, Vocals – Guy Clark, Nanci Griffith Double Bass [Upright] – Roy Huskey, Jr.* Lead Guitar [Acoustic] – Pat Flynn Percussion, Drums – Pat McInerney Words By, Music By – Woody Guthrie 10 This Old Town 3:00 Banjo – Bela Fleck* Drums – Fran Breen Electric Guitar, Guitar [Acoustic High String] – Philip Donnelly Lead Guitar [Acoustic] – Pete Kennedy Lead Guitar [Acoustic], Lead Vocals, Harmony Vocals – Nanci Griffith Percussion – Pat McInerney Piano – James Hooker Words By, Music By – Janis Ian, Jon Vezner 11 Comin' Down In The Rain 3:45 Acoustic Guitar, Lead Vocals – Nanci Griffith Drums – Fran Breen Electric Guitar, Lead Guitar [Acoustic] – Pete Kennedy Harmony Vocals – Lee Satterfield Mandolin – Stuart Duncan Percussion – Pat McInerney Piano, Organ [B-3] – James Hooker Words By, Music By – Buddy Mondlock 12 Ten Degrees And Getting Colder 2:40 Acoustic Guitar – Pete Kennedy Drums – Fran Breen Harmony Vocals, Vocals [High Lonesome Tag] – Iris DeMent Lead Guitar [Acoustic] – Pat Flynn Lead Vocals – Nanci Griffith Percussion – Pat McInerney Piano – James Hooker Words By, Music By – Gordon Lightfoot 13 Morning Song For Sally 4:56 Acoustic Guitar – Frank Christian Acoustic Guitar, Lead Vocals – Nanci Griffith Electric Guitar – Pete Kennedy Mandolin – Stuart Duncan Percussion – Fran Breen, Pat McInerney Piano – James Hooker Words By, Music By – Jerry Jeff Walker 14 Night Rider's Lament 3:57 Acoustic Guitar – Pete Kennedy Drums, Percussion – Fran Breen Lead Guitar [Acoustic], Lead Vocals, Harmony Vocals – Nanci Griffith Percussion, Bells [Dinner Bell] – Pat McInerney Piano [Barrel House] – James Hooker Violin – Stuart Duncan Words By, Music By – Michael Burton* Yodeling [Camp Cookie's Yodel Extraordinaire] – Don Edwards 15 Are You Tired Of Me Darling3:12 Acoustic Guitar – Chet Atkins Acoustic Guitar [Lead], Lead Vocals – Nanci Griffith Harmony Vocals [High] – Iris DeMent Harmony Vocals [Low] – Emmylou Harris Percussion – Pat McInerney Words By, Music By – G.P. Cook, Ralph Roland 16 Turn Around 3:19 Cello – John Catchings Classical Guitar, Resonator Guitar [Del Vechhio],Lead Guitar – Chet Atkins Lead Vocals – Nanci Griffith Words By, Music By – Allen Greene*, Harry Belafonte, Malvina Reynolds 17 Wimoweh 1:47 Banjo, Tap Dance, Vocals – John Hartford Double Bass [Upright], Vocals – Roy Huskey, Jr.* Percussion – Mary Ann Kennedy, Pat McInerney Twelve-String Guitar [Acoustic] – Leo Kottke Vocals – Holly & Barry Tashian*, Dave Mallett*, The Indigo Girls*, James Hooker, Jim Rooney, John Gorka, John Prine, Kennedy-Rose*, Marlin Griffith, Nanci Griffith, Odetta Vocals [Kennedy-Rose] – Mary Ann Kennedy, Pam Rose Vocals [The Indigo Girls] – Amy Ray, Emily Saliers Written-By – Traditional South African* info provided from: https://www.discogs.com/Nanci-Griffi...elease/9641866 |
This album has been an interesting experience, on one hand i got a bit bored of it at first cause it was too country but on the other hand, i kinda loved it. Almost instantly i found her . voice very charming and at some points she sings with this sweet country twang i found adorable. I saw OH and Neapolitan mention these are covers so it's this like a "Nanci sings all the country greats" kinda album? I mean idk anything about this girl or country in general but i found like 5 songs in this album i really like. Turn Around, This Old Town, Speed of The Sound of Loneliness (lol) and my 2 fav tracks, From Clare to Here and Boots of Spanish Leather.
This album quickly grew on me and it still is, so I'm giving an 8/10 loved it. Good pick TH. |
These are folk songs.
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I just found the album cover a bit funny. Quote:
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It won the Grammy Award for Best Contemporary Folk Album.
How the **** is it so hard for the tards on this site to tell country from folk? |
Whtvr it is, i liked it and yea, it's hard for me to differentiate the 2 at times but the album is also listed as country.
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Grammys can be used as a genre authority? What the hell has this place come to?
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If it quacks like a country duck, it's a country duck.
Luckily, country is also folk, so we don't need to have this discussion. |
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I knew the first time I heard it 25 years ago it was folk music.
The way I understood that was I listened to it and they’re folk songs by folk singers, like Townes Van Zandt. |
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So this album has no country tunes? I'm just trying to learn how to differentiate the 2.
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Folk appeals to the political and sentimental in you
Country appeals to the drunk and horny in you |
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If you want to hear pure country from her, check out either The Last of the True Believers (was going to be my pick but I changed it at the last moment), Once In a Very Blue Moon or Lone Star State of Mind (I know: those titles, huh?). Her later albums tend to be a little more on the poppy side, and the ones before those kind of veer more in the folk direction.
Edit: Clare is a county in Ireland, which is why the song is titled "From Clare to Here". It's a lament from an Irish immigrant for his homeland. Not actually as old as I thought: written in 1976. |
That chick in the Luke Bryan video looks like she’s older than me and holy **** his wife is hideous
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https://youtu.be/yjaQEZXvtdU
How is this country? This is the same stuff i heard on this album. :confused: |
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Try this one. https://www.youtube.com/watch?v=E9C-huUmaxk or this https://www.youtube.com/watch?v=zo9CqczEnWI or maybe this https://www.youtube.com/watch?v=uZAxIcw8y1Q They're all good songs. |
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Country is really a genre of Pop music, and has its own charts like pop music does. Country includes influences are wide and varied from (Traditional) Folk, Country Blues. Cowboy Songs, Gospel, Western Swing, Bluegrass, Old Timey etc. Country can be broken up into things like Bakersfield sound, Nashville sound. Bluegrass has five instruments:
If the music is influence by Appalachia traditional music, consist of predominantly acoustic instruments and the sounds lies somewhere between "Folk," Country and Bluegrass I would consider it "Old Timey." St. Olav's Gate The song was also done by Russell and Nanci Griffith together. Since the music is mostly all instrumental it's more Old Timey than Country music. The lyric is closer to Marty Robbins' story telling style and Honky-Tonk drinking song. It's also in 3/3 Waltz time. Fly By Night twangy guitar, pedal steel and drums makes it definitely more Country Looking For The Time Country with Old Timey fiddle. |
Meh. These songs didn't need a country-fied interpretation. Did make me want to go listen to some Brooks & Dunn and Pure Prairie League though, so guess that has to count for something.
6 out of 10 |
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I upped it one point because the songs are good even if I don't like the interpretations too much.
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Thanks for the very helpful notes on separating folk from country, btw! :thumb: |
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