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#1 (permalink) | |
Zum Henker Defätist!!
Join Date: Jan 2011
Location: Beating GNR at DDR and keying Axl's new car
Posts: 48,199
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But it's my go-to for a Rubik's cube.
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#2 (permalink) |
Born to be mild
Join Date: Oct 2008
Location: 404 Not Found
Posts: 26,996
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Pattern of this thread:
1. Nick posts something about hating grunge and loving hair metal. Within these posts, as well as YouTube video links, are usually the phrases "grunge bands can't play", "grunge is ****", "Hair metal rocks", and "Cobain was ****." 2. Someone posts challenging one or all of these contentions, laying out reasonable rebuttals. 3. Nick posts again, repeating what he has said, without responding to the points raised by the previous poster. 4. Another, or the same, poster tries again 5. Repeat step 3 6. Someone points out to Nick that he is not answering any of the points put forward 7. Repeat step 3 8. People begin to laugh at Nick's assertions 9. Repeat step 3 10. People ignore Nick and begin discussing among themselves 11. Repeat step 3
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Trollheart: Signature-free since April 2018 |
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#3 (permalink) | |
Music Addict
Join Date: Mar 2018
Posts: 151
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#4 (permalink) | |
SOPHIE FOREVER
Join Date: Aug 2011
Location: East of the Southern North American West
Posts: 35,541
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As one might expect, many listeners found this view unpalatable, despite the fact that the hall itself could be a metaphor for Cage's ideal union of music and nature. There was an uproar. People thought 4'33" was a joke or some kind of avant-garde nose-thumbing. During a post-concert discussion, as Cage biographer David Revill notes, one local artist stood up and suggested, "Good people of Woodstock, let's drive these people out of town." But, in fact, Cage's little silent composition was no joke and it would have an incalculable, if characteristically quiet, influence on a great deal of music that came after. The emerging technology of portable recorders permitted the cataloging and manipulation of environmental sounds by musicians. Composer Steve Reich explored the rhythms of the human voice and of trains. The sound of the ocean was as central to The Who's Quadrophenia as Pete Townshend's thrashing guitar. Brian Eno, who credits Cage with inspiring him to become a composer, recorded a series of so-called "ambient" albums, music of a quietude, designed to compliment rather than compete with the sounds of life. Today hip-hop producers use street noise in their musical fabric and DJs use vinyl LP surface noise to communicate nostalgia and authenticity. In a sense, Cage gave musicians aesthetic permission, spiritual encouragement even, to go beyond the tonalities of standard instrumentation and engage with the infinite possibilities of sound. While he composed prolifically until his death in 1992 at the age of 79, Cage remained more well-known for his ideas than his music, and the enigmatic 4'33" is the ultimate expression of those ideas. "The most important piece is my silent piece," he affirmed. "I always think of it before I write the next piece." One critic called it "the pivotal composition of this century." Pianist David Tudor called it "one of the most intense listening experiences you can have." But all this puts a weightiness on 4'33" that seems at odds with its playful sense of simply being allied to the world. As Cage writes at the end of his Silence, "I've spent many pleasant hours in the woods conducting performances of my silent piece, transcriptions — that is, for an audience of myself."' By inviting us to do the same, Cage transformed the art of music, and the art of listening, irrevocably.
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Studies show that when a given norm is changed in the face of the unchanging, the remaining contradictions will parallel the truth. |
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#5 (permalink) | |
Born to be mild
Join Date: Oct 2008
Location: 404 Not Found
Posts: 26,996
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Trollheart: Signature-free since April 2018 |
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#6 (permalink) | ||
carpe musicam
Join Date: Apr 2009
Location: Les Barricades Mystérieuses
Posts: 7,710
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![]() "it counts in our hearts" ?ºº? “I have nothing to offer anybody, except my own confusion.” Jack Kerouac. “If one listens to the wrong kind of music, he will become the wrong kind of person.” Aristotle. "If you tried to give Rock and Roll another name, you might call it 'Chuck Berry'." John Lennon "I look for ambiguity when I'm writing because life is ambiguous." Keith Richards |
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#7 (permalink) |
Born to be mild
Join Date: Oct 2008
Location: 404 Not Found
Posts: 26,996
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![]() ![]() Time for me to school this guy on Walls of Text. ![]() Everyone assumes you're a troll, and you probably are, but in case you're not (given your last post) here's the thing: you don't come into a forum and for your very first post write something as confrontational, simple and pointless as “I Hate Grunge”. This gives an immediate (perhaps wrong but certainly understandable) impression of you as either a) a kid with no sense b) an adult with no sense c) a troll or d) an idiot. You fail, in making that claim, to consider the reactions and feelings of those who love grunge, or at least don't hate it. You make enemies right away and you set up conflict with you as the general shared target. Just about everyone is against you, and you only have yourself to blame. Had you come in with something like “Grunge isn't for me”, “I love Hair Metal”, “What do people think of grunge”, “I have this theory about Grunge” or any of a number of other, less inflammatory phrases, you might have engendered better reactions. Not only that, but as I pointed out to you, you're not talking to anyone. Even if you hold this view, and stick to it, you can only defend it by debating with people, and that does not mean repeating endlessly your experiences with Hair Metal, your vanished youth and your hatred for Grunge. You need to engage with people, discuss, talk, argue, accept/reject points, put your own forward, try to get some actual conversation going. If you came here to be a troll, well and good, and good luck to you, but if you came here to discuss music, as you say, and you're disappointed with your reaction, then I repeat, you only have yourself to blame for that. Here's a typical proper debate here. Member 1: “I hate jazz” (Okay, nobody would say that, even if they felt that way, but just for illustrative purposes, and to show that even with a confrontational opening you can get discussion going) Member 2: “You're full of it.” Member 1: “No, I really hate jazz. They can't play music.” Member 2: Goes on to explain about Miles Davis, Charlie Parker and others. Member 1: “Oh right, so it's not just all improvisational?” Member 3: “It can be, but that's the beauty of jazz.” Member 1: “I don't understand.” Member 3: Explains and so on. THAT's a conversation. What you're engaging in is not. And that's why nobody is taking you seriously, and why you appear not to be having a good time here. You still can, if you change your approach. It's up to you. First impressions last, but you can get past them if you make the effort. Or you can keep being a troll. Up to you. Ball's in your court.
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Trollheart: Signature-free since April 2018 |
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#8 (permalink) |
OQB
Join Date: Mar 2015
Location: Frownland
Posts: 8,831
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damn how have i been sleeping on this thread for so long
can someone get me up to date with a tl;dr of the walls of text
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Music Blog / RYM / Last.fm / Qwertyy's Journal of Music Reviews and Other Assorted Ramblings |
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#9 (permalink) | |
All day jazz and biscuits
Join Date: Feb 2010
Location: NJ
Posts: 7,354
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Okay, now I'm mad. |
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#10 (permalink) |
OQB
Join Date: Mar 2015
Location: Frownland
Posts: 8,831
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i mean most grunge that i’ve heard has totally been balls to be fair
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Music Blog / RYM / Last.fm / Qwertyy's Journal of Music Reviews and Other Assorted Ramblings |
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