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Old 12-03-2017, 05:00 PM   #221 (permalink)
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Originally Posted by Qwertyy View Post
i think we're still waiting on a few reviews. get movin' folks.
^ I thought we had until Christmas. Give a chap a chance!

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Originally Posted by Neapolitan View Post
TIA BLAKE & her folk group - folksongs & ballads

artist:Tia Blake
album title: folksongs & ballads
year: 1971
genre: Old-Time, Folk
tracklist:
  1. Betty And Dupree
  2. Black Is The Color
  3. Single Girl
  4. I'm A Man Of Constant Sorrow
  5. Jane, Jane
  6. Jimmy Whalen
  7. Rising Of The Moon
  8. Hangman
  9. Turtle Dove
  10. Plastic Jesus
  11. Polly Vaughn

First impressions: The one thing that first stood out for me were the vocals. They are a bit different I am accustom to hearing, but the music was really good and piqued my curiosity. How a singer sounds makes or breaks it for me. If I don't care for how vocals sound I usually skip over the band or artist. However that isn't always the case. Sometimes it takes me a while to get accustom to a singer. It took me a while to get use to Joni Mitchell, but now I love her voice. Karen Dalton is another one whose singing style took a while for me to get use to, but I didn't pass her stuff by because I knew there was something special there and the same is true for Tia Blake.

So I figured I should compare Tia's vocals to someone else' you might identify with - in case you are interested in checking her out own your own. I went through quite a few female Folk singers to find someone to compare Tia to, and the closest I think is Bridget St John, maybe Shirley Collins - maybe. At times Angel Olsen projects her voice like Tia Blake and other female Folk singers of that era.

Songs:
Betty And Dupree was a Blues number by Brownie McGhee, the lyrics reminds me of Frankie and Johnny by Mississippi John Hurt. Chuck Willis also did a cover of the song. He had a hit with The Stroll turn the music of Betty And Dupree into a song that can do Stroll.
Black Is The Color starts off somewhat similiar to Greensleeves, but changes to a Flamenco-style playing.
Single Girl probably my favorite song on the album, mostly because of the guitar duet in the background. Both play arpeggios and sound similar to style of Chad and Jeremy.
I'm A Man Of Constant Sorrow I am familiar with the song because of Roscoe Holcomb. I picked up his album because it was part of the Smithsonian Folkways catalog. I was pleasantly surprised that Bob Dylan mentioned him as influence. The backing track easily sounds like Union Station (who backed Alison Krauss) with Dan Fogelberg sitting in with them. The song resurfaced in again in 2000 with the movie "Oh Brother Where Art Thou?" It was performed by the fictitious group the Soggy Bottom Boys.
Jane, Jane starts off just like a Chet Atkins song. - Who's he? Just think of the "Esurance" commercial. The song was covered by Peter, Paul and Mary who treated their version of the song with their usual three part harmony.
Jimmy Whalen it starts off what sounds like wooden flute, and appears again after the first verse. The lyrics do well to visualize the short but sad story.
Rising Of The Moon an Irish folk song.
Hangman The Kingston Trio does a song by the same name, but the lyrics are somewhat different. Peter, Paul & Mary
Turtle Dove is a lovely song. Once it gets started it draws to mind the song John Barley Must Die by Traffic, probably because of the melody and the chimey guitars. It ends with a flute solo.
Plastic Jesus it starts off with a Old Time dobro The song has a melody very close to "Keep on the Sunny Side" a song popularized by The Carter Family. Tia sings it more sincerely than perhaps the author intended it to be?
Polly Vaughn is the last song on the original release of the album. It is a rather strong ending. It is a male/female vocal duet.

Thoughts: Folksongs & ballads is a solid album, it consists of eleven in domain songs that was recorded in Paris. (The best jpg I could find was that of the French release, notice how it has the pronoun wrong in the title. ¯\_(ツ)_/¯Que sera sera. ) Not sure if Tia got a recognition for music in her day. So basically I like this album cause it fits in with many of my other favorite one-offs that get recorded and nearly get forgotten about, like Sibylle Baier etc. If it wasn't for someone who cared about their music, helping to get known to the rest of the world it would be all but lost to the ages.
There are a lot of interesting insights in this review; the comparison of Tia Blake's voice to other folk singers for example. I can't hear those kinds of subtleties myself, but I can pass on a rumour that "Tia Blake" (who never recorded again after this one album) was in fact Kate Wolf. Your track-by-track comments gave me a chance to listen to this album with a lot more perception than I can usually muster, so thanks for that, Neapolitan.

For instance, what you said about Plastic Jesus was right on the nail; the minute I read your comment, I thought, "Yes! That's why it's not a total success." (Despite having a lyric I can't resist quoting:-
I'm in the back seat sinning, Jesus up there grinning.

I see you already know two versions of Hangman, but it was a new song to me, and another one with some good lyrics:-
Slack your rope, hangman, slack it for a while....
I have not brought you hope, I have not paid your fee....


My fave song: Jane, Jane
Good, but a little slow for my liking: Rising Moon, Turtle Dove and Polly Vaughan

Quote:
WHODUNNIT??? When I first saw the album title immediately thought of three people who would possibly recommend this album to me: Stephen, Pet Sounds, and Lisna. If I had to guess who recommended this album I would say Pet Sounds, but I didn't see him on the list. This album is right up my alley. Whoever selected this album knows I am a fan of Folk music.
Thanks to whoever rec this album. cheers!
^ Yep, that would be me, Neapolitan! I'm very happy that I was able to find an album that was new to us both and that we could both enjoy.
Happy Christmas!
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Old 12-03-2017, 05:04 PM   #222 (permalink)
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^ I thought we had until Christmas. Give a chap a chance!
you can take as long you need, i just thought a kick in the pants might give some of the lazier members *cough* batlord *cough* the motivation to finish the review up.
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Old 12-03-2017, 05:07 PM   #223 (permalink)
...here to hear...
 
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aw **** i was going to make a no member albums rule but figured we had all came to a mutual agreement by this point. should've known better i guess.
^ Yeah, that's always the problem with a tacit agreement: if it remains tacit, can you really be sure everyone's agreed to it?
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Old 12-03-2017, 05:08 PM   #224 (permalink)
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you can take as long you need, i just thought a kick in the pants might give some of the lazier members *cough* batlord *cough* the motivation to finish the review up.
I. Have. A Frown album. **** you. At least an ICP album is fun to mock.
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Old 12-03-2017, 05:08 PM   #225 (permalink)
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we may have a bit of wait until Trollheart returns to the forum so i suppose there's no reason to rush anyone anyway
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Old 12-03-2017, 05:19 PM   #226 (permalink)
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I. Have. A Frown album. **** you. At least an ICP album is fun to mock.
Wait... it wouldn't amuse you to mock a Frownland album? I don't even feel like I know you anymore.
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Old 12-03-2017, 05:21 PM   #227 (permalink)
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i mean the music does a good enough job of mocking itself doesn't it
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Old 12-03-2017, 05:26 PM   #228 (permalink)
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Wait... it wouldn't amuse you to mock a Frownland album? I don't even feel like I know you anymore.
I already did it at ridiculous length once. What more can I do?
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There is only one bright spot and that is the growing habit of disgruntled men of dynamiting factories and power-stations; I hope that, encouraged now as ‘patriotism’, may remain a habit! But it won’t do any good, if it is not universal.
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Old 12-03-2017, 05:29 PM   #229 (permalink)
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I already did it at ridiculous length once. What more can I do?
A longer one.
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Old 12-05-2017, 02:05 PM   #230 (permalink)
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