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Old 02-23-2018, 11:50 AM   #1951 (permalink)
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beat the champ is my personal fav, definitely check it out. by far their catchiest.
Well I'm getting them all, so I'll definitely listen to that one at least.
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Oceano are another band embarrassed to be deathcore so they throw in a bunch of wannabe prog bull**** to give themselves cred.
Find this with a lot of deathcore, or at least, the bit I've listened to. I was surprised to find how it's basically prog metal with screamy/growly/animalistic vocals. But even so, I don't like it.
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Old 02-23-2018, 11:57 AM   #1952 (permalink)
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Album title: Crooked Teeth
Artist: Papa Roach
Genre: Hard Rock/Nu-metal
Nationality: American
Release date: May 19
Position in Discography: Eighth
Estimated Rating:

Have I heard of this artist? Yes
Have I heard anything by this artist? Yes
Average RYM Score: 2.36
Nu-metal is another one I don't tend to want to listen to much. This sounds pretty generic, although at least I can make out the vocals this time. “My Medication” is a nice change of pace, though it comes across as Metallica doing Daughtry, if you can imagine such a thing. “Born for Greatness” is not without its charm, and Skylar Grey adds her voice to “Periscope”, which is all right, but very much more in the pop than rock vein. I assume it was a single? Well, damn: it wasn't. Weird. Anyway, I guess this album is not as bad as I had expected but still nothing I'd be coming back to. For nu-metal, one of the less annoying.

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Old 02-23-2018, 12:12 PM   #1953 (permalink)
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Well I'm getting them all, so I'll definitely listen to that one at least.

Find this with a lot of deathcore, or at least, the bit I've listened to. I was surprised to find how it's basically prog metal with screamy/growly/animalistic vocals. But even so, I don't like it.
It's a sort of third generation thing. First wave of deathcore bands set the standard of brutal death metal meets metalcore, second wave made the sound stagnant and cookie cutter and embarrassing, and then the third wave tried to pretty up the genre but they were still deathcore fans/bandwagon jumpers so they didn't have any real creativity or musical depth to do anything but tread water in a different way.
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There is only one bright spot and that is the growing habit of disgruntled men of dynamiting factories and power-stations; I hope that, encouraged now as ‘patriotism’, may remain a habit! But it won’t do any good, if it is not universal.
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Old 02-23-2018, 01:30 PM   #1954 (permalink)
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It's a sort of third generation thing. First wave of deathcore bands set the standard of brutal death metal meets metalcore, second wave made the sound stagnant and cookie cutter and embarrassing, and then the third wave tried to pretty up the genre but they were still deathcore fans/bandwagon jumpers so they didn't have any real creativity or musical depth to do anything but tread water in a different way.
So I'm assuming from your post that these guys are, what? Third wave? Fourth, even?
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Old 02-23-2018, 01:50 PM   #1955 (permalink)
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So I'm assuming from your post that these guys are, what? Third wave? Fourth, even?
Third. You really don't need to care past the first, and even then it's a crap shoot.
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Originally Posted by J.R.R. Tolkien
There is only one bright spot and that is the growing habit of disgruntled men of dynamiting factories and power-stations; I hope that, encouraged now as ‘patriotism’, may remain a habit! But it won’t do any good, if it is not universal.
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Old 02-23-2018, 02:22 PM   #1956 (permalink)
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Third. You really don't need to care past the first, and even then it's a crap shoot.
Is there any deathcore I might actually give a crap about, or should I just consider it a lost cause for me? I'm not really bothered, just wondering.
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Old 02-23-2018, 02:56 PM   #1957 (permalink)
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Is there any deathcore I might actually give a crap about, or should I just consider it a lost cause for me? I'm not really bothered, just wondering.
I'll just give you the best album I can think of without regard to who I'm talking to. It's different while not hiding behind boring **** and is as intense as extreme metal should be. Whether you like it or not is dubious, but it's the **** and sounds nothing like what you've been listening to.



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Originally Posted by J.R.R. Tolkien
There is only one bright spot and that is the growing habit of disgruntled men of dynamiting factories and power-stations; I hope that, encouraged now as ‘patriotism’, may remain a habit! But it won’t do any good, if it is not universal.
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Old 02-23-2018, 02:59 PM   #1958 (permalink)
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Should I check that out or is there something better out there for me? I always felt like deathcore had a lot of squandered potential.
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Old 02-23-2018, 03:02 PM   #1959 (permalink)
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Should I check that out or is there something better out there for me? I always felt like deathcore had a lot of squandered potential.
As far as deathcore is concerned this is probably your best bet, and I at least think you might find value in it. I could find you something else, but it wouldn't be deathcore, just death metal influenced metalcore. Like this I suppose, which is far rawer than any deathcore album you'll ever find...

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Quote:
Originally Posted by J.R.R. Tolkien
There is only one bright spot and that is the growing habit of disgruntled men of dynamiting factories and power-stations; I hope that, encouraged now as ‘patriotism’, may remain a habit! But it won’t do any good, if it is not universal.
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Old 02-23-2018, 05:05 PM   #1960 (permalink)
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Album title: Burials in Several Earths
Artist: BBC Radiophonic Workshop
Genre: Electronic/Ambient
Nationality: English
Release date: May 19
Position in Discography: Twenty-fourth
Estimated Rating:

Have I heard of this artist? n/a
Have I heard anything by this artist? n/a
Average RYM Score: 3.27
When I read the artist here I assumed it was just an artsy-fartsy name for some ambient producer or band, but no: this is THE BBC workshop that brought you such amazing sound effects as those you hear on Doctor Who, Blake's Seven, The Hitch-Hiker's Guide to the Galaxy, Quatermass and other well-loved and some obscure programmes (mostly sci-fi) transmitted on the BBC – some on the radio - since about the 1950s. I'm not quite sure what the point is in releasing this though, but it certainly gives an insight into the massive amount of work that went into making all those spooky, eerie and occasionally disturbing sound effects that populated the shows I used to watch as a kid. Oh, I see the workshop was forced to close in 1998 and this is one of many efforts to catalogue and release music and sounds created by them in their heyday. So, a kind of retrospective, of sorts. Well this is certainly interesting. It's hard, almost impossible to review though. There are some nice piano runs, synthy soundscapes, but mostly weird sound effects that those of us who grew up in the seventies on this side of the water will remember fondly. I imagine OH and Frownland will find a lot to like here, but this could likely be listened to and enjoyed by just about anyone. It's hardly an essential album, but definitely worth a listen.

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