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#1951 (permalink) | |
Born to be mild
Join Date: Oct 2008
Location: 404 Not Found
Posts: 26,996
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Find this with a lot of deathcore, or at least, the bit I've listened to. I was surprised to find how it's basically prog metal with screamy/growly/animalistic vocals. But even so, I don't like it.
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#1952 (permalink) |
Born to be mild
Join Date: Oct 2008
Location: 404 Not Found
Posts: 26,996
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![]() ![]() Album title: Crooked Teeth Artist: Papa Roach Genre: Hard Rock/Nu-metal Nationality: American Release date: May 19 Position in Discography: Eighth Estimated Rating: ![]() Have I heard of this artist? Yes Have I heard anything by this artist? Yes Average RYM Score: 2.36 Nu-metal is another one I don't tend to want to listen to much. This sounds pretty generic, although at least I can make out the vocals this time. “My Medication” is a nice change of pace, though it comes across as Metallica doing Daughtry, if you can imagine such a thing. “Born for Greatness” is not without its charm, and Skylar Grey adds her voice to “Periscope”, which is all right, but very much more in the pop than rock vein. I assume it was a single? Well, damn: it wasn't. Weird. Anyway, I guess this album is not as bad as I had expected but still nothing I'd be coming back to. For nu-metal, one of the less annoying. Check out more from this artist? No Check out more from this genre or subgenre? No Actual Rating: ![]()
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#1953 (permalink) | ||
Zum Henker Defätist!!
Join Date: Jan 2011
Location: Beating GNR at DDR and keying Axl's new car
Posts: 48,199
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#1954 (permalink) | |
Born to be mild
Join Date: Oct 2008
Location: 404 Not Found
Posts: 26,996
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#1955 (permalink) | |
Zum Henker Defätist!!
Join Date: Jan 2011
Location: Beating GNR at DDR and keying Axl's new car
Posts: 48,199
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Third. You really don't need to care past the first, and even then it's a crap shoot.
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#1956 (permalink) |
Born to be mild
Join Date: Oct 2008
Location: 404 Not Found
Posts: 26,996
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Is there any deathcore I might actually give a crap about, or should I just consider it a lost cause for me? I'm not really bothered, just wondering.
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#1957 (permalink) | ||
Zum Henker Defätist!!
Join Date: Jan 2011
Location: Beating GNR at DDR and keying Axl's new car
Posts: 48,199
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#1958 (permalink) |
SOPHIE FOREVER
Join Date: Aug 2011
Location: East of the Southern North American West
Posts: 35,541
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Should I check that out or is there something better out there for me? I always felt like deathcore had a lot of squandered potential.
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Studies show that when a given norm is changed in the face of the unchanging, the remaining contradictions will parallel the truth. |
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#1959 (permalink) | ||
Zum Henker Defätist!!
Join Date: Jan 2011
Location: Beating GNR at DDR and keying Axl's new car
Posts: 48,199
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#1960 (permalink) |
Born to be mild
Join Date: Oct 2008
Location: 404 Not Found
Posts: 26,996
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![]() ![]() Album title: Burials in Several Earths Artist: BBC Radiophonic Workshop Genre: Electronic/Ambient Nationality: English Release date: May 19 Position in Discography: Twenty-fourth Estimated Rating: ![]() Have I heard of this artist? n/a Have I heard anything by this artist? n/a Average RYM Score: 3.27 When I read the artist here I assumed it was just an artsy-fartsy name for some ambient producer or band, but no: this is THE BBC workshop that brought you such amazing sound effects as those you hear on Doctor Who, Blake's Seven, The Hitch-Hiker's Guide to the Galaxy, Quatermass and other well-loved and some obscure programmes (mostly sci-fi) transmitted on the BBC – some on the radio - since about the 1950s. I'm not quite sure what the point is in releasing this though, but it certainly gives an insight into the massive amount of work that went into making all those spooky, eerie and occasionally disturbing sound effects that populated the shows I used to watch as a kid. Oh, I see the workshop was forced to close in 1998 and this is one of many efforts to catalogue and release music and sounds created by them in their heyday. So, a kind of retrospective, of sorts. Well this is certainly interesting. It's hard, almost impossible to review though. There are some nice piano runs, synthy soundscapes, but mostly weird sound effects that those of us who grew up in the seventies on this side of the water will remember fondly. I imagine OH and Frownland will find a lot to like here, but this could likely be listened to and enjoyed by just about anyone. It's hardly an essential album, but definitely worth a listen. Check out more from this artist? n/a Check out more from this genre or subgenre? n/a Actual Rating: ![]()
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