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#1 (permalink) |
Born to be mild
Join Date: Oct 2008
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![]() ![]() Title: Movements Artist: Retinwaav Year: 2014 Genre: Progressive Metal/Djent Nationality: American Discography: Two albums Position in discography: First (debut) Post all your comments, reviews etc here for this album only.
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#2 (permalink) |
Born to be mild
Join Date: Oct 2008
Location: 404 Not Found
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If someone can tell me the difference between djent and post-rock I'd be in their debt, as this sounded more like the latter. Probably not a great choice to have an almost completely instrumental album to kick us off, but then that's the nature of random.
Anyway, while there's nothing about this I hated, I couldn't honestly say there was anything about it that I loved either. It was ok. Being instrumental makes it hard to pick out favourite tracks, and as with many instrumental albums I just really listened to it in the background. Starts off well, but kind of devolves into genericity fairly quickly. I do like the closer though (is that Waits on it? Hardly) as it's not only the only one with vocals (even if they are spoken not sung) but it has a nice atmospheric feel about it that the rest of the album doesn't seem to have. Word to the wise: it's eight minutes long but cuts out around five. Keep listening though, as it either comes back in or it's a hidden track, but there is more. Definitely better than a meh, and if I listened to it a few more times I might get more into it. I'm just not that inclined to. 5/10
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#3 (permalink) |
Account Disabled
Join Date: Aug 2015
Location: Aalborg
Posts: 7,634
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Somewhat reminds me of the Canvas Solaris album I have, but way less progressive and less metal. Definitely some kind of vaguely progmetal flavored post rock. There isn't immediately any component of the writing here that doesn't seem overwhelmingly familiar to me. They can't be accused of originality, that's for sure. Every pretty guitar lead ringing away in the background, every riff and chord progression... it all feels exceedingly "been there, done that" to me.
I wrote that after only 5 tracks of 13 and if this line is still there when I post, it's because the remaining 8 songs did nothing to better that impression. I'm always paying a lot of attention to how an album sounds in terms of production, mixing, the exact sounds and effects used for each intrument, etc. Sometimes, when the music gets busy, I find that the cymbal in one speaker sounds strikinly much like just a load of soft, static hissing. I can't say it sounds good to me at all. There's more clarity to how other aspects of the music is represented, but there is a certain cold and harsh quality to it that doesn't serve the generally melodic and soft music well. Some more warmth and a less modern metal style production would have served the album well. Sometimes those guitars sound incredibly much like that Canvas Solaris album I own. I said that already, but it really hits me again whenever certain sounds come back. I wonder if there's a whole subset of this genre where everyone has guitars that sound exactly like this. Sometimes tracks bleed into each other without me noticing the shift. At other times, a song will sound like it changes to an entirely different song, but it's just a new segment of the same song. Can't say the compositions seem all that cohesive or memorable. I guess what bothers me the most is how every song has almost the exact same vibe. I guess this is good if you're in a mood where you crave a very specific atmosphere, but it makes for a pretty repetitive album listening experience. Basically, this album is quite listenable, but it really isn't coming close to setting my world on fire. Don't think I have any interest in seeing if that other album is any better. The band doesn't really demonstrate much creativity here, so I guess I don't really feel like their band needs to exist. Yikes! That's harsh, but you know what I mean. They know their way around their instruments, it's just that the material is a bit bland. 5/10 PS: Around 8:30 in track 6, something moderately exciting happened for a moment, but that's not a whole lot to recommend the album by. |
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#4 (permalink) |
one-balled nipple jockey
Join Date: Dec 2010
Location: Dirty Souf Biatch
Posts: 22,006
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Movements - Retinwaav
Not bad. The guitar tapping kind of reminded me of Michael Hedges, especially on the opener. A fair band can become a good band following the Explosions in the Sky crescendo method. And then notch it up again by keeping it instrumental. Disliked the skit or whatever you want to call it at the end. More ambient and less prog would've served this record better. They're no Rush. Also, keeping the guitar patterns locked in to traditional tonality started to leave me cold. More Tim Hecker, more post-rock crescendo cliches and give me some touches of Gorguts or Flipper or something. Put some garlic in the sauce. Or take that prog thing and bend it. Still, a surprising 3/5 stars.
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#6 (permalink) |
SOPHIE FOREVER
Join Date: Aug 2011
Location: East of the Southern North American West
Posts: 35,541
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It’s a nice album. The post-rock elements work more favourably for them than their OTT progressive metal moments like Bore. A few moments get too comfortable in Chevelle-esque alt-rock sounds. If Ki was still here he’d be on this album’s nuts like Gary Busey rubbing almonds into his crotch. The album could have been trimmed down by about twenty minutes. It doesn’t reinvent the wheel, and I would have liked to have seen that because I like looking at clunky new wheels more than looking at ones that are considered perfected, but as they say, it is what it is. And it is a 5/10.
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#7 (permalink) |
Born to be mild
Join Date: Oct 2008
Location: 404 Not Found
Posts: 26,996
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![]() Title: Malligawe Ma Rejini Artist: Sujatha Attanayake Year: Genre: Dunno Nationality: Not sure: Sri Lankan? Discography: Shrug Position in discography: Double shrug Spotify Link: https://open.spotify.com/album/7mhaT...8N?si=zCX0UcB7
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#9 (permalink) |
Born to be mild
Join Date: Oct 2008
Location: 404 Not Found
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I don't see the similarities with the molam album at all. This I found highly enjoyable and entertaining, much to my surprise, given Mord's review above. She's a decent singer, unlike much of (imo) the molam gang, and though the album is 16 tracks long I never felt it was time to skip or just stop listening. Nothing brilliant, nothing I'd necessarily listen to again, but nothing I wouldn't listen to again, if you know what I mean. The only time I cringed a little was her attempt to "rock up" the song "Pawee Giya Ma" as if she was some sort of female Elvis: that was terrible. But the instrumentation sounded - dunno if it was - mostly quite ethnic, she can sing and the melodies were catchy and sort of poppy. Very palatable, and very listenable.
Quite surprised: I'll give this a good 8/10.
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#10 (permalink) |
SOPHIE FOREVER
Join Date: Aug 2011
Location: East of the Southern North American West
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I travelled to Sri Lanka and thought it sucked in context too. Annoying album tbh.
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Studies show that when a given norm is changed in the face of the unchanging, the remaining contradictions will parallel the truth. |
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