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Get on it if you can find the time, both very worth it. |
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I ended up watching more How I Met... than I wanted to in order to please a friend, and for me that's an essential ingredient in hating music too; hearing it more often than you want to. In that spirit, I invite you to enjoy the following, which I hear about four times a day:- |
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Let's use our friend Ki as an example. Hands up anyone who has laughed at or ridiculed his music taste (my own hand is up, don't worry)? |
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Spoiler for Spoiler:
I actually really liked 10 Cloverfield Lane. Haven't seen Snowpiecer yet but it's in my queu. |
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If the vocals were sung would we call it sing?
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generic bring heard it before not loud enough no wow factors
these are some of the things |
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Or just straight up singing. |
I'll take rap vocals over cookie monster stuff any day of the week. And even twice on Thursdays.
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Not to mention this, where Waits doesn't sing by any definition; this is almost a rap, long before its time. |
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I know people who won't even listen to music if the band isn't vegan, straight-edge or an advocate for Black Lives Matter or whatever. So I let them talk and then I turn on some Kid Rock. Also, I can think of two in particular that say they hate metal cause it "promotes misogyny".
I guess the takeaway here is always think hard about why you feel the way you do about music. Cause I wish some of the people around me would do that. |
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I have found rap and metal difficult genres to get a door into in the past, but that said, I've done it. I genuinely think that there's an album out there for everyone for every kind of music.
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The other bolded: no, not really. For me, there's no great secret to why I like certain music. I like it cos I like it. It makes me feel a certain way, I like the lyric, I like the melody, I like the idea of it. I don't have to explain that to nobody, which is why it irked me in the past (and still does, though to a lesser extent) when I find myself having to defend music many see as "shitty" but which I enjoy. I don't think anyone should have to defend their music. JTF is constantly on D'Angelo's dick. I hate that music. But do I let it bother me? Do I tell him constantly that I believe his music taste sucks? |
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:laughing: |
I guess there's a joke in there somewhere.
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Re: The Grateful Dead
When I was 11-12 years old (pre-internet, pre-MTV, pre-color TV :D) everyone raved about Zeppelin, Sabbath, Purple, and The Dead. I've had close to a half century love affair with Zeppelin, Sabbath, and Purple. My first stab with The Dead was the live album LIVE/DEAD. I thought it sucked after the first listen. I thought it sucked after giving it another few tries. About a year later I gave it another go and.... it sucked. Over the years I've had many Deadheads try to get me into the band harder than Tom Cruise tries to get his Hollywood buds into Scientology. They've all failed. I understand the appeal of the whole mashup of Americana, Folk, and Gospel, all wrapped up with a hint of rock and psychedelica, but the bottom line is to my ears their music is rambling and boring as hell. |
I could see you enjoying Terrapin Station maybe, but ja even as a fan of music that is generally aimless and noodly, the Dead are too aimless and noodly.
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I still haven't really found the hip hop album for me. Except M.I.A, but I feel like what she does is barely hip hop. I'm probably wrong about that, but her albums really do feel very, very different to me from any rap I've ever heard. Absolutely everything else = blah. |
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What I love about live Zep vs. what I hate about live Dead can be summed up with Dazed and Confused vs. Dark Star. During the 73 and 75 tours, Dazed could last anywhere from 20 to 45 minutes. The band definitely added a ****load of improvisational jamming that varied depending of their mood on any given night, but they always had certian triggers to maintain a sense of continuity. 1: Bass intro and wah-wah interludes 2: Main vocal theme 3: Fast instrumental and 'oriental' riffs 4: "San Francisco/Achilles Last Stand" or "Woodstock" 5: Violin bow episode leading up to a full bowed crescendo of the main theme from Gustav Holst's Mars, the Bringer of War. 6: Fast guitar solo and battle with Plant 7: Slower tempo solo and 'funky' moods 8: Violent breaks and call and response interlude 9: Faster solo in crescendos and occasional break-up tempo, some occasions combined with "Walter's Walk" or "St. Tristan's Sword" 10: New arrangement of Mars, the Bringer of War (slow and fast versions) and final frenzy 11: Return to main theme 12: Coda. Final instrumental and vocal battle inside syncopated rhythms, drum-solo and final explosion. With Dark Star the Dead would start with the basic framework of the song and then just wander aimlessly. Every now and then it worked but mostly it was just a mess because of the lack of a sense of overall structure. Some people dig that. I don't. |
Maybe don't expect Led Zeppelin from a band that isn't Led Zeppelin? Just a thought.
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Maybe don't expect peas to taste like buttered corn? Just a thought. :banghead::banghead::banghead: |
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Basically, you're saying Dead don't manage to keep things interesting when playing extended songs live, while Zep manages to keep things dynamic and surprising. At least that's what I took away from it.
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I N G O (he gets me, he really gets me :love: ) |
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The basic template of hip hop is just incredibly dull to me: Looped beats with mostly rhythmically oriented vocals tracks on top. Often very little in the way of key changes or any notable chord changes. Low on melody too, although it can appear. When hip hop gets a bit more interesting, it's usually through vocal manipulation and weirder sampling. The problem is that soundscapes, beats and lyrics aren't what I love about music. I'm very big on melody, chord structures, key changes, forward moving song structures... exactly the things hip hop mostly ignores. EDIT: Plus I tend to like traditional singing the most. There are exceptions, but my favorite singers tend towards artists with a trained voice, several octave vocal span, ability to consistently hit the right notes, etc. |
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