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12-28-2016, 03:48 PM | #11 (permalink) |
SOPHIE FOREVER
Join Date: Aug 2011
Location: East of the Southern North American West
Posts: 35,541
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When the album is so undesirable that it costs $5,000. #justfrownythings
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02-26-2017, 12:53 PM | #13 (permalink) | |
Zum Henker Defätist!!
Join Date: Jan 2011
Location: Beating GNR at DDR and keying Axl's new car
Posts: 48,199
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Dangerously close to a Chula-ism.
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02-26-2017, 01:38 PM | #14 (permalink) |
mayor of spookytown
Join Date: Jan 2017
Posts: 812
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My town's library growing up had a rather good selection, thankfully. But truly, it was 1950s (well, 1920s-50s) music on the oldies station that first made my brain light up in such a way that I was forever obsessed. To this day I probably listen to obscure crackly 50s doo-wop (Spanish covers especially--no clue why) more than any other genre. Stuff like this:
..Which also is partly why I tend to dress in 1950s clothing on a fairly regular basis, so it was pretty formative I'd say. Generally speaking, my earliest inspirations were Tom Waits, Tim Buckley, New Order, Roy Orbison, Nina Simone, and very early folk/blues in general. (John Jacob Niles, Odetta, Son House, Skip James, Jean Ritchie and Doc Watson) OH! And also, somewhat embarrassingly... Emilie Autumn. She had this peculiar brand of gothic-baroque angst (and her songs often had literary themes) which, when combined with an electric violin was irresistible for a deeply uncool goth girl. I adored Patrick Wolf and cheesy female-fronted metal bands for similar reasons. Unfortunately I apparently wasn't inspired enough to actually learn how to play a single instrument but hopefully that'll change soon. Granted, I did manage to take voice lessons throughout middle school (because I was quite obsessed with all things broadway--especially Barbara Cook at the time, and also with Loreena McKennitt) but unfortunately my voice is terrible now and I loathe my fast vibrato (which, funnily enough is quite similar to Jean Ritchie's, yet I don't like it when it's mine!)... I should have at least kept doing daily vocal exercises. But anyway! In terms of later (age 18 and older) inspirations: Leonard Cohen, Julee Cruise, Mount Eerie, Moondog, Kate Bush, Judy Collins, David Sylvian, Laurie Anderson, Dead Can Dance, Irma Thomas, Joanna Newsom and countless neoclassical/ambient artists (Nils Frahm, Harold Budd, Eluvium etc)... Newsom, Cohen and Bush in particular due to their lyrical style. |
02-27-2017, 07:42 PM | #16 (permalink) | |
mayor of spookytown
Join Date: Jan 2017
Posts: 812
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02-27-2017, 09:45 PM | #18 (permalink) |
Music Addict
Join Date: Feb 2015
Posts: 91
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My first hero was really the entirety of The Fratellis, but more so Jon Fratelli. Years ago I discovered them through Pandora, and they were the first band that really made me want to pick up a guitar.
After that came Jack White. I loved his angry playing during The White Stripes. The sloppy-yet-good style he had really made me intrigued and want to emulate that. Nowadays I look up to Jello Biafra, Jeffrey Lee Pierce and Robert Pollard mostly. Jello and Jeffrey's pure unadulterated energy and vibrato filled, high pitched voices are just mesmerizing to listen to. Jeffrey's guitar work on The Gun Club albums is also great. Robert Pollards prolific and near constant songwriting is what mostly inspires me when I look at his work. I also enjoy the lofi sound he typically has.
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02-27-2017, 10:11 PM | #19 (permalink) | |||
Music Addict
Join Date: Feb 2015
Location: The Organized Mind
Posts: 2,044
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My most inspirational and eye-opening artists would include:
Luigi Russolo John Cage Harry Partch Moondog Philip Glass Karlheinz Stockhausen Edgard Varèse Raymond Scott (and Bob Moog for that matter) Delia Derbyshire Daphne Oram Terry Riley La Monte Young Steve Reich Pierre Schaeffer Pierre Henry Wendy Carlos Brian Eno Kraftwerk's first 4 albums (I, II, Ralf & Florian, and Autobahn) Don Van Vliet Louis & Bebe Barron Perrey & Kingsley Beaver & Krause Tom Dissevelt and Kid Baltan (Dick Raaymakers) Morton Subotnick Harmonia Popol Vuh Can Fred Deakin Jimmy Cauty & Bill Drummond Manuel Gottsching Hans-Joachim Roedelius, Dieter Moebius, and Conny Plank in any of their various incarnations Klaus Schulze Karl Hyde and just about any of the artists mapped on the Electric Love infographic.
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02-28-2017, 11:16 AM | #20 (permalink) | |
V8s & 12 Bars
Join Date: Oct 2014
Location: British Columbia
Posts: 955
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Dimebag Darrell, Zakk Wylde, and Tony Iommi were the three that originally drew me into learning guitar and kept me interested in music throughout my early teens. Rob Zombie was a big one for me too.
Towards my late teens it was Robert Fripp, Michael Sandison & Marcus Eoin (Boards of Canada), Tom Jenkinson (Squarepusher), and GG Allin. These days I'm pretty blown away by the work of Steve Marriott (Humble Pie), Stephen Stills, Jerry Reed, Doc Watson, Merle Travis, Doug Sahm (Sir Douglas Quintet), most members of The Band, and Chris Robinson (The Black Crowes).
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