Originally Posted by 1blankmind Yeah. I think it's the worst genre ever.

Originally Posted by Oriphiel Hmm, what's this in my pocket? *epic guitar solo blasts into my face* DAMN IT MONDO

Originally Posted by Frownland R&B is my least favorite. I can only take too many soulfully whiny black male singers over boring beats and synths.

Originally Posted by Frownland R&B is my least favorite. I can only take too many soulfully whiny black male singers over boring beats and synths.

Originally Posted by mord Actually, I like you a lot, Nea. That's why I treat you like ****. It's the MB way.

"it counts in our hearts" ?ºº?
“I have nothing to offer anybody, except my own confusion.” Jack Kerouac.
“If one listens to the wrong kind of music, he will become the wrong kind of person.” Aristotle.
"If you tried to give Rock and Roll another name, you might call it 'Chuck Berry'." John Lennon
"I look for ambiguity when I'm writing because life is ambiguous." Keith Richards

Originally Posted by Neapolitan Old or new? Because old R&B from the 70s is the best thing since slice bread.

Originally Posted by jwb A middle class job sounds like a boring menu option at a brothel

Originally Posted by The Batlord I'm not even mad. Seriously I'm not. You're a good dude, and I think and hope you'll become something good

Originally Posted by Qwertyy ^ Old man syndrome

Originally Posted by J.R.R. Tolkien There is only one bright spot and that is the growing habit of disgruntled men of dynamiting factories and power-stations; I hope that, encouraged now as ‘patriotism’, may remain a habit! But it won’t do any good, if it is not universal.

Originally Posted by Chula Vista Shoegaze = Stupidest genre name ever. Music sucks too.

Originally Posted by Chula Vista Shoegaze = Stupidest genre name ever. Music sucks too.

‘A little punk, a little jazz, a little shoegaze’: meet the new blues Since its inception in the American south in the early years of the 20th century, the blues has been repeatedly rethought, redreamed, restructured and re-presented; from the early blues WC Handy heard played in a Tutwiler railway station, to the female blues singers such as Mamie Smith and Ma Rainey in the 1920s, the Delta blues of Robert Johnson, and the electric blues of T-Bone Walker, and on to the British blues of the 50s and 60s that brought Alexis Korner, Led Zeppelin, the Rolling Stones and Eric Clapton, as well as more recent incarnations, led by the White Stripes and the Black Keys. It has spun out from spirituals and slave plantations, crossed gender, race, class, states, rivers and oceans, and been played in juke joints, cellar bars, concert halls and stadiums.