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-   -   Smashing Pumpkins ****ing Suck Balls! (https://www.musicbanter.com/general-music/86662-smashing-pumpkins-ing-suck-balls.html)

Frownland 06-24-2016 05:32 PM

Quote:

Originally Posted by 1blankmind (Post 1714048)
Yeah. I think it's the worst genre ever.

R&B is my least favorite. I can only take too many soulfully whiny black male singers over boring beats and synths.

Mondo Bungle 06-24-2016 05:40 PM

it's right there https://en.wikipedia.org/wiki/Shoegazing

Blank. 06-24-2016 06:08 PM

Quote:

Originally Posted by Frownland (Post 1714055)
R&B is my least favorite. I can only take too many soulfully whiny black male singers over boring beats and synths.

I could agree. But i find the soft tone of shoegaze to be annoying.

Neapolitan 06-24-2016 06:53 PM

Quote:

Originally Posted by Frownland (Post 1714055)
R&B is my least favorite. I can only take too many soulfully whiny black male singers over boring beats and synths.

Old or new? Because old R&B from the 70s is the best thing since slice bread.

Psy-Fi 06-24-2016 07:24 PM

Quote:

Originally Posted by Neapolitan (Post 1714065)
Old or new? Because old R&B from the 70s is the best thing since slice bread.

Include the 50's & 60's in that mix and now you're on it! :cool:

Chula Vista 06-24-2016 08:23 PM

Shoegaze = Stupidest genre name ever. Music sucks too.

R+B = Awesome!!!!!!

Ol’ Qwerty Bastard 06-24-2016 08:27 PM

^ Old man syndrome

The Batlord 06-24-2016 08:38 PM

Quote:

Originally Posted by Qwertyy (Post 1714080)
^ Old man syndrome

Will the shocking revelations ever stop?

Frownland 06-24-2016 08:52 PM

Quote:

Originally Posted by Chula Vista (Post 1714077)
Shoegaze = Stupidest genre name ever. Music sucks too.

Also: huge part of Smashing Pumpkins' sound.

Key 06-24-2016 09:17 PM

Quote:

Originally Posted by Chula Vista (Post 1714077)
Shoegaze = Stupidest genre name ever. Music sucks too.

https://www.theguardian.com/music/20...-the-new-blues

Quote:

‘A little punk, a little jazz, a little shoegaze’: meet the new blues

Since its inception in the American south in the early years of the 20th century, the blues has been repeatedly rethought, redreamed, restructured and re-presented; from the early blues WC Handy heard played in a Tutwiler railway station, to the female blues singers such as Mamie Smith and Ma Rainey in the 1920s, the Delta blues of Robert Johnson, and the electric blues of T-Bone Walker, and on to the British blues of the 50s and 60s that brought Alexis Korner, Led Zeppelin, the Rolling Stones and Eric Clapton, as well as more recent incarnations, led by the White Stripes and the Black Keys. It has spun out from spirituals and slave plantations, crossed gender, race, class, states, rivers and oceans, and been played in juke joints, cellar bars, concert halls and stadiums.


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