Machine |
02-28-2016 04:48 PM |
Quote:
Originally Posted by OccultHawk
(Post 1683125)
Criticisms:
He's a bad story teller.
His song structures are cliche.
The mood he goes for is painfully obvious.
The percussion tries to be big and strong but in fact it's weak like a wet paper bag.
His voice is fake and stupid like someone who only sings in falsetto but on the other end.
He can't write a good hook.
The sentimentality doesn't work because it's cheap.
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In what sense are his stories bad?
Well he uses pop song structures because he makes pop music with "a twist", he experiments on existing formulas. That's what makes him so interesting.
The "mood" should be obvious to the listener, that's the point of having a mood.
Not really sure what you're trying to get at with the percussion critique at all. As if you know the intent of the artist.
In that sense so is Bob Dylan's voice. It's part of his style to sing in that gravely tone, that's part of what makes him unique.
Well I just disagree with the hook thing. Not to mention you don't need a hook to write a great song.
Why is it cheap?
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