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01-31-2016, 07:50 AM | #28 (permalink) | ||||
Music Addict
Join Date: Feb 2015
Location: The Organized Mind
Posts: 2,044
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Underworld’s Dubnobasswithmyheadman was a milestone in the history of electronic music. It was the first thing I’d ever heard that wasn’t top 40 pop radio and it blew my mind. If “Born Slippy” (aka "that song from Trainspotting") is all you know of Underworld, do yourself a favor and give “Dark and Long,” “Dirty Epic” and “Cowgirl” a solid listen. The most accurate term I’ve found for this album so far has been “progressive house” and if you follow the evolution of their sound from their synth-pop beginnings in ’78 to their stage play scores and Karl Hyde's collaborations with Brian Eno, you’ll see what I mean. Dubnobass has only gotten better with age.
Just as Lemon Jelly’s art is created by Airside, Karl pilots a similarly innovative design collective called Tomato. With an impressive global client base including Levi, Nike, and Coca-Cola, the team is also responsible for Underworld’s incredible typographical album art. The very first moment I saw this album I knew I had to pursue a degree in the field of graphic design, and I’ve never looked back. Over 400 Underworld releases later, it’s led me to delve deep into the history of ambient and electronic music, studying everything from Satie and Stockhausen to Cage and Eno and thousands of other artists. This album changed my life. I've an archival copy of an issue of Melody Maker from 1994 which expertly describes the sounds of Dubnobass... Quote:
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01-31-2016, 08:24 AM | #29 (permalink) |
SOPHIE FOREVER
Join Date: Aug 2011
Location: East of the Southern North American West
Posts: 35,541
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His name is Mahavishnu Orchestra, duh.
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Studies show that when a given norm is changed in the face of the unchanging, the remaining contradictions will parallel the truth. |
01-31-2016, 08:28 AM | #30 (permalink) | |
Mate, Spawn & Die
Join Date: May 2007
Location: The Rapping Community
Posts: 24,593
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Ah, how could I have been do blind? |
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