The Torture Chamber

grindy · 10-15-2015, 06:25 AM

Any thoughts/ideas on changing the point system?
I really doubt that anyone will be unable to finish an album thrown at him.
I know I won't, I'm toughened up from driving in the car with my dad, listening to terrible dad music.

The Batlord · 10-15-2015, 06:27 AM

Quote:

Originally Posted by Trollheart

Ah, some of my pet hates collide! Sixties garage rock, psychedelia, drugs and long albums.

You've never taken drugs a day in your life.

Oriphiel · 10-15-2015, 06:55 AM

Great job getting through those albums, Grindy and Trollheart!

Quote:

Originally Posted by grindy

I want to hear him being sad, not happy. He doesn't deserve it.

^ My favorite line.

Quote:

Originally Posted by Trollheart

Guess that's Suzy Creamcheese. That name sounds familiar: something to do with Floyd?

Word on the street is that she was with Zappa and The Mothers for awhile. After leaving, she came back and showed up for one of their gigs. Someone on the stage started yelling across the room, trying to have a conversation with her. Something along the lines of "Suzy? Suzy Creamcheese? What's going on with you?" Anyway, everyone in the audience had no idea what was going on, and thought that the guy on stage was just freaking out and shouting random stuff. Frank eventually wrote a song based on the exchange ("Son of Suzy Creamcheese"), and other Psychedelic musicians made their own songs of it as well.

Quote:

Originally Posted by Trollheart

Oh man, they said “Groovy!” Where's me kaftan? Ah, he sneezed! This is ****ing great!

**Frownland** · 10-15-2015, 10:05 AM

Insane Clown Posse - The Great Milenko

One of my close friends from elementary school was a diehard ICP fan, so I've heard my fair share of the group. Maybe I can end up enjoying this album for the sake of nostalgia.

1. Intro - Well, I guess the redneck's music box done broke and it was possessed by a hype man who introduces The Great Milenko.
2. Great Milenko - The beat is some standard horrorcore stuff. It's not particularly bad, but it just sits there without being compelling. The emcees, while they rely on extremely lazy rhymes, at least have a little variety in their vocal styles.
3. Hokus Pokus - Carried on with the last track, but this time the beat lingers for four minutes and gets pretty annoying by the end.
4. Piggie Pie - Starts off with a sound clip from the pig ****ing scene in Calvaire, or so I assume. Then we get one of them shouting us into the song in a high pitched voice. A little more guitar based in this beat, just more of the same as before: the beats are not particularly offensive, but they don't have many redeeming qualities. Jesus, the flow on this one is atrocious. I'd talk about the lyrics a little bit, but with lines like
"The first little piggy, his house is made of wood
He lives in a chicken turkey piggy neighborhood
He likes to **** his sister, and drink his moonshine",
I don't think I can give it credit with analysis. There are just too many layers, it's so deep. Ends with a little skit with a suicidal guy getting taunted.
5. How Many Times? - That hook is pretty ****ing hilarious tbh, the white dudes pretending to have some accent from who the **** knows where is adorable. If this was on in the background at a party, I'd probably not notice it. Flat beat, angry delivery with lazy lyrics (rhyme look with book, wow). The only torturous thing about this record so far is that what could easily be 2 minute tracks are stretched out to 6 minutes. Ends with a little changeup, and oh! His mom is calling him in! Oh you guys, that's hilarious.
6. Southwest Voodoo - At least they started this one off with some different sounds before falling back into the same old ****. One of these guys sound like Adam Yauch's retarded cousin. I'm not even listening to the lyrics at this point unless one of them sticks out to me. **** that hook sucks, probably the first to fall under the tortury side of things. A little skit at the end about some circus, whatever.
7. Halls of Illusion - Apparently Slash is on this one, that's not a very good sign. Are these guys unsuccessfully trying to be scary or are they self parody? It's hard to tell, they're pretty convincing. More flat beats with a four chord guitar riff. Did they really need Slash for that? They could have asked the 10 year old across the street to play it for them. Oh wait, we have some pitch bends--only Slash is capable of this (for Trollheart's sake, I'd like to point out that I'm not serious here). Meh.
8. Under the Moon - Giggling fat dudes kick off the track before we get more of the same. This album is in desperate need of variety. Same type of weak beat, very similar one the nose flow, boring hook. This choice would have worked better in the boredom chamber. Are they saying **** the moon? I agree, gentlemen.
9. What Is a Juggalo? - Apparently juggalos are nudist badasses because they like, smoke weed in public and ****. They're so unique they're like dead people, too. Some gassy beatboxing and we're done.
10. House of Horrors - Starts off with a little skit for a house of horrors that leads into yet another uninspired beat. The mouth sounds are a nice touch. These guys are a lot more interesting when they're not forming words. This one is full of stupid and unnecessary interludes. FFS dude let's get this over with.
11. Boogie Woogie Woo - Some female vocals here, I'll assume they're sampled for obvious reasons. Really nothing else to say that hasn't been said above. "Wash your feet, bitch" is a quality line though.
12. The Neden Game - Starts with a skit with a matchmaker thing with the emcees. The guy is so badass that he's willing to show his date's family his tic tac dick and yell at her mother. Oh, I guess he's in his underwear now? Wow all of these guys are psychopaths and schizophrenics, that's so awesome! Because they're like all crazy and **** or something. At least this song has an interesting enough format to stick out from the other ones, with the girls asking questions and the emcees responding with a verse.
13. Hellalujah - Haha! Get it? HELLalujah? Hahahahahahahaha! It's usually HALLelujah! Oh man, these guys are some of the funnier rappers on the planet. Starts off with unrelated soundbites before leading into a preacher, because of the Hallelujah theme. Oh the preacher is asking for money, that's deep man.
14. Down With the Clown - A better title for this track might be "Only Three Tracks Left." A rednecky skit begins things. Then some more of the weak beats. Waiting for the end, really. The suicidal guy is back. Now he's gone.
15. Just Like That - More of the same, at least this one's less than two minutes long as opposed to the 4+ minute standard that this album sets up.
16. Pass Me By - Well, this hook is a little different, more melodic. The beat's a little funkier than the other ones. I got what I wished for with them changing things up slightly, for better with the beat but for worse with the hook. "We all gon' die" is some of the most profound **** I've ever heard. At least I didn't have to sit through a little skit at the end.

Well, too bad I didn't have any flashbacks to being in my friend's house while his mom smoked meth on the back porch, those were some good times. The only torturous bit about this is the monotony. Mother****ers rework the same type of beat, stick to four or five different rhyming rhythms, and try to be all spooky or whatever. I guess you failed, but towards the end I will admit it was a little trying.

Torture Rating: I'll give it a 25%.

Trollheart · 10-15-2015, 01:11 PM

Quote:

Originally Posted by grindy

Any thoughts/ideas on changing the point system?
I really doubt that anyone will be unable to finish an album thrown at him.
I know I won't, I'm toughened up from driving in the car with my dad, listening to terrible dad music.

We can of course change it to a simple win/lose thing, but the problem with that is what happens when someone quits halfway (as one of us will, believe me it's only a matter of time) or gets almost to the end of the album to find, say, a fifteen-minute closer is too much? They officially didn't make it and so lose, but surely they'd expect something for their efforts? Which is why I made the system as it is.

I also would not be too overconfident here. We've all done well but we've had barely a few albums here. If this gets popular, that could increase a hell of a lot and I am sure that there are some horrible albums out there. We're all just being mega-hard here, I know, nobody wanting to be the one who pussies out. But at some point one or more of us are going to fold. Let's see how it goes: it's early days yet.

Quote:

Originally Posted by The Batlord

You've never taken drugs a day in your life.

I don't have to have taken them for them to be a pet hate. I also hate paedos, but I've never sexually assaulted a child.

Quote:

Originally Posted by Oriphiel

Great job getting through those albums, Grindy and Trollheart!

Thanks! Your Pebbles one was tough going at times, I'll admit. Luckily they were all short tracks.

Quote:

Word on the street is that she was with Zappa and The Mothers for awhile. After leaving, she came back and showed up for one of their gigs. Someone on the stage started yelling across the room, trying to have a conversation with her. Something along the lines of "Suzy? Suzy Creamcheese? What's going on with you?" Anyway, everyone in the audience had no idea what was going on, and thought that the guy on stage was just freaking out and shouting random stuff. Frank eventually wrote a song based on the exchange ("Son of Suzy Creamcheese"), and other Psychedelic musicians made their own songs of it as well.

Ah, Zappa yeah: I knew I heard it somewhere.

:

Ah, Zappa yeah: I knew I heard it somewhere.

**Frownland** · 10-15-2015, 01:19 PM

Drugs are wonderful Trollheart. Get your priorities straight.

Oriphiel · 10-15-2015, 01:21 PM

Quote:

Originally Posted by Frownland

Drugs are wonderful Trollheart. Get your priorities straight.

Ninetales · 10-15-2015, 01:38 PM

Quote:

Originally Posted by Trollheart

In case you don't want to bother reading the OP, you're currently waiting to listen to that Gravedigger V album, courtesy of Orpihiel. The challenged is always first on the battle, then the challenger. Or, if you like, the tortured and the torturer.

Gotcha. Ill try and give it a listen today but most likely itll be sometime on the weekend.

The Batlord · 10-15-2015, 01:59 PM

Quote:

Originally Posted by Trollheart

I don't have to have taken them for them to be a pet hate. I also hate paedos, but I've never sexually assaulted a child.

Just to put your mind at rest, I can count on one hand the amount of times I've smoked a joint and then woken up in a kindergarten with my pants around my ankles. You're worrying over nothing.

**Frownland** · 10-15-2015, 02:02 PM

There are not enough hands in the world to count how many times you've done that sober, though.

See Trollheart? Marijuana eliminates paedophilic urges.

10-15-2015, 06:25 AM	#81 (permalink)
grindy . Join Date: Oct 2014 Location: . Posts: 7,201	Any thoughts/ideas on changing the point system? I really doubt that anyone will be unable to finish an album thrown at him. I know I won't, I'm toughened up from driving in the car with my dad, listening to terrible dad music. __________________ *A smell of petroleum prevails throughout.*

10-15-2015, 10:05 AM	#84 (permalink)
Frownland SOPHIE FOREVER Join Date: Aug 2011 Location: East of the Southern North American West Posts: 35,541	Insane Clown Posse - The Great Milenko One of my close friends from elementary school was a diehard ICP fan, so I've heard my fair share of the group. Maybe I can end up enjoying this album for the sake of nostalgia. 1. Intro - Well, I guess the redneck's music box done broke and it was possessed by a hype man who introduces The Great Milenko. 2. Great Milenko - The beat is some standard horrorcore stuff. It's not particularly bad, but it just sits there without being compelling. The emcees, while they rely on extremely lazy rhymes, at least have a little variety in their vocal styles. 3. Hokus Pokus - Carried on with the last track, but this time the beat lingers for four minutes and gets pretty annoying by the end. 4. Piggie Pie - Starts off with a sound clip from the pig **ing scene in Calvaire, or so I assume. Then we get one of them shouting us into the song in a high pitched voice. A little more guitar based in this beat, just more of the same as before: the beats are not particularly offensive, but they don't have many redeeming qualities. Jesus, the flow on this one is atrocious. I'd talk about the lyrics a little bit, but with lines like "The first little piggy, his house is made of wood He lives in a chicken turkey piggy neighborhood He likes to his sister, and drink his moonshine", I don't think I can give it credit with analysis. There are just too many layers, it's so deep. Ends with a little skit with a suicidal guy getting taunted. 5. How Many Times? - That hook is pretty ing hilarious tbh, the white dudes pretending to have some accent from who the knows where is adorable. If this was on in the background at a party, I'd probably not notice it. Flat beat, angry delivery with lazy lyrics (rhyme look with book, wow). The only torturous thing about this record so far is that what could easily be 2 minute tracks are stretched out to 6 minutes. Ends with a little changeup, and oh! His mom is calling him in! Oh you guys, that's hilarious. 6. Southwest Voodoo - At least they started this one off with some different sounds before falling back into the same old . One of these guys sound like Adam Yauch's retarded cousin. I'm not even listening to the lyrics at this point unless one of them sticks out to me. that hook sucks, probably the first to fall under the tortury side of things. A little skit at the end about some circus, whatever. 7. Halls of Illusion - Apparently Slash is on this one, that's not a very good sign. Are these guys unsuccessfully trying to be scary or are they self parody? It's hard to tell, they're pretty convincing. More flat beats with a four chord guitar riff. Did they really need Slash for that? They could have asked the 10 year old across the street to play it for them. Oh wait, we have some pitch bends--only Slash is capable of this (for Trollheart's sake, I'd like to point out that I'm not serious here). Meh. 8. Under the Moon - Giggling fat dudes kick off the track before we get more of the same. This album is in desperate need of variety. Same type of weak beat, very similar one the nose flow, boring hook. This choice would have worked better in the boredom chamber. Are they saying the moon? I agree, gentlemen. 9. What Is a Juggalo? - Apparently juggalos are nudist badasses because they like, smoke weed in public and . They're so unique they're like dead people, too. Some gassy beatboxing and we're done. 10. House of Horrors - Starts off with a little skit for a house of horrors that leads into yet another uninspired beat. The mouth sounds are a nice touch. These guys are a lot more interesting when they're not forming words. This one is full of stupid and unnecessary interludes. FFS dude let's get this over with. 11. Boogie Woogie Woo - Some female vocals here, I'll assume they're sampled for obvious reasons. Really nothing else to say that hasn't been said above. "Wash your feet, bitch" is a quality line though. 12. The Neden Game - Starts with a skit with a matchmaker thing with the emcees. The guy is so badass that he's willing to show his date's family his tic tac dick and yell at her mother. Oh, I guess he's in his underwear now? Wow all of these guys are psychopaths and schizophrenics, that's so awesome! Because they're like all crazy and or something. At least this song has an interesting enough format to stick out from the other ones, with the girls asking questions and the emcees responding with a verse. 13. Hellalujah - Haha! Get it? HELLalujah? Hahahahahahahaha! It's usually HALLelujah! Oh man, these guys are some of the funnier rappers on the planet. Starts off with unrelated soundbites before leading into a preacher, because of the Hallelujah theme. Oh the preacher is asking for money, that's deep man. 14. Down With the Clown - A better title for this track might be "Only Three Tracks Left." A rednecky skit begins things. Then some more of the weak beats. Waiting for the end, really. The suicidal guy is back. Now he's gone. 15. Just Like That - More of the same, at least this one's less than two minutes long as opposed to the 4+ minute standard that this album sets up. 16. Pass Me By - Well, this hook is a little different, more melodic. The beat's a little funkier than the other ones. I got what I wished for with them changing things up slightly, for better with the beat but for worse with the hook. "We all gon' die" is some of the most profound I've ever heard. At least I didn't have to sit through a little skit at the end. Well, too bad I didn't have any flashbacks to being in my friend's house while his mom smoked meth on the back porch, those were some good times. The only torturous bit about this is the monotony. Motherers rework the same type of beat, stick to four or five different rhyming rhythms, and try to be all spooky or whatever. I guess you failed, but towards the end I will admit it was a little trying. Torture Rating*: I'll give it a 25%. __________________ Studies show that when a given norm is changed in the face of the unchanging, the remaining contradictions will parallel the truth.* d e a f b o x Last edited by Frownland; 10-17-2015 at 09:32 AM.

10-15-2015, 01:19 PM	#86 (permalink)
Frownland SOPHIE FOREVER Join Date: Aug 2011 Location: East of the Southern North American West Posts: 35,541	Drugs are wonderful Trollheart. Get your priorities straight. __________________ Studies show that when a given norm is changed in the face of the unchanging, the remaining contradictions will parallel the truth. d e a f b o x

10-15-2015, 02:02 PM	#90 (permalink)
Frownland SOPHIE FOREVER Join Date: Aug 2011 Location: East of the Southern North American West Posts: 35,541	There are not enough hands in the world to count how many times you've done that sober, though. See Trollheart? Marijuana eliminates paedophilic urges. __________________ Studies show that when a given norm is changed in the face of the unchanging, the remaining contradictions will parallel the truth. d e a f b o x