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At the end of the day, it's a pop rock album. It sold over a million copies, and yet we have elements of free jazz as we get a trumpet explosion at the end of The National Anthem, we have odd time signatures, we have glitch-inspired IDM fused with rock that samples Paul Lanksy and which speaks of the end of the world in Idioteque, we have an affecting and powerful ballad in How to Disappear Completely and we have a subtle ambient piece in Tree Fingers. It's got to be one of the most expansive, weird, divergent yet cohesive pop albums ever created. But more than all of that, it simply works as a whole on some level, the electronic features always enhancing the rock music it is founded upon. It might not be post-rock per se, but it certainly laid a groundwork for a very welcome change in mainstream rock. |
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All right, this is my first experience of it as I said, but to quote one of the guys out of "Father Ted", it bored the arse off me. After In Rainbows, and considering this is supposed to be one of their crowning achievements, I pretty much hated it.
So I'm afraid I'm no use to you, Frown, it just did nothing for me. Whiny singing, synth and electronic drumming, no interest till the fourth track and then only barely, and free effing jazz? Not for me. |
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Never got Kid A either. Would take In Rainbows over it any day. Great example of What am I missing"?
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The White Album
If anyone feels like they can enlighten me with why this album is "so good", i'd love to know. I've actually talked about this before in one of my journals about albums that I don't really find that great, so i'm glad I can bring it up again. |
Because of this song alone
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