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Born to be mild
Join Date: Oct 2008
Location: 404 Not Found
Posts: 26,996
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![]() ![]() Title: Disintegration Artiste: The Cure Genre: New Wave Familiarity: I know some of The Cure's music, and have heard Seventeen Seconds, which I enjoyed, though if I remember it's all instrumental. Recommended by: Pet_Sounds Expectations: Not sure really. I don't know enough of their music to have an idea what to expect. They did some pretty poppy stuff, like “Friday I'm in love” and “Love cats”, but then there's some much deeper, more introspective stuff too. 1. Plainsong: Love the opening to this; very dramatic, very synth-driven with maybe darkwave overtones? Vocal sort of snakes its way in, like someone joining an ongoing conversation at a party and trying to pretend they were part of the group all along. 2. Pictures of you: This has a certain U2 feel to it. Vocal is much clearer, little more uptempo and more on the pop side of things than the previous track. 3. Closedown: Great synthy power on this one, very darkwave again with a nice kind of rolling drumbeat and some clever little guitar riffs. I think. 4. Lovesong: This is a great upbeat pop song, very catchy. Like the sprinkly peppy keys and the riff running through it. Again some nice guitar. 5. Last dance: Yeah I like this one. Kind of mixed darkwave with pop, and does it quite well. 6. Lullaby: Seems pretty straightforward rock here, with a lovely sweeping synth line. Has a sense of creeping dread about it. Think this was a single? Sounds familiar anyway. Yeah it was; thought I recognised it. 7. Fascination Street: Great buildup in this one; like it too. 8. Prayers for rain: Darker, bit more menacing. Reminds me a little of Gary Numan in places. 9. The same deep waters as you: Is it odd that this begins with the sound of thunder and rain, when the last one was called “Prayers for rain”? Anyway, it's got a really nice dark slow synthy vibe to it. Love the way it sort of shuffles along like a child who doesn't want to go to bed/school etc. 10. Disintegration: Perfect juxtapositioning. After a slow, darkwave piece we get a boppy, uptempo one with some nice upbeat guitar and piano. 11. Homesick: This starts as a lovely acoustic ballad, mostly instrumental but vocals do come in in the last two minutes. It's really nice. 12. Untitled: Lovely soft little laidback closer. Perfect. End result: I read that Robert Smith hated the popularity that the band courted, but you can see why that happened. This is a great, great album and there isn't one song on it I don't like. So, Love or Hate? It's a very definite Love.
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