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03-29-2014, 12:09 PM | #71 (permalink) |
silky smooth
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Here are some songs with powerful messages or profound themes from the 2010's:
1. Lady Gaga - Born This Way supports LGBT community 2. Eminem - Not Afraid inspirational, don't back down, etc 3. Macklemore - Same Love obvious 4. Katy Perry - Firework self-empowerment 5. Bruno Mars - Grenade interesting take on a love song 6. Adele - Someone Like You another really powerful love song 7. Kelly Clarkson - Stronger self empowerment 8. Fun - We Are Young obvious 9. Fun - Some Nights incredible lyrics, social isolation, depression 10. Gotye - Somebody That I Used to Know pretty obvious, interesting take on **** going terrible after a relationship 11. Lorde - Royals pretty much making fun of the typical pop star lifestyle 12. Cee-Lo Green - Forget You obvious 13. Pink - ****in Perfect depression, isolation 14. Demi Lovato - Skyscraper self empowerment, believing in yourself etc 15. Foster the People - Pumped Up Kicks literally describes the homicidal thoughts of a troubled child, this song is extremely edgy and incredible 16. Drake - Started From the Bottom obvious 17. A Great Big World - Say Something obvious 18. Passenger - Let Her Go great little folk song, awesome introspective lyrics 19. Bastille - Pompeii lyrics are about the town that was destroyed by the volcano 20. One Republic - Counting Stars calls for social revolution. "no more counting dollars, we'll be counting stars" Every single one of those songs was at least top 10 on the Billboard charts, meaning they were very popular songs. A very common theme I noticed is women singing about self-empowerment.
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03-29-2014, 12:18 PM | #72 (permalink) |
Out of Place
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Ke$ha - Blah, Blah, Blah
This song is an anthem for modern feminism, in her lyrics you can see that she is tired of playing games and just wants the D, no foreplay, no unnecessary courtship, let's just have sex. When she says: "Don't be a little bitch with your chit-chat, just show me your dick's at" She is really saying: "Hey, us girls nowadays don't have to live being repressed with our sexuality. you don't have to chase me and impress me with some nonsense just whip it out and shut up" I don't have to say this is HORRIBLE ADVICE but that's not the point, the point is to reflect the female mindset nowadays, how women no longer have to be chased for sex and how now they can finally admit they want to have sex too.
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03-29-2014, 12:39 PM | #73 (permalink) | ||
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Dude, those are twenty songs. I'm sure if we went back to 1967 and listened to the radio for a year we would both be flabbergasted by just how much complete and utter crap we had to suffer through to get to those songs. Hindsight is a bitch.
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03-29-2014, 12:42 PM | #74 (permalink) | ||
Oracle
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Unfortunately half of those tunes, are all mainstream for that time....
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03-29-2014, 12:44 PM | #75 (permalink) |
SOPHIE FOREVER
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Not to mention that they're pulled from a ten year span.
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03-29-2014, 01:00 PM | #76 (permalink) | |
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Yeah but most of them seemed to be from the general 66-68 period.
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03-29-2014, 01:07 PM | #77 (permalink) | ||
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And it all ended with Altamont....
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03-29-2014, 01:16 PM | #78 (permalink) | |
Zum Henker Defätist!!
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I think you have a rose colored view of the sixties. I doubt the majority of youngsters were really into the whole counter-culture, and a lot of those that were were probably just in it for the drugs and trying to talk chicks into free sex. I don't really see it as some kind of grand movement where the youth were asserting themselves to try to change the world, I just think kids who would normally have been working at that age only a couple decades ago had more money and free time than they knew what to do with and decided they'd do drugs and bitch about the government.
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03-29-2014, 01:18 PM | #79 (permalink) | |
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Respect was written by Otis Redding, but Aretha's version gave it that extra dimension and definition. Psychotic Reaction is just about hearing a guy's complaints about not getting a girl's love with an extra Psychedelic kick, but knowing the Garage Punk era offers a good reason why this song connected one the words were heard. "I must stay away" hits the "Old Man vs. Long Hair/Undesirable Teen" angle perfectly, and in the age when hair really meant a lot (it was an era when a few NBC affiliates decided not to show the Monkees for just being a show about Long Haired Rock Musicians, for example!) gives it more of that easy to relate to flavor, although that "Would you like to take a ride now" sounds wither sinister or clever (as in "Tell them you're going to the Library"). Obviously the lyrics sound more like they were just tossed off ("I can't get satisfaction!"...now where did we hear that one before? Ha! Ha!), but the delivery and style did offer it some substance. If you're looking for something a little more meatier, a great replacement within the Garage Punk scene would be something from the 13'th Floor Elevators, who actually had some serious mind bending lyrics (Slip Inside This House, especially), or even The Music Machine, who's Sean Bonniwell had a way with inserting something thought provoking in his lyrics - ie their most popular song "Talk Talk" about a troubled teen with a heavy bout of paranoia and fear ("I cry out for justice and admit that I was wrong/I'll stay in hibernation until the talk subsides till gone"). A far better example is the Boyce/Hart classic "Last Train to Clarksville" made famous by the Monkees... Last Train to Clarksville - Wikipedia, the free encyclopedia |
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03-29-2014, 01:18 PM | #80 (permalink) | |||
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stoic!
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