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#21 (permalink) | |||
Certified H00d Classic
Join Date: Oct 2008
Location: Bernie Sanders's yacht
Posts: 6,129
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P.S. - I am very much looking forward to Metal Week!
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Anteater's 21 Fav Albums Of 2020 Anteater's Daily Tune Roulette Quote:
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#22 (permalink) |
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Join Date: Dec 2010
Posts: 13,153
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I'll mention one for the moment.
Linkin Park - Meteora ![]() I'm pretty happy to see that somebody else mentioned a Linkin Park album on this thread. Anyway, this album is one of the main reasons why I got into music in the first place, since it was also one of the first actual music albums I bought on my own. I remember knowing it existed and I also remember saving up all the money I could just to get to a CD shop and buy it. Unfortunately, when I finally found it, I still didn't have enough since it was a little bit more than I had. The best thing was when my dad decided to help me pay for the rest because he knew how much I wanted it. So that night, I listened to it and fell in love with it and got to my favorite song Breaking The Habit. I'm sure that's everybody favorite off the album since MTV showed that music video a lot back then. Anyway, i'm rambling a lot here, but this album was a huge step forward in what I think of music now, and it helped me get into many other genres and artist. |
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#23 (permalink) | |
Born to be mild
Join Date: Oct 2008
Location: 404 Not Found
Posts: 26,992
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Trollheart: Signature-free since April 2018 |
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#24 (permalink) | ||
A.B.N.
Join Date: Aug 2006
Location: NY baby
Posts: 11,451
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I adopted the "I won't be ignored" motto to my lifestyle as well because I feel like even if I'm having a disagreement with someone. I feel like we should be adults and find out where the miscommunication happened. Talk out about our gripes and see if we can come to an understanding or agree to disagree. If you place me on ignore or just passively ignore me then there won't be any resolution and I feel like that's the worst thing to just have conflicts not be resolved in some capacity.
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Fame, fortune, power, titties. People say these are the most crucial things in life, but you can have a pocket full o' gold and it doesn't mean sh*t if you don't have someone to share that gold with. Seems simple. Yet it's an important lesson to learn. Even lone wolves run in packs sometimes. Quote:
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#25 (permalink) | |
Born to be mild
Join Date: Oct 2008
Location: 404 Not Found
Posts: 26,992
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Trollheart: Signature-free since April 2018 |
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#26 (permalink) |
cooler commie than elph
Join Date: Sep 2012
Location: In a hole, help
Posts: 2,811
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![]() ![]() Queen - A Night at the Opera This is one of the main reasons I get all defensive when anyone mentions Queen. I discovered Bohemian Rhapsody trough Disney Channel (I know), a muppet "parody". A week later or so, me and my dad went out to buy this album. It was my first own CD (or Bruce Springsteen - The River, whatever, I don't know), and it led to me becoming a Queen fan, which I've been for the last, maybe four years or so.
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#27 (permalink) |
Account Disabled
Join Date: Nov 2012
Location: The Black Country
Posts: 8,827
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I'll go with this one as I reckon I can describe it the best. You guys are much better reviewers and writers than I am though.
![]() Dizzee Rascal - Boy In Da Corner Back when this came out, I was a Hip-Hop fan and only really listened to the mainstream Americans. I was familiar with the Garage thing happening in the UK at the time (particularly Oxide & Neutrino and So Solid) and I even liked some of it and bought the music but it was quite one dimensional and to be honest the MC's were shit, people were still spitting with American accents around this time, that's all there really was then. And then Dizzee came along with his high pitched, chirpy Cockney accent. A mate had sent me I Luv U over MSN that summer and I remember thinking 'WTF is this?'. It was being labeled as Garage but sounded nothing like it, or anything I'd heard before (or since actually.) The content was fresh and real, as opposed to the predictable shit that you'd already heard on Garage a thousand times over (clubs, champagne, girls, etc.) Dizzee was rawer than everyone else before him. And it was hard. It was a track that exploded out of nowhere, everybody rated it, it didn't get to number 1 but it was played everywhere. I think it's comparable to something like Anarchy In The UK in the way that it crossed over because of how shocking and abrasive it was. This album's content is pretty much the polar opposite to the sort of thing that Garage MC's had done up until then. Tracks like Jezebel and Brand New Day... when you're a teenager at that time it's easy to relate to these tracks, it was the ugly side to the same culture Garage music encapsulated. We all knew a girl in the ends like the one in Jezebel and Dizzee's self expression on Brand New Day was concise and emotive; anyone who has been in a similar position will have felt like that at some point when you're growing up, it was a representation of you. 'Big shout to the boy who thinks he's a don, you're looking at your Avirex thinking you're a don' is a perfect description of how cocky and confrontational you can be at this point and how pointless a lot of teenage squabbling is when you're in school or in the ends. When I listen to the lyrics on this a lot of it reminds me of the people around me and myself, being a dickhead on the back of the bus, nicking phones and a load of other shit. That's exactly what was going on then and Dizzee is talking about it. Everything on the album is composed and produced by a 16-17 year old Dizzee. The beats are all his with the exception of Fix Up, Look Sharp and Jus' A Rascal which were both co-produced. The production is completely unique, it's raw (I've had Americans tell me it sounds half finished) but it is meant to be that way, it's not supposed to sound polished, it's Grime music. There are no complex rhyming schemes on here or pretentious fast flows because he doesn't need to do it (other than on the last verse of Jus' A Rascal), he is succinct and he does not waste a word. And it was actually Grime. In a time where the term 'Grime' has been used as a blanket term for any British rapping and the genre has lost it's identity, this production with it's warped bass, 'pots and pans' kicks and snares and Nokia 3310-esque melodies is the epitome of the Grime sound. Since then, it's all watered down and merged with Hip-Hop, artists now attempt to crossover to achieve the success Dizzee achieved with this album, success he achieved by being particularly aggressive and creative. So that's my opinion on Boy In Da Corner, the undisputed peak of a genre and a genuine gem in a scene full of utter shit and creatively bankrupt dickheads. Regardless of your opinion on Grime (it's shit btw) this is an album I think anyone can appreciate. Cheers. |
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#28 (permalink) |
Born to be mild
Join Date: Oct 2008
Location: 404 Not Found
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Wow! If that's what you call not being able to write, CB, then you should definitely start a journal. Great review, although that's nowhere near my taste in music, but great, evocative writing that's from the heart!
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#29 (permalink) |
Account Disabled
Join Date: Nov 2012
Location: The Black Country
Posts: 8,827
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Cheers TH, that took me a fair bit of time, it was hard thinking of how to say what I wanted to say. Honestly don't feel knowledgeable in music which is why I don't post in the music forums as much as everyone else.
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#30 (permalink) | |
A.B.N.
Join Date: Aug 2006
Location: NY baby
Posts: 11,451
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that's the thing about having your own journal though, just write about how certain tracks make you feel or any memories related to certain songs. Express yourself the way that you feel comfortable. You don't need to be the most knowledgeable person in music to do that.
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Fame, fortune, power, titties. People say these are the most crucial things in life, but you can have a pocket full o' gold and it doesn't mean sh*t if you don't have someone to share that gold with. Seems simple. Yet it's an important lesson to learn. Even lone wolves run in packs sometimes. Quote:
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