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08-07-2013, 08:35 PM | #1 (permalink) |
Mate, Spawn & Die
Join Date: May 2007
Location: The Rapping Community
Posts: 24,593
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When is the artist no longer really the artist?
I've been enjoying Kanye West's most recent album lately, and as I usually do with albums I like, I went and read the Wikipedia entry on it. In doing so I discovered that, like his previous overblown album, this current streamlined minimalistic one also involved dozens of co-producers, co-writers and other assorted collaborators. I wasn't really surprised but it did make wonder if I'm really enjoying Kanye West here or if I'm enjoying some of the other people involved. I realize this type of massive group collaboration is common in pop music, but Kanye West isn't a Britney Spears where everyone assumes the performer isn't really the mastermind. He's definitely considered the creator of his releases, and often praised for the things he does with music.
I'm bringing that up as an example, I'm not intending to talk about him specifically. My question, about artists in general, is when are they no longer really the artist? If you didn't do the majority of the writing or performing, if your primary role was simply getting a bunch of talented people in a room together, does it make any kind of sense to give you full credit as the artist? What do you guys think? |
08-07-2013, 08:41 PM | #2 (permalink) |
I sleep in your hat
Join Date: Mar 2011
Location: Melbourne, Vic. Aus.
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Yeah it's pretty hard to deconstruct. A perfect example is Nico's Chelsea Girl album. It's my favourite Nico album but I read that she hated what producers had done to it. It seems that much of what I liked about the album was not only not the artists idea but was rabidly rejected by her.
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08-07-2013, 08:47 PM | #3 (permalink) |
The Sexual Intellectual
Join Date: Dec 2004
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It reminds me of Primal Scream's Screamadelica album.
The number of people who made that album is incredible. I remember Bobby Gillespie saying that in one song they wants a bassline that would be the sort of thing Jah Wobble would do so they thought 'F*ck it, let's just get Jah Wobble in to do it' and they did. A lot of critics at the time said is this a Primal Scream album produced by Andrew Weatherall or is it an Andrew Weatherall album as played by Primal Scream. I guess what I would put it down to is that I suppose you need the original artist's vision of how it will turn out otherwise it would just come out sounding like some great big clusterf*ck. And that's they key to it, you need a good artist to stop it from becoming one.
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08-07-2013, 08:53 PM | #4 (permalink) |
I sleep in your hat
Join Date: Mar 2011
Location: Melbourne, Vic. Aus.
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Although sometimes the artist with the vision isn't the one listed on the album cover. I know this especially applies to those older soul lables where the producer would be known for a particular sound and have a bunch of session musicians that appeared on many of the records. I think in many instances the artists were just puppets or represented a particular image the producer was going for.
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08-07-2013, 08:56 PM | #5 (permalink) | |
Mate, Spawn & Die
Join Date: May 2007
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08-07-2013, 08:58 PM | #6 (permalink) | |
Mate, Spawn & Die
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08-07-2013, 08:59 PM | #7 (permalink) |
I sleep in your hat
Join Date: Mar 2011
Location: Melbourne, Vic. Aus.
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Miles Davis is probably a good example of an artist in strict control of his vision. While I have never really marvelled at his skills on the trumpet he certainly had a talent for selecting great musicians and obsessively demanding perfection from them.
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08-07-2013, 09:11 PM | #8 (permalink) | |
The Sexual Intellectual
Join Date: Dec 2004
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I think you would literally have to take every single album individually and look at all the different circumstances around it. I find it interesting you bring up Malcolm McLaren because he had zero input into the Pistols song writing. I remember Lydon saying that his only idea was writing a song about Submission so they wrong a song about a submarine mission just to piss him off and after that he left them to it. It's also interesting that Bernie Rhodes had a much bigger input into The Clash's songwriting yet he's forgotten about and it's always McLaren that gets bought up.
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Urb's RYM Stuff Most people sell their soul to the devil, but the devil sells his soul to Nick Cave. |
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08-07-2013, 09:18 PM | #9 (permalink) | |
Mate, Spawn & Die
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08-07-2013, 09:33 PM | #10 (permalink) |
"Hermione-Lite"
Join Date: Oct 2008
Location: New York.
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I posted a really good response, but unfortunately, it didn't go through for whatever reason.
I heard an interview with r. Kelly mentioning that it's great to collab because you basically learn things you didn't know. Things are always changing, so it's awesome to collab with people who can make a song amazing that would otherwise be outdated! |
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