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08-19-2012, 02:22 PM | #121 (permalink) | |||||||||||
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I wish you would not turn a civil discussion about wisdom's preference for songs under 6 minutes long into a personal attack. Personal attacks violate MusicBanter policy. * * * Quote:
I can understand how you'd like a 10-12 minute song that builds to an incredible climax, but I prefer (with music) not to wait so long until the climax! I think the main differences between your and my listening are that (1) you are more likely than I to listen to a new song from finish to end; (2) you are less likely than I to reject a song due only to its length. My issue with your and Trollheart's descriptions and those of many others in this thread is that you discuss the virtues of listening to and liking music "regardless of length," and yet that seems unrealistic to me. I also disagree with you on the idea of there being a "fair listen." I don't see listening preferences as having to do with fairness toward an artist or a song. Finally, I don't agree with you that "bad listening" exists. When someone says she doesn't want to listen to the end of a long song, I just see that as a preference...a different type of preference than for a genre, yet still just a preference. Since people like their own preferences, then I feel their listening tendencies can't be bad because the way they listen to music isn't bad for *them.* In answer to your question, when I confront songs I've never heard, before I listen to them I usually *do* glance at the length to see how much time I'll need, if I want to listen to all of the song. Occasionally I reject listening to a new song because it is over ten minutes long. More often I'll listen to the first two minutes and then decide if I want to hear the rest. So, no, I almost never look at the time *after* I've listened to the whole song. I agree with you that if I don't listen to all of a long song, there may be times when I miss out on something wonderful at the end. However, I am searching for songs that I like from beginning to end. If I already know after several minutes that I don't like the beginning, then it makes sense for me to move on to a song where I may like the whole thing. And if I like the beginning of the song but am starting to feel its length is unappealingly long, then it is reasonable to stop listening because I'm not enjoying it. * * * Quote:
My point is that I don't feel like giving all songs my attention, and so I choose which I want to listen to and which to listen to in their entirety. Song length is one criterion I may use to decide if I listen to the whole song or not, because I've learned from experience that I tend to prefer songs under 6 minutes in length. Your question about lengths of movies, books, and music is interesting, because I think the length of all three are usually chosen to fit average human preferences based on our physiology. I love music, but I feel it offers less conceptually than a movie or a book, and so it makes complete sense to me that I will get more easily bored by long music than I would by a movie or book. (I did feel Lord of the Rings got boring, but I paid, so I stayed.) Songs usually aren't 2 hours long. Why? I think the reason is that most people would get bored by such a long song. Some people, like wisdom and I, also tend to be put off by songs longer than 6 minutes. Perhaps we prefer more stimulation, more variety, more sense of a quick resolution than is offered in a longer song. I also find that too much of even a good thing can become unappealing. Spending three days at an amusement park can lead to fatigue, boredom, and lack of enthusiasm by day three. Long songs tend to feel to me like day three at an amusement park. Also, what I like about music is that it offers a quick tap into emotion, which I feel is the power of music. Music stirs the emotions faster and more intensely than almost any other creative endeavor of people. This is the reason a short song works best for me: I can "absorb" an emotion from a song in a short time, and so I don't need or even want the song to be longer. My favorite songs feel like musical poems, stirring my intellect, rousing my emotions, reminding me that I and others are alive, all in a very short time. I *do* sometimes jump ahead to find out the ends of books when I don't like them very much and just want to get it over, but rarely with books I like. I tend to avoid reading books that are longer than 400 pages, because I don't want to wait that long to get to the end and grasp the whole story. * * * Quote:
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I'm glad to hear that you understand why a person might not wish to listen to a song that lasts 1 day or 100 years, because I feel that until now you and others in this thread have been exaggerating when they say that song length makes no difference to them, or that length has no bearing on how they enjoy a song...which was written by someone whom you, upon reflection, might recognize (if you can see him in the mirror ): Quote:
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I'm glad you appreciated my point about how song length may relate to natural or preferred expression of emotion, as you put it, and you even think this point is one of the best you've ever seen on this forum! Preen, preen, purr. Just like you, I like music for getting me into moods that feel real, after which (following the catharsis of emotional experience) I can go away and focus elsewhere. I *also* dislike extended club mixes because they feel like maniacal, forced, singled-minded happiness, and that irritates me, as do other aspects of the style, such as the never-ending, pounding beat going on and on and on. Since I thought you wouldn't like "Day of Suffering," I had a second song in the wings (one I thought you *would* like) ready to share with you to demonstrate your point that lengthening a short song you like does not automatically improve it but often makes you like the song less: Pulp - "Common People" (4:15 minute version) I love this 4 minute song, but I find its 7 minute extended version less compelling. The longer version feels rambling and has less punch, less pent-up frustration building up to release. A volcano that erupts violently after a short buildup or warning is more exciting than one that spits and steams for 10 years before finally exploding. Pulp - Common People - YouTube
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Last edited by VEGANGELICA; 08-19-2012 at 02:58 PM. |
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08-19-2012, 05:58 PM | #123 (permalink) | |||||||
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08-19-2012, 08:03 PM | #125 (permalink) |
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I'd like to take issue (now that the sun has gone down and I can stalk the night!) with your implication that I'm making a personal attack, because I do not do those sort of things. The comment was a tongue-in-cheek one, but because of all the, really, negative feedback the OP was giving, it did occur to me that taking the name "wisdom" when you're only prepared to see your own point of view was a little rich. However, it was a joke and if you or the OP took offence at it I do apologise. I've been the subject of personal attacks (much worse, and more graphic than that) myself, and know it's not nice. But it was meant as a cheeky little joke. I thought that would certainly be understood by the video I posted just today.
Anyway.... gaze into my eyes ... you cannot look away ... you did NOT hear me make a personal attack... you did NOT hear.... Oh wait, while I'm at it: You will LISTEN to long songs... You will listen... damn! Must be losing my touch! But to your other points: I'm really not sure why you find it impossible to believe, but the length of a song has ZERO impact on whether I enjoy it or not. Check my journals if you don't believe me. Never once do I mention "this song is too long/short" unless it actually is a bad song. I of course know of songs that are inherently of disinterest to me, but that is not because of their length. They could be 2 minutes or 10 minutes, but if they're bad they're bad. I have, admittedly, mentioned on occasion that a particular song "seems overstretched", when they are, but again that does not mean I wouldn't listen to it again, unless I actually don't like it, regardless of its length. I truly don't understand why you would believe that I, and others like Ki, would not care a bit about the length of the song. We don't. I don't. It's interesting, informative to know, but in no way influences why I listen to music. It's really weird that you can't accept that, because it seems as I already said, yourself and wisdom are very much in the minority when it comes to this subject.
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08-19-2012, 10:58 PM | #126 (permalink) |
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Interestingly, in my experience, most long songs don't even start off nicely (whether I'm aware of their length or not). It is like the artist assumes the listener is patiently going to wait for a pay-off.
I've heard the Pulp song before. It's okay - interesting lyrically, musically okay, but it doesn't resonate with me emotionally. I wasn't aware of a longer version of it, but there's no reason for me to seek it out. Also, VEGANGELICA, thanks for mentioning the attacks on my name aren't okay. Guys, maybe I chose the name because 1) I use it elsewhere and 2) in general I'm a smart person? I actually think my taste in music is good and that people ought to share my opinions, though in my opinion music isn't important enough to try to convert the resistant. Also, I am very knowledgeable about popular 80's music - but I don't claim "wisdom" about all genres, the technical side of music, etc. |
08-19-2012, 11:03 PM | #128 (permalink) |
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Instead of responding to an overwrought second-hand emotional charge, I think I'd rather hear from the OP whether it was thought of as a character assassination rather than just plain bewilderment. It comes from a pretty humorous connect between the name "wisdom" and ideas that are more like folly-fueled statements such as: assuming that "most of us know" exploratory long-form structures "become self-indulgent...", that it's "almost impossible for a 2-minute song to be boring", that, even tho the OP doesn't know a particular style or person's work, "...I doubt I'd like [it]..."[not "having a clue" about an artist's work means never listening again to it] and so on. This thread is hinging on the idea that time alone is the deciding factor as to the worth of a recording. It's a strange and utter absurdity when you realize that in the area of sound - of all musics from every era and every country and every genre - it is time that is the only underlying constant - not melody, rhythm or timbre and to relegate the enjoyment of music to a small segment of time as the main redeeming factor is like saying that great paintings only have a certain quantity of paint - not too much or too little - or disliking great architectural wonders because they have more than, let's say, 4 stories or less than three. I think this is what the majority of us are scratching our heads over (unless some of us are members of the Oumupo - then it would be considered an artistic challenge!). It's one thing to hone your desires for short or long form into specific areas of music whether it's power pop, polka, wandelweiser, mento, onkyo, EAI, purple sound, or a huge number of others, it's quite another thing to find redemption solely in narrow zones of time.
Last edited by rostasi; 08-19-2012 at 11:10 PM. |
08-19-2012, 11:20 PM | #129 (permalink) |
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Time alone isn't the deciding factor. That's a strange conclusion from some readers. It is a cheat I use based on experience, that's all, and again the standard length of popular songs suggests there's something almost universal about it.
I think my "no boredom in 2 minutes" claim is pretty hard to argue. To become mind-numbingly dull takes time. That could make for interesting research beyond the world of music. |
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