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03-31-2012, 11:11 AM | #31 (permalink) | |
Mwana Nzala
Join Date: Jan 2012
Location: Shakopee, Minnesota
Posts: 627
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Quote:
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The problem with Franco Pepe Kalle is that he is a unpredictable character. There is surprising info about this man. You think he only likes Franco and Pepe Kalle but when you find out that he hears other artists, you are shock. Girls are the sexy thing that God created. Important to notice FPK. |
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04-01-2012, 12:44 AM | #32 (permalink) |
air quote
Join Date: Jun 2009
Location: pollen & mold
Posts: 3,108
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Hey if post-1950 music is allowed then early Patsy Cline deserves attention.
It's probably not old-timey enough but from it's from 1957 and sexy as hell..
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Like an arrow,
I was only passing through. |
04-01-2012, 06:21 AM | #33 (permalink) | |
Mate, Spawn & Die
Join Date: May 2007
Location: The Rapping Community
Posts: 24,593
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Ahem...
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04-01-2012, 07:46 AM | #34 (permalink) |
Live by the Sword
Join Date: Jan 2011
Location: Kuala Lumpur, Malaysia
Posts: 9,075
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i can't believe we're 4 pages in and nobody's mentioned my favourite - Jelly Roll Morton, if you dig Scott Joplin, you'd ease into Jelly Roll fast:-
sorry about the sound quality, it was recorded around 1910, after all i actually prefer the solo piano version, which i could play |
04-01-2012, 11:24 PM | #35 (permalink) | |
Mate, Spawn & Die
Join Date: May 2007
Location: The Rapping Community
Posts: 24,593
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05-01-2012, 02:33 AM | #38 (permalink) |
air quote
Join Date: Jun 2009
Location: pollen & mold
Posts: 3,108
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Here's some more white college boys playing "Original Dixieland" Jazz (famous for spelling it as Jass for a while). They sound pretty good though if you take the time to listen to an entire album. This one song features them emulating the sounds of farm animals..
Livery Stable Blues (1917)
__________________
Like an arrow,
I was only passing through. |
08-24-2012, 10:00 PM | #40 (permalink) |
Mate, Spawn & Die
Join Date: May 2007
Location: The Rapping Community
Posts: 24,593
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I got a collection of Henry Thomas' recordings the other day. All of these songs were recorded in 1927-1929. They're blues, basically, but a kind of blues reminiscent of 19th century proto-blues. Not surprising from a guy born to former slaves nine years after the end of the Civil War. The really interesting part to me is that, in addition to the guitar, he played the quills—a sort handmade pan flute—which gives the music a certain sweetness and innocence not commonly heard in the blues. He also wrote a song that was reinterpreted and made famous by some hippies in the 1960s. They changed the name, but you probably recognize the tune:
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