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It's Fusion Week!
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One of the greatest genres to ever exist. Especially Jazz/Funk type fusion:
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Yay fusion.
I'm going to keep plugging my favourite fusion album until someone actually listens to it :) Quote:
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Filles de Kilimanjaro (1968) is my favorite fusion album.
Miles, pre-electric, acoustic jazz and rock with no hippie bullshit. |
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This is a newer fusiony release originally posted by Chumley; Panzerballett Quote:
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Yay, fusion week is good :)
I'll start with an old favorite, Return to Forever's debut, generally credited as a Chick Corea solo album. Chick Corea had played with Miles Davis, but wanted to play music which was more inclusive and more listener friendly. The result was his own fusion band, Return to Forever. Here are a couple of my favorite tracks from the album. The opener is the title track which has a very haunting opening theme worth listening to even if you don't have time for it's full 12-something minutes. Crystal silence, the second track, is another favourite and an absolute bliss to listen to. I want a fender rhodes electric piano! |
There'll Be No Tears Tonight (1987) by Eugene Chadbourne
http://www.dustygroove.com/images/pr...ellbe_101b.jpg For those who have had to endure the material that I upload on Mumuplayer, you all will have probably listened this man's music already. For those who haven't... There'll Be No Tears Tonight is basically an album by a free improvisational guitarist who decided to give country rock a go. It's very much a fusion genre in that it combines jazz/free jazz, country rock, and free improvisation. All the tracks on the album are covers of some of his favorite country songs, but... this doesn't (by any means) take away from the originality that this works holds... It's humorous, catchy, experimental, and unique... Tom Cora and John Zorn also make appearances on it (which is a plus in my book). Anyways, here's a song from it: |
Oh man, I thought this thread was all about jazz fusion :p: when I encounter the word fusion these days, it's almost always in relation to jazz / rock ..
The thematic scope for this week just became a lot bigger! edit : Sorry for posting National Health again (prog/jazz fusion), but everyone who's read any of my posts in the music sections the last year may have caught on that I absolutely adore this band and everything they ever did. The band is a Canterbury supergroup containing more talent than what usually goes well, but they managed to stay brilliant during the bands somewhat short lifetime. In the hope that someone will find them interesting, I'll post some songs (which I've probably posted before). They're a bit hard to get into maybe, but the song anyone's first likely to love by them I think would be the Bryden 2-Step for Amphibians. It has a slow building start you should try and endure before it becomes fantastic. The Collapso is a good song for showcasing their quirkier side. My wife has real struggles with it, but I love it :p: If you wanna hear an example of why the Hammond Organ is one of the coolest instruments ever played by keyboardists, just listen to the first 30 secs or so of Dreams Wide Awake (Hammond enters at about 20 secs in). |
Flamenco + pop/rock:
Celtic/folk + rock: |
Jazz fusion specifically's something I tend to stay away from. I do have some favourites besides Miles though, namely...
Cuong Vu - It's Mostly Residual - YouTube Freddie Hubbard - Straight Life - YouTube |
Another DeJohnette collaboration.
Nexus from John Abercrombie, Jack DeJohnette and Dave Holland on Gateway 2 |
First two tracks off Ralph Towner - Solstice
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Opening track from the Shakti album Natural Elements.
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In terms of the fusion of different genres Terje Rypdal has never been one to stay in a box. I'm not real sure what you would call this piece.
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That is pretty cool. The wah-hammond reminds me of the wah-sax in this Brecker Brothers track Skunk Funk (around 1:25). |
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A lot of interesting songs in this thread :)
Here's another favourite from me, Gong's Gazeuse!. Those who know Gong will know that it was a highly talented and drugged up psychedelic/space rock outfit originally led by Daevid Allen, but with a wealth of musicians visiting the line-up. In the mid-90s, Daevid claimed a wall of force was preventing him to go on stage and he decided this meant it was time to quit the band for a while. Drummer Pierre Moerlen took over and made it a fusion outfit. The first album with this line-up contains talents like amazing guitar virtuoso Allan Holdsworth, flautist/saxophonist Didier Malherbe and bassist Franciz Moze. The album is a little special from it's extensive use of percussion instruments like marimba and vibraphone. Percolations is the album's slowest piece and actually reminds me of an underwater world in a video game. Esnuria is more representative of the album, though! |
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Came out the same year as Miles Davis's seminal 'Bitches Brew'. A very strong contender as one of the greatest fusion albums of all time as well. |
^Yes, that was next on my list. It would be criminal (for me at least) to forget Soft Machine during fusion week. Third really is such an interesting, experimental and influential album.
Here's a couple more favourites and those who like them should check out the albums. First track here, Teeth, is from Fourth from 1971. And here's Hazard Profile Part 1 from Bundles which is number 8 in the SM discog, again with Allan Holdsworth on guitar (who also played on the Gong album up there). |
techno/rai fusion - Mr. Bungle's Desert Search for Techno Allah |
If we're speaking of non-jazz fusions. I think one nod needs to go to Frank Zappa's "Lumpy Gravy" Somewhere around 1967 it's one of the earliest examples of Classical-Rock fusion. Albeit, one could argue that Absolutely Free is also a classical/Rock/Jazz fusion album.
However, Lumpy Gravy is more directed with the clear intent of fusing the two. |
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There are already hours of interesting music in this thread. Of the clips I`ve dipped into, I particularly liked these :-
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My candidate for a tasty piece of jazz fusion :- ^ You have to click "Ver en Youtube" to open this, I`m afraid ! |
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Rypdal/ Vitous/ DeJohnette Between the skittering drum work of DeJohnette, Vitous' moody bass and Rypdal's highly original guitar, this album (according to Wikipedia) has been described as "An otherworldly soundscape of aching beauty". |
i would've liked to post some more jazz-fusion but most of the likely candidates have already been posted
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