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#1 (permalink) |
Let it drip
Join Date: Nov 2004
Posts: 5,397
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We all know the song Summertime, written by George Gershwin as the opening aria in his opera Porgy and Bess in 1935. It's one of those songs that has the capacity to connect with people on a deeply personal level, irrespective of social class, race or age and, as result of its universal appeal, is the most covered song in musical history, with over 25,000 interpretations to its name.
Original arrangement So, what's your favourite rendition? Why does this particular version reverbrate with you more so than any other? I personally love covers by the likes of Ella Fitzgerald, The Zombies, Miles Davis, Albert Ayler and Ricky Nelson, but my favourite has to be this: For me, it's all in Joplin's voice. There's a desperation in the delivery, a call to make the most of those special, almost intangible moments the song encapsulates. It's as if she knew time was running out for her, and she's imploring the listener to glean as much from life as they can, before it's too late. I also love the intro created by the band, and the guitar work is so emotive. Over to you. Last edited by Sneer; 11-24-2011 at 08:15 PM. |
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#4 (permalink) |
Mate, Spawn & Die
Join Date: May 2007
Location: The Rapping Community
Posts: 24,593
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Honestly this would probably be my vote too, if it counts as a version of it. It's not great or anything but not bad, I like the vibes/flute combination. "Summertime" is just not a song that's ever really done it for me, and despite loving a lot of jazz generally speaking, all the jazz versions of it that I'm familiar with (Billie Holliday, Nina Simone, Miles Davis, Charlie Parker) are pretty dull to my ears. I had never heard the Janis Joplin version until reading this thread but that didn't really do it for me either.
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#5 (permalink) | |
air quote
Join Date: Jun 2009
Location: pollen & mold
Posts: 3,108
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As for the jazz part, I don't love most of the versions. And even though I'm not much of a fan of Ella Fitzgerald, my next favorite Summertime version after Billie's is probably the Ella/Louis Armstrong version, mostly for Armstrong's part.
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#7 (permalink) |
Music Addict
Join Date: Nov 2010
Location: The Netherlands
Posts: 2,206
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How could I not see that posting.
I was playing that song in the car this afternoon and I thought "got to post that one". It's very summery indeed. I love the drama that's always in Bradley's voice, somehow. I love his voice anyhow, probably one of my favourite voices, ever. And I love the arrangement. It's got all sorts of little things added to a brilliant groove but it somehow manages to keep grooving. It's epic. I love sublime and I love that version of summertime.
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#8 (permalink) | |
Al Dente
Join Date: Mar 2005
Location: Texas
Posts: 4,847
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Then original by Anne Brown from Porgy and Bess is absolutely atrocious; I don't care what anyone else says about it. Ella Fitzgerald and Louis Armstrong later did a duet that was much better and I especially like Louis' brash trumpet lead in, but I think that this particular live performance by Ella from 1960 is run's a close second to Janis' version: |
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#9 (permalink) | |
the worst guy
Join Date: Oct 2011
Location: Miami is the place
Posts: 11,609
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I was trying to remember which bloody song had that opening for about 15 minutes, then I saw it on a YouTube play list.
It's not my favourite version anyway, if even a version at all. I would probably go for your selection. It's the one I am most familiar with, but an awesome tune nonetheless.
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