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#1 (permalink) | |
Nae wains, Great Danes.
Join Date: Aug 2009
Location: Where how means why.
Posts: 3,621
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DJ'ing is actually pretty complex, a few of my friends have Decks and midis and i tried learning at the weekend and couldnt grasp it at all. I'm very very good with technology and the like but decks just blew my minddd. It was so hard ad I was getting angry because it was too hard to grasp. it seems so much simpler than it actually is.
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#2 (permalink) | |
Quiet Man in the Corner
Join Date: Feb 2009
Location: Pocono Mountains
Posts: 2,480
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![]() I can't wait for the day that I will finally be able to make sense of it all. |
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#3 (permalink) | |
Partying on the inside
Join Date: Mar 2009
Posts: 5,584
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Don't let the button count fool you. It's all still just very basic concepts. You just have to group certain concepts with certain functions. If want tips. I have. |
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#4 (permalink) | |
Music Addict
Join Date: Nov 2010
Location: The Netherlands
Posts: 2,206
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But what I meant, usually a band brings bandmembers, guitars, drum kit, amps, the lot. Tiesto only has to bring his equipment. I can't see how this can be just as expensive. The DJ'ing itself is probably as tough as playing an instrument if you want to do it right ![]() Edit: Just saw your pic, I was using real turntables. I think that makes it easier in a way. You don't have beat detection but you do have a direct 'grasp' on what your music is doing.
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#5 (permalink) | |
air quote
Join Date: Jun 2009
Location: pollen & mold
Posts: 3,108
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As for the value of a concert - it's based on how many people will pay, not how difficult the music is to play.
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#6 (permalink) | |
Music Addict
Join Date: Nov 2010
Location: The Netherlands
Posts: 2,206
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A Studio is something entirely different. *looks around him* Yeah I think I can manage a studio. As long as it's not digital ![]() I mean, there's a banner on my car saying ANALOGAUDIO ;D. Rather obvious.
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#8 (permalink) | |
Partying on the inside
Join Date: Mar 2009
Posts: 5,584
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The primary aspect of the concept relies on you being able to adequately tell whether one beat is playing at the same speed as another. Beatmatching, incidentally, is the hardest thing for most people to learn if they're not rhythmically inclined. While there are techniques for mixing, like using equalization and/or effects to aid in transitions between songs, as far as being able to select the "right" tracks for the "right" crowds and situations, that's far more esoteric and mostly learned by experience, and is just as important. I do have to admit though, CD decks are more difficult than vinyl decks, simply because they're less mechanically intuitive and have more features to distract you. If you throw on top of that a person who's clueless about "what those knobs do", well it's obviously going to seem pretty complex. But really, it's not. I'd say the hardest thing to actually learn about DJing is being able to do it well. Not how to do it. |
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