dang i usaully never give out 5/5 but this was dang near it so hell 5 stars man Who the hell is this it sounds Like Dir en grey is this KYO singing cus man sounds just like him

this song was just beautiful !!!!!

my songyyyy

Yes, that is indeed Kyo. It is a side project of his with a bunch of different musicians. They currently have an album (Immortalis) and an EP (Vitium) out - both well worth checking out.

I had to listen to this twice cause it left pretty much no impression on me. Second time wasn't the charm. 5/10 just cause of the novelty of the... sample?

7/10

It dragged for a bit too long, i clocked out around the 5 minute mark but i liked the chaotic 80's new wave feeling in the song.

hahah this is such a classic, and I dig it a lot of course. 8/10



http://www.youtube.com/watch?v=Rp9QiY3EPzI

I'm still kinda new to funk, and to how funk can be monotonous for long periods, so it didn't connect with me for the whole track, but it's the dull vocals that killed me. 4/10

I like dying fetus. Though the i always felt like the drums are too loud so you can't really hear the guitar. 7/10

Schticky & cheesy. It gets a break because it's a novelty song, I suppose, but overall it's an annoying song. 2.5/10.

Schticky & cheesy. It gets a break because it's a novelty song, I suppose, but overall it's an annoying song. 2.5/10.

I think that drummer was begging for more distortion from the guitars, but he had to contain himself within the song's structure and style. I liked the "garage band" approach, and it seemed like a solid effort, but I didn't like the vocals at all, so 5/10.

I don't care enough to figure out just what generic **** this is. I feel like I could have heard this on Carson Daly's late night show almost a decade ago. It didn't even have the decency to be fun contrived ****.

It's supposed to come across that way, unassuming in a sense, but it's not after you spend some time with its lyrics and the message.

[/QUOTE]

I like the pause and build @ the 2:00 mark, but a lot of it tended to sound like Metallica, except for the screaming, which sounded like you can get from any of those types of bands. Could mosh to it, though.

Definitely good for what it is, I'd be cool with it in a party or club setting but it's not really my thing. 5/10

Some sort of free-form music; all over the place, yet stationary in its output. Overall, I didn't get the sense of what I was supposed to do or feel. Do I relax to it? Do I mosh to it? Do I dance to it? I didn't really have a problem with the vocals, even if they were just instruments here.

Is that... stoner blues? Neat. 7/10

Go ahead. I don't care at all if you **** on it. And Kiss It Goodbye are at least as much of a punk band, so * blows raspberry*.

Not bad. Sludgy-type heavy metal w/screaming that isn't too annoying and doesn't have too much of a purposeful affect for that type of thing. Probably better, contextually, however, as part of a complete album listen. 5/10.

Decent post-grunge / Alternative metal 6/10

So like, what kind of boring alternative rock is this that I'm supposed to care about?/10

I'm not super into new wave stuff, but the song had a lot going on at all times and it made for a pretty interesting listen. 7/10

That's one of the first harder bands I ever loved. They slay 100% every time. Also clearly some of punk's bet riffs all time up in here

I think that's one of the charms for their vocalist tbh. It's all tinge in cheek, but delivered deliberately

I bet you'd end up loving them

I'd call that lounge music of the damned except it really just sounds like lounge music. I don't hate it or anything but what's to care about?

The singer's mouth is singing faster than his tongue is (neither a good nor bad thing). Not exactly the most original thrash I've heard, but it's still raw as **** thrash. I'd to go to that show. 8/10

Not bad. Kinda funny when she tries to be spooky kooky. Music is ****. Vocals are ****. Lyrics? What I heard didn't impress me much. I don't know. Just being honest. BUT... at least it's different. 7/10.

Only GNR song I could give a **** about. Fun riff, but **** Axl Rose and it's overplayed. 6/10.

Song is overplayed, overused. I could forgive all that if it wasn't for Axl roses vocals sound like a dying cat. 2/10

You got ninja'd bro.

Goddamnit.

I'm so familiar with it now that it's hard to review it from an outside perspective, as if they weren't Nirvana (quote/unquote), would I play it at all? Maybe, maybe not. Kind of one of those tunes that I can play when I don't want to be an "In Utero" kind of listener when going through my Nirvana catalogue.

Only got a couple of minutes into that before having to quit.

1. That cringey, whiny, wtf way that Kurt was singing? Disturbingly awful. I've heard him do it before, but never that terrible.

2. I know some people like that unplugged album, but not me. Nirvana are a band who need amplifiers to justify their existence.

A lot of that was straight up Four Horseman. Solid track though, dug the singer's shrieks, not huge on his cleaner singing but I didn't dislike it enough for it to pull me out of the song. Really enjoyed the long instrumental interlude and the darker part where it gets a little blackened. 7.571/10

That was pretty cool. The rapping reminded me a bit of Del the Funky Homosapien and made me wish he rapped over samples like this on the regular. 8/10

Not really sure about those riffs. They're serviceable, but they sound less like doom and more like chugging nu/alt metal riffs that concentrate more on being percussive. They're not even that heavy, so the song kind of limply lumbers along in an unmemorable fashion. The singer's alright though. 5/10

Mini-review the Metal song above you
 

When you can't come up with an idea of your own, steal someone else's, I always say! You know the drill I'm sure...

Heaviness is nice. Sounds newer, but not too new as it has the traditional metal feel, which is good or bad depending on how spruce one's taste in metal is on any given day. Although that type of singing has its place in music, and I can understand that, it's not for me, so it leaves me where this style always tend to lead me -- toward the Land of No Opinion.

I'm not a huge fan of the song, but that doubled my respect for Layne as a singer. I had no idea he was that versatile. The song itself is give a 6.5/10. I dig the bass and percussion but the guitar is pretty cheesy.

I definitely like the opening spectrum-wave like sounds. However, the stop-gaps in the beat are jarring to the flow, and the vocals don't seem like they're necessary. Strip those elements out and leave me with the spectrum noises, and you'd have some decent background music. 4/10 overall.

That was god-awful. The whole time I was thinking "what is this, 2002?" Just too much schlocky clean corporate radio rock with a little too much respect for Hoobastank. Absolutely not my cup of tea. One point because when I couldn't make out the singer's cracker accent in the outro the harmonies were okay I guess. 2/10