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Dude, you're right. I hadn't even thought of that. I can't believe I've been such a blind fool for so long! I take back everything I said! |
But seriously, I feel very much the same about Rush. There's a few albums I enjoy but there's a lot of their stuff I just can't get behind. I should've gotten tickets to their shows around here because I bet it would be awesome to see them live.
I had a friend who loved Rush. Played bass, and he actually had a bass Geddy Lee used on the road, apparently. Was pretty cool. |
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I think Moving Pictures and Signals are pretty cool albums, but other than those and a scattered assortment of random songs, I don't like most of their material. Still, seeing them live would be pretty cool, if only because of how awesome they are at their instruments. Also, despite my misgivings towards Rush, owning a bass that Geddy Lee used to use would be sweet. I'm not gonna deny that. |
I think it's a silly question. The best artists can manage a balance of both skill and creativity with ease and excellence.
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i just think it's about not interrupting what music is asking of its medium. it doesn't take any skill to hit a gong standing 5 feet in diameter. but when you hit it, it reaches every single body in its projection area and speaks to them. if you interrupt its decay though, it's almost like you absorb its intent and then assume responsibility for its proper redistribution.
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