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12-20-2009, 08:01 PM | #91 (permalink) | |
Groupie
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Quote:
It grates on me when George does it too, but I'm not usually as frustrated with it, because unlike Tomorrow Never Knows, George's work maintains the Beatles' musical sensibilities. See for me, the real problem with Tomorrow Never Knows, and one that cannot be explained away is the complete lack of any harmonic or melodic sensibilities. The song literally never moves beyond oscillating a whole step down and then back up. It could have been saved by a strong melody or even a well developed solo; modern jazz does this all the time. But here there's barely a melody to speak of, and certainly not one as strong as say that of Eleanor Rigby from the same album. Though the Beatles were great pop musicians, they were not the kind of band that could make coherent musical statements without a harmonic structure or melody. Instead, it sounds like a jumbled mess of white noise and distortion with a driving rhythm that's not taking it anywhere, because it doesn't have anything to say. |
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12-20-2009, 08:38 PM | #93 (permalink) |
Groupie
Join Date: Dec 2009
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I didn't say it needed a guitar solo. What it needs is to go away and not come back till it has a chord structure. And a melody. And loses some of the headache inducing background dissonance.
The lyrics aren't complicated or deep, just obtuse. |
12-20-2009, 08:46 PM | #94 (permalink) | |
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Then again I ask why it wasn't until you had me explain them to you that you saw "Eastern Philosophy 101" in the lyrics. They were clearly deep enough that they had to be explained to you. You should stick to discussing chord progressions or something...things that can be broken down and analyzed mathematically and don't require much creative thought.
Also, just as a refresher: Quote:
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12-20-2009, 08:58 PM | #97 (permalink) |
Groupie
Join Date: Dec 2009
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Yes. Modal music in general can be made to work by a well developed solo, because something is being said musically even if the the harmonic structure is not doing the stating. See the works of Miles Davis, John Coltrane, Herbie Han****, Keith Jarrett, et al. The Beatles aren't really capable of composing a modal solo over changes like that though, so that option is pretty much off the table for them.
Look, if you're ok with your music literally not going anywhere or saying anything either harmonically or melodically, then you'll have no problem with the song. If those are things you look for in music then Tomorrow Never Knows will bother you. Edit: Lol, it censors Herbie Hancock? That's kind of ridiculous. Last edited by Awesometastic; 12-20-2009 at 09:04 PM. |
12-20-2009, 09:03 PM | #98 (permalink) | |
Groupie
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12-20-2009, 09:13 PM | #99 (permalink) | |
carpe musicam
Join Date: Apr 2009
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To me "Within You Without You" is one of their better songs. The one song out of the whole entire Beatles catalogue that I care very little for is "Why Don't We Do It in the Road?" It drives me crazy because "it" has no antecedent. "Do it" could mean anything from changing a flat tire or whacking someone like if they where Tony Soprano. What do they mean by "do it?"
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"it counts in our hearts" ?ºº? “I have nothing to offer anybody, except my own confusion.” Jack Kerouac. “If one listens to the wrong kind of music, he will become the wrong kind of person.” Aristotle. "If you tried to give Rock and Roll another name, you might call it 'Chuck Berry'." John Lennon "I look for ambiguity when I'm writing because life is ambiguous." Keith Richards |
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12-20-2009, 09:14 PM | #100 (permalink) | |
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