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Old 07-23-2008, 05:49 AM   #1 (permalink)
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Moz: "Reggae, for example, is to me the most racist music in the entire world. It's an absolute total glorification of black supremacy... There is a line when defense of one's race becomes an attack on another race and, because of black history and oppression, we realise quite clearly that there has to be a very strong defence. But I think it becomes very extreme sometimes."
"But, ultimately, I don't have very cast iron opinions on black music other than black modern music which I detest. I detest Stevie Wonder. I think Diana Ross is awful. I hate all those records in the Top 40 - Janet Jackson, Whitney Houston. I think they're vile in the extreme. In essence this music doesn't say anything whatsoever."

Interviewer: But it does, it does. What it says can't necessarily be verbalised easily. It doesn't seek to change the world like rock music by speaking grand truths about politics, sex and the human condition. It works at a much more subtle level - at the level of the body and the shared abandon of the dancefloor. It won't change the world, but it's been said it may well change the way you walk through the world.

Moz: "I don't think there's any time anymore to be subtle about anything, you have to get straight to the point. Obviously to get on Top Of The Pops these days, one has to be, by law, black. I think something political has occurred among Michael Hurl and his friends and there has been a hefty pushing of all these black artists and all this discofied nonsense into the Top 40. I think, as a result, that very aware younger groups that speak for now are being gagged."

Interviewer: You seem to be saying that you believe that there is some sort of black pop conspiracy being organised to keep white indie groups down.

Moz: "Yes, I really do."

I'm sorry but this DOES seem pretty racist to me.
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Old 07-23-2008, 06:14 AM   #2 (permalink)
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Haha i forgot about that rant, forgot when it was, got a source?

It's uncomfortable reading yes. The two ways you could look at it is that there's someone who is either actually biased towards black music due to race or someone who is so biased towards that sort of music that he takes it's popularity as an attack on other music.
The generalising is disgusting to be frank. An attack on modern black music simply because of whats in the charts? Give over. I agree with him on the likes of Janet Jackson and Whitney Houston, their music says nothing to me either but i wouldn't dare use THEM as an example for an attack on a whole race's fucking music. Goes without saying there is far better stuff going on in the underground.

I don't really know what to make of it because, yes it is quite blatantly an attack on race, but then you've Morrissey and his stupid drama-queen double entendres he whips out half the time. You never really know whether he means what he says or not half the time.
"Obviously to get on Top Of The Pops these days, one has to be, by law, black.", could be taken as ignorant and tongue-in-cheek either way.

I know it takes away the mystique he loves so much but i really would love him to take part in an extensive interview over all this to clear it all up once and for all. He's an intelligent person really and should be the last person to be racist, but this kind of thing really does annoy me. One thing for sure is he's a fucking idiot with stuff like this, talk about Bigmouth.
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Old 07-23-2008, 06:20 AM   #3 (permalink)
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Haha i forgot about that rant, forgot when it was, got a source?
From Rolling Stone.

During Costello's 1979 tour of the U.S., when one night in a bar in Columbus, Ohio, at odds with the Stephen Stills Band, Costello suddenly denounced Ray Charles as "a blind , arrogant, ******," he said much the same about James Brown, and attacked the stupidity of American black music in general. Bramlett decked him; the incident quickly made the papers, then "People" magazine, and the resulting scandal forced a New York press conference - Costello's first real face-to-face encounter with journalists since the Fall of 1977 - where he tried to explain himself, and , according to both Costello and those who questioned him, failed.

Clapton never said anything that extreme, he does have some rather conservative views about immigration but thats not enough to make him a racist, I mean c'mon, Eric Clapton? Think about that for a sec, this guy has been trying to be black for the majority of his career.
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I only listen to Santana when I feel like being annoyed.
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Old 07-23-2008, 06:31 AM   #4 (permalink)
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From Rolling Stone.
Hmm, that was back in the 80's where he claimed that stuff like the 'Reggae is vile' was tongue-in-cheek. He's said positive things about black music after this of as well of course so it's all up in the air as ever, grr.
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Old 07-23-2008, 06:35 AM   #5 (permalink)
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Hmm, that was back in the 80's where he claimed that stuff like the 'Reggae is vile' was tongue-in-cheek. He's said positive things about black music after this of as well of course so it's all up in the air as ever, grr.
Sorry, I thought you were talking about Costello.
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I only listen to Santana when I feel like being annoyed.
I only listen to you talk when I want to hear Emo performed acapella.
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Old 06-03-2011, 01:18 PM   #6 (permalink)
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Haha i forgot about that rant, forgot when it was, got a source?

It's uncomfortable reading yes. The two ways you could look at it is that there's someone who is either actually biased towards black music due to race or someone who is so biased towards that sort of music that he takes it's popularity as an attack on other music.
The generalising is disgusting to be frank. An attack on modern black music simply because of whats in the charts? Give over. I agree with him on the likes of Janet Jackson and Whitney Houston, their music says nothing to me either but i wouldn't dare use THEM as an example for an attack on a whole race's fucking music. Goes without saying there is far better stuff going on in the underground.

I don't really know what to make of it because, yes it is quite blatantly an attack on race, but then you've Morrissey and his stupid drama-queen double entendres he whips out half the time. You never really know whether he means what he says or not half the time.
"Obviously to get on Top Of The Pops these days, one has to be, by law, black.", could be taken as ignorant and tongue-in-cheek either way.

I know it takes away the mystique he loves so much but i really would love him to take part in an extensive interview over all this to clear it all up once and for all. He's an intelligent person really and should be the last person to be racist, but this kind of thing really does annoy me. One thing for sure is he's a fucking idiot with stuff like this, talk about Bigmouth.
I am a Morrissey fan myself, and I don't think that he's a racist. In fact, he has worked with non-white musicians on his albums such as an Indian violin player on 1991's "Kill Uncle".

What he meant by 'black music is vile' was that too much modern black music is over-dependent on modern technology which takes away the magic of raw talent and that pissed off his musical sensibilities.

It is still true today - look at how many modern black artists rely on electronic fakery like drum machines, auto-tune and sequencing instead of REAL instruments like guitars, piano, brass and acoustic drums.

The blacks invented some of the greatest contemporary music styles like jazz, blues, rhythm & blues, soul, gospel, funk, as well as the Motown and Atlantic soul stuff. Today they waste their time with karaokeized **** about drugs, promiscuous girls and how tough and cool they are. BOOOORING!

Bring back more organic music back into the Top 40 and give the electronic **** a rest!
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Old 07-23-2008, 06:37 AM   #7 (permalink)
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I think one has to accept the middle ground here. You can't call someone a racist if they don't like the blues (or hip-hop, or reggae), but someone who will listen to Pat Boone instead of Little Richard or Fats Domino...that's either racism or just plain bad taste. :p
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Old 07-23-2008, 12:16 PM   #8 (permalink)
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It certainly took a while for the brothers in rock n roll to get any respect. Elvis, Jerry Lee, Buddy Holly, Ricky Nielson, Bill Haley and all those guys had to break into the scene first before black rock n roller's could ever be accepted by the mainstream. So until kids were finally free to listen to Little Richard, they had to settle for Pat, dark ages indeed.
Even today, some rock historians give Holly more credit than they give Berry, even though Berry came first and has more of a claim to the "original singer-songwriter-guitaris" tag. I think it's pretty sad that Little Richard doesn't get much credit either (I'm not a fan of his music, but I think he was far more inventive and possibly influential than many of his contemporaries).

But yeah, Pat Boone's work is wretched, and I think it's proof that there was some sort of racism back then that people would buy the "safe" versions of rock songs (i.e., made by a white guy).
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Old 07-23-2008, 01:48 PM   #9 (permalink)
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The whole Rock against racism thing in the 70s started after Clapton made a comment about how the UK was becoming overcrowded and was becoming a black colony at a gig in Birmingham.
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Old 07-23-2008, 02:32 PM   #10 (permalink)
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Clapton and Costello were both apparrently drunk when they made these statements, to be fair.

There was also something David Bowie said that set people off, but he's always been trying to offend people, and he married a black woman so ehhhhhhh...
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I only listen to Santana when I feel like being annoyed.
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