Quote:
Originally Posted by Rainard Jalen
I love it when people say that, since Amnesiac in turn also doesn't cover much new territory that wasn't scaled in Kid A. This is unsurprising since, as people still don't seem to acknowledge (though it's fact), most the recordings for Amnesiac were done in the same sessions as Kid A in 2000 and hence most of the songs could equally have appeared on Kid A, but didn't make the cut. Anyway, an Amnesiac vs Kid A argument is totally out of context here, but I have to point out that Amnesiac contains very little unchartered territory that was not on Kid A (and why should it? see above), so why should Hail To The Thief get any more criticism than Amnesiac for not being exactly earth shatteringly innovative?
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Uh, Pulk/Pull Revolving Doors doesn't cover new material? Life In A Glass House? Amnesiac is a collection of songs that weren't written to fit in with Kid A so were put on a seperate follow-up. It sounds nothing like Kid A (A few exceptions). Can you imagine all but 2 or 3 Amnesiac songs in the context of Kid A?
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