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12-22-2010, 11:24 AM | #6171 (permalink) |
MB quadrant's JM Vincent
Join Date: Dec 2009
Location: Washington, DC
Posts: 3,762
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It's so much more psychedelic and different than their earlier work that I find it hard to even rank it with most of their other stuff. It really depends what I'm in the mood for. If I want more straight ahead psych I go with Surrealistic Pillow. Both albums are great, though.
As I said above, I can't compare the two...I do tend to reach for Surrealistic Pillow a bit more often, though.
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12-22-2010, 01:09 PM | #6172 (permalink) | |
Music Addict
Join Date: Nov 2009
Posts: 454
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Quote:
Have you heard their Use Your Illusion II? I think it holds up... almost to Appetite, man. |
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12-22-2010, 03:51 PM | #6173 (permalink) |
Music Addict
Join Date: Nov 2010
Location: Los Angeles
Posts: 347
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Head over Heels by the Cocteau Twins:
A dream pop/post-punk/rock band from Scotland. Just started to listen to them this month and I really like them. So far this is the only album I've really been able to listen to but it's definitely a keeper. One of my favorite songs from the album: |
12-22-2010, 04:02 PM | #6174 (permalink) |
And then there was music
Join Date: Oct 2010
Location: Near Wild Heaven
Posts: 287
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Good stuff. Treasure is decent too. One thing that frustrates me about the Cocteau Twins is that their best stuff happens to be on EPs or non album singles. If you get into them be sure to check out the Pink Opaque and Stars and Topsoil compilations.
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'Said do you feel it? Do you feel it when you TOUCH ME?. THERE'S A FIRE! THERE'S A FIRE!' The Stooges. Dirt. https://soundcloud.com/bad-little-kittens My Top 100 LPs My Top 52 Indie Tracks Of The 21st Century (incomplete) |
12-22-2010, 04:20 PM | #6175 (permalink) |
All day jazz and biscuits
Join Date: Feb 2010
Location: NJ
Posts: 7,354
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Bill Evans From Left To Right Found this vinyl in a antique shop for 50 cents. A lot different than what I expected but probably his most emotionally gifted album. Not as jazzy but definitely made with soul. Last edited by Exo; 12-22-2010 at 04:42 PM. |
12-23-2010, 01:45 PM | #6178 (permalink) |
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Join Date: Apr 2010
Posts: 1,776
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The Green Man - From Irem To Summerisle (2009) Heard a song by this band on bob's apocalyptic folk compilation and just had to hear the whole album. If I'm not mistaken this is the first album by this Italian dark, gothic folk band and after maybe three listens I have to say it's excellent. What I like especially here is the undeniable influence of middle eastern music and possibly Mediterranean too, the latter is actually expected since this band is from Italy. This is strongly evident on first four songs, but can be felt throughout the album. A couple of other songs are more in the typical neofolk vein with strong Death In June influence. The themes are esoteric with obvious exploration of ancient myths, apocrypha, gnostic gospels and early Christianity. The middle eastern melos fits perfectly and presents a fresh air in neofolk scene. 'Irem' or City of a Thousand Pillars 'Baptism by Sea' (this is the song that made me check this band out)
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12-23-2010, 02:34 PM | #6179 (permalink) |
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Anthony Braxton - Saxophone Improvisations Series F
Usually, these days, a single listen usually tells me how soon again I need to hear this album. For this one, I was forced to hear it at least three times before I 'got' it well enough to decide that I really dug it. Even for For Alto (another Braxton album with the same format), I was able to decide that I really liked it on a first listen. Braxton's playing here is so much more concentrated on the brain than on the heart; perhaps you would say it's void of that ill-defined 'soul' that people latch onto so much, but it comes across as very passionate either way. As a generalization, the longer the tracks are, the better they are. Braxton takes his sweet time to build up intensity and lets pressure die out quite often. The short interludes work wonderfully, too. It took a while, but I can safely say that I'm digging this more than For Alto. The last track (an ode to Philip Glass) is better than any Glass composition I've heard. [Oh, by the way, it's a guy only playing a saxophone and he's improvising so if you hate free jazz and the idea of somebody's direct imagination being their only source of inspiration, don't bother with this one.] For your litmus test, here's a video of Braxton doing his thing: I can't find a song from this album on YouTube, but I did find one off of For Alto which is the same idea (he plays saxophone on his own). Any song off of Saxophone Improvisations Series F is likely better than this, though. Then again some people find the idea of a solo saxophone album laughable, so you never know. |
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