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05-11-2008, 11:17 PM | #1111 (permalink) |
Dr. Prunk
Join Date: Jun 2005
Location: Where the buffalo roam.
Posts: 12,137
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Theres nothing that says party over here like cranking up Revolution No. 9
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05-11-2008, 11:19 PM | #1113 (permalink) |
Dr. Prunk
Join Date: Jun 2005
Location: Where the buffalo roam.
Posts: 12,137
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DITL has a poppy melody, but its stucture was very out there at the time.
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05-12-2008, 01:46 AM | #1115 (permalink) | |
Music Addict
Join Date: Aug 2006
Posts: 2,221
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Quote:
As for Oomph, after his abortion of a reply to my post I am now convinced that he has to be trolling and isn't interested in debating any serious points about inherent value, worth and relativism. I cannot believe he could have misunderstood what I was writing to such a degree as he supposedly did. So yeah, a total waste of time and space. |
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05-12-2008, 07:18 AM | #1116 (permalink) | |
Account Disabled
Join Date: Dec 2006
Location: Methville
Posts: 2,116
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Quote:
If we use distortion and bass to measure how good music is than Oomph! must really love Komprex. |
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05-12-2008, 08:44 AM | #1117 (permalink) |
Music Addict
Join Date: Aug 2006
Posts: 2,221
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Of course though, naturally, nobody was questioning whether degrees of bass or guitar distortion could be measured in the first place. The point I was getting at is that quantities of such things do not make one piece of music any objectively better than another. Neither does having a lot of layering of sound, instrumental complexity and so forth: a lot of great music has been entirely a cappella. Neither does having intricate arrangements and structures: some of the most intelligent and sophisticated music has consisted merely of long, free-form jams.
One can talk in terms of how "complex" something is, how "sentimental" it is, how "effusive" and "maudlin" it is, whatever... but terms like "good" and "better" don't mean anything whatsoever when there's no common agreed upon criteria; as such, they are impossible to measure in the absence of that. They do not MEAN anything. |
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