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The amount a label hands over is not really the be all and end all. 14,000 doesn't include promotions, doesn't include shows, doesn't include endorsements and doesn't include an ongoing distibution of cds which will last for years to come as on-the-side income. 14k is only the tip of the iceberg. I'm with adidass, those figures don't show it all. |
The upside to big labels however, is that it often leads to a bands mainstream success... And labels or not, bands DO make a good deal of money off live concerts, even though there are touring expenses... Thats how many bands really make their money anyway, but the more records a band sells, the more people that will go to their concerts... Though there are exceptions for some bands, like Phish.
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Obviously there are other factors involved such as radio play . songwriting , etc etc.And even then everybody takes their cut from those too. It`s not fact , it`s just a guide to show you where all the money goes. |
^ It does suck doesn't it.
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I read this at least 3 years ago. You're a tad late.
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its the band's own fault signing the deal. |
interesting article. the verbiage is mostly spot on and a great read for any new band... the math is a bit sketchy tho as it doesn't include so many other factors involved...
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I realise that you are pro independent to the point of extreme but the fact is some bands are better suited to indie labels & some to major labels.You make it sound like a stigma to be on a major , but why shouldn`t a band aspire to be something better? You think Radiohead could have had the time & the money to make something like OK Computer on a small label? I doubt it somehow.Nick Cave has been recording in indie labels for over 25 years , his last album was his first on a major & it`s the best thing he`s done in well over a decade as well as one of his most ambitious musically. There`s good & bad to signing to both types of labels and it`ll take a bit more than saying 'oooh sony are evil' to convince me otherwise. |
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