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02-03-2018, 05:06 PM | #242 (permalink) |
ask me about cosmology
Join Date: Oct 2016
Location: Milky Way Galaxy
Posts: 9,045
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"The only way to get the best of an argument is to avoid it"
- Dale Carnegie
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02-04-2018, 07:56 AM | #243 (permalink) |
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Join Date: Nov 2004
Location: Missouri, USA
Posts: 4,814
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"If this does not appeal to you sufficiently to recognize in me a discoverer of principles, do me, at least, the justice of calling me an 'inventor of some beautiful pieces of electrical apparatus.'" ~ Nikola Tesla
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02-04-2018, 01:17 PM | #244 (permalink) |
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Join Date: Aug 2015
Location: Aalborg
Posts: 7,634
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"Roads were made for journeys, not destinations."
- Confucius This quote seems wiser to me year by year. I try to live by it. "A wise man proportions his belief to the evidence." - David Hume I want to write this one on a log and hit people with it. |
02-04-2018, 01:32 PM | #245 (permalink) |
mayor of spookytown
Join Date: Jan 2017
Posts: 812
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My first Photoshop dream. I dreamed I was erasing my past in Photoshop, but it turned out that I was using the ‘clone tool’ - so instead of erasing I was just copying chunks of the past into the future. (Consider the inverse: that you think you’re using the clone tool - reclaiming memories - when in fact you’re using the eraser.)
— Brian Eno, 21 November 1995 "Either make life worth living for me, or else take me off to some secluded place where I can drown myself without being interfered with." #Mood — Edna St. Vincent Millay, from a letter to Arthur Davison Ficke featured in Savage Beauty: The Life of Edna St. Vincent Millay The trouble is that we have a bad habit, encouraged by pedants and sophisticates, of considering happiness as something rather stupid. Only pain is intellectual, only evil interesting. This is the treason of the artist: a refusal to admit the banality of evil and the terrible boredom of pain. — Ursula K. Le Guin |
02-05-2018, 09:51 PM | #246 (permalink) |
mayor of spookytown
Join Date: Jan 2017
Posts: 812
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The discussion in that one thread today (that's terribly specific, I know) made me think of this Sharon Olds poem:
I see them standing at the formal gates of their colleges, I see my father strolling out under the ochre sandstone arch, the red tiles glinting like bent plates of blood behind his head, I see my mother with a few light books at her hip standing at the pillar made of tiny bricks, the wrought-iron gate still open behind her, its sword-tips aglow in the May air, they are about to graduate, they are about to get married, they are kids, they are dumb, all they know is they are innocent, they would never hurt anybody. I want to go up to them and say Stop, don’t do it—she’s the wrong woman, he’s the wrong man, you are going to do things you cannot imagine you would ever do, you are going to do bad things to children, you are going to suffer in ways you have not heard of, you are going to want to die. I want to go up to them there in the late May sunlight and say it, her hungry pretty face turning to me, her pitiful beautiful untouched body, his arrogant handsome face turning to me, his pitiful beautiful untouched body, but I don’t do it. I want to live. I take them up like the male and female paper dolls and bang them together at the hips, like chips of flint, as if to strike sparks from them, I say Do what you are going to do, and I will tell about it. |
02-10-2018, 02:06 PM | #249 (permalink) | |
ask me about cosmology
Join Date: Oct 2016
Location: Milky Way Galaxy
Posts: 9,045
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Quote:
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02-11-2018, 12:14 PM | #250 (permalink) |
mayor of spookytown
Join Date: Jan 2017
Posts: 812
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"Many places have a “forest that shouldn’t be entered.” Even people who are used to working in the mountains feel there is something there. They are suddenly overcome with fear and it becomes the custom to avoid certain places. These places exist. I don’t know what is there, but I think they are real. I’m not a believer in the occult, but the world is more than we can fathom with our five senses. This world doesn’t exist just for humans. So I think it’s all right to have such things. This is why I think it’s a mistake to think about nature from the idea of efficiency, that forests should be preserved because they are essential for human beings …
I am concerned, because for me the deep forest is connected in some way to the darkness deep in my heart. I feel that if it is erased, then the darkness inside my heart would also disappear, and my existence would grow shallow." Hayao Miyazaki, “Totoro Was Not Made as a Nostalgia Piece”, Starting Point: 1979-1996 "Grief turns out to be a place none of us know until we reach it. We anticipate (we know) that someone close to us could die, but we do not look beyond the few days or weeks that immediately follow such an imagined death. We misconstrue the nature of even those few days or weeks. We might expect if the death is sudden to feel shock. We do not expect this shock to be obliterative, dislocating to both body and mind. We might expect that we will be prostrate, inconsolable, crazy with loss. We do not expect to be literally crazy, cool customers who believe that their husband is about to return and need his shoes. In the version of grief we imagine, the model will be “healing.” A certain forward movement will prevail. The worst days will be the earliest days. We imagine that the moment to most severely test us will be the funeral, after which this hypothetical healing will take place. When we anticipate the funeral we wonder about failing to “get through it,” rise to the occasion, exhibit the “strength” that invariably gets mentioned as the correct response to death. We anticipate needing to steel ourselves for the moment: will I be able to greet people, will I be able to leave the scene, will I be able even to get dressed that day? We have no way of knowing that this will not be the issue. We have no way of knowing that the funeral itself will be anodyne, a kind of narcotic regression in which we are wrapped in the care of others and the gravity and meaning of the occasion. Nor can we know ahead of the fact (and here lies the heart of the difference between grief as we imagine it and grief as it is) the unending absence that follows, the void, the very opposite of meaning, the relentless succession of moments during which we will confront the experience of meaninglessness itself." Joan Didion, The Year of Magical Thinking |
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