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My favorite is "Miss You" by Trentemøller and it has been for a few years. I can't post links yet, but you should really listen to it! it's a very beautiful song.
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Really liking this new track 'Fine Objects' by Eskamon (new project between Amon Tobin and dubstep producer Eskmo). The louder I play it the better it is (on good headphones/speakers of course). The YouTube quality isn't the best, but it's still quite nice. Hoping for an album soon.
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The song sounds mostly percussive to me and light on melody. My only wish would be for the song to include a bit more melody to take the tension build-ups over the edge, rather than maintain a fairly consistent (although fascinating) sound from start to finish. |
Glad you like the song! :) I agree that some melody would be nice, but I don't really find it missing from the song. Are you familiar with Amon Tobin's work? If not I suggest you check some out. Still very abstract and not all of it has melody, but I think it may satisfy what you find missing in this song. Check this one out actually, it's one of his most recent that he's released on his website as a single.
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Similarly, I like the song Jackhammer posted. I like the staccato rhythm with the unexpected silences and the abstractness of it. Also, I especially like the feel of the song Dieselboy posted, "Venom," by Sinister Beats. I like the sinister feeling of it. So, what kind of "electronica" does this mean I like? Is there a name for electronic music with a sinister feel? I think I like the music because it sounds as if the whole world is shattering down around me. And maybe I like that partly because then afterwards I look around me and think, "Hey! It's not so bad!" Also, I tend to acknowledge the awful side of things, so I like music that captures that feeling. Quote:
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Sounds like Dubstep might be your thing, then. Eskmo, the guy who collaborated with Amon Tobin to form Eskamon, is a dubstep producer. He may have brought the menace to the table, even though I find some of Amon Tobin's stuff menacing. Perhaps not in the same way though.
Check out this thread: http://www.musicbanter.com/electroni...3-dubstep.html |
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I listened to more of Amon Tobin and then Eskmo, since you said Eskmo may have "brought the menace to the table"--I like that phrase! I think it is hit and miss with me with some of the dubstep songs, because some I like and others...not so much. However, I did find much of Eskmo's music appealing, and now that I've heard more of his work definitely hear his influence in "Fine Objects" by Eskamon. As an example, right now I am listening to and enjoying Eskmo's "San Francisco," which I only wish didn't have the vocals in it ("The Rhythm...San Francisco"), which sound hokie to me and limit the scope of the song. Despite the vocals, I like the watery but harsh, slow rhythmic feeling of the song, which feels playful yet solid. I especially like the low growling thuds. I bet they have quite an impact on one's gut if one has good speakers. And I love the picture of the hammerhead sharks used for this homemade video. I like thinking of all these animals swimming around down under there, doing their own thing while we are...here. Eskmo, "San Francisco": |
I feel the same way as you about dubstep...some tracks are great, some are just not appealing at all.
And also about Eskmo. I hadn't heard the song San Francisco before, and it's pretty good. I also could do without the vocals, and that's my complaint about the 2 or 3 other songs of his I've heard. Some even use an autotune-like effect that really turns me off. The vocals are much less annoying in this song (unless they get worse later on, I only listened to about half). |
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