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#3 (permalink) |
Mate, Spawn & Die
Join Date: May 2007
Location: The Rapping Community
Posts: 24,593
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Does anyone have any recommendations for some good son jarocho? Specifically, I'm looking for some that sounds like the music in the video below, with violin and yodeling style of singing. Everything I'm finding has neither of these things.
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#4 (permalink) | |
Mate, Spawn & Die
Join Date: May 2007
Location: The Rapping Community
Posts: 24,593
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#5 (permalink) | |
Groupie
Join Date: Dec 2012
Posts: 1
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#6 (permalink) |
Blue Pill Oww
Join Date: Jan 2011
Location: Luimneach, Eire
Posts: 1,107
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#7 (permalink) |
Blue Pill Oww
Join Date: Jan 2011
Location: Luimneach, Eire
Posts: 1,107
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This is like the history of American music, Irish and African American music flowing together and bashing together. Beautiful and fascinating.
The Chieftains with Carolina Chocolate Drops ' Pretty Little Girl' On Later With Jools Holland 2012 - YouTube
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#9 (permalink) | |
Blue Pill Oww
Join Date: Jan 2011
Location: Luimneach, Eire
Posts: 1,107
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The Chieftains & The Low Anthem - School Days Over - David Letterman 3-13-12 - YouTube The Chieftains ft Bon Iver - Down in the Willow Garden - YouTube Lisa Hannigan & The Chieftains - My Lagan Love - YouTube This is my favourite by far though, a 17 minute jam, ****ing bliss. The Chieftains Reunion (Round Robin) featuring The Low Anthem at WGBH - YouTube
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#10 (permalink) |
...here to hear...
Join Date: Nov 2010
Location: He lives on Love Street
Posts: 4,444
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Didn`t realise until I saw your Bon Iver clip that the Chieftains had made another cd -called Voice of Ages- with different guest artists appearing throughout. The Chocolate Drops collaboration is particularly good.Thanks, PoorOldPo.
By my reckoning, this is about their fifth album in this multiple-guest format, following on from :- 1991: Bells of Dublin 1995: Long Black Veil 2002: Wide World Over 2003: Old Plank Road As you say, the 17-minute jam is excellent. It`s nice to see Paddy Moloney enjoying the musical company so much. There`s some really good fiddle playing, and even the harp, which I don`t usually care for, provided an agreeable interlude. Here, at some other extreme, is another way to interpret traditional British folk music; strip away everything until you have nothing left except the power of the voice and the power of the lyrics. Although sometimes their approach is too austere to suit my mood, I just keep coming back to Young Tradition for their unique, raw power .... Spoiler for Lyrics to The Servingman and the Husbandman:
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