![]() |
|
Things I liked:
Lead guitarist seemed to have a sense of humor by that opening dialogue. Which I think helps with a maturing in your career. He seemed to play fairly well, or at least knows how to give a song character. Drummer had some interesting fills there, not just showy, but a good sense of time and the ability to fit different rhythms in a time sig. Things I don’t like: If the song had some defining characteristics at one point, I feel like the got smoothed out to anonymity. I’m still not entirely sure why he gave that warning up front because I can’t make out the lyrics and the song doesn’t seem particularly dangerous. In the late 90’s there were bands who had a southern-bayou influence (mostly the organ) on a lot of songs, Counting Crows, Wallflowers, ect. But it was diminished. This song I feel, had the opposite. This was a southern rock song with just enough alternative influence to kill what was good about it. |
|
Quote:
|
Quote:
the disclaimer was because the song was about a teenage sexual experience,....granted by todays hip hop standards its hardly racy,....though i guess talkin about tastein her on his fingers could be construed as such by some,.....hardly by me,...but whatever,..... i think the lyrical content his the defining charateristic,....its a shame you can make out more of it,.... more scott miller,...cuz i love him so much this one is for you b,...yankee that you are |
throwin some seth walker in there too,....
|
Quote:
Quote:
They said the same thing about the White Stripes. Live doesn't help a lyricist outside of folk. |
Quote:
i dont have anything on this computer,...but i have a bunch on my desktop,.....i'll email you some if youd like |
Maybe you could label these so I could decide if I want to listen to any of them?
|
Quote:
its like music roulette |
All times are GMT -6. The time now is 08:20 PM. |
© 2003-2025 Advameg, Inc.