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#1 (permalink) |
Contemporary Composer
Join Date: Apr 2017
Location: 93/93
Posts: 462
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He explored quite a lot throughout his career, from the early Bartok/Stravinsky influenced stuff, to the Darmstadt stuff, to Le Grand Macabre to the late polyrhythmic stuff, he's great
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#5 (permalink) |
one-balled nipple jockey
Join Date: Dec 2010
Location: Dirty Souf Biatch
Posts: 22,006
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I especially like the music Elliott Carter wrote in the 40's.
And Berio Sequenza. Not as spine crushing as the stuff you're talking about but still discordant. I like that vague sense of direction. |
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#6 (permalink) | |
Contemporary Composer
Join Date: Apr 2017
Location: 93/93
Posts: 462
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![]() Quote:
I love the Berio Sequenzas ![]()
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#8 (permalink) |
Contemporary Composer
Join Date: Apr 2017
Location: 93/93
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Berg's not that heavy to me.
I love his chamber concerto and Lyric Suite. Wozzeck is great on occasions (but reminds me too much of zappa for some odd reason, lol)
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#10 (permalink) |
one-balled nipple jockey
Join Date: Dec 2010
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I don't think that's a fair criticism of Carter. I assume you intentionally used a lowercase r romantic. I get that it's a bit off topic but I think you could just as easily say that the composers you're favoring use extreme dissonance as a crutch. That's certainly NOT my opinion. I'm just pointing out they Carter fills a very important place in the 20th C. Different composers brought different elements to the table. Carter's music is dissonant and lyrical and definitely very important.
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