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It's nonsensical because its basis lies in the societal structures of then paralleling those of now, which is just incorrect. The part in bold is incorrect as well. One does not need to learn/appreciate classical music in order to enjoy it. While it might be the case for some, this notion can be applied to any music. For example, there was a time where I despised the music of The Beach Boys, but I eventually learned to appreciate and enjoy their music. The same can be said about The Fall (yes, I see your avatar). It took a while, but something eventually "clicked" after listening to (ironically enough) "The Classical." Now, they're one of my favorite post-punk bands, and Mark E. Smith stands as one of my favorite lyricists of all time. Yet, I instantly loved The Goldberg Variations upon first listen. I didn't have to "get it" enable to enjoy it. I just enjoyed it for what it was. |
What the hell, I'll jump in the pool. Some of the best classical music I've been exposed to has been via present era movies. A great example is the opening sequence of Melancholia which uses Wagner's Tristan und Isolde Prelude to amazing affect. I immediately downloaded it and listen to it almost every day.
http://donniebshawn.com/Wagner-%20Tr...%20Prelude.mp3 So hauntingly beautiful. *sniff* |
That's an excellent soundtrack choice on von Trier's part, I agree.
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The use of Handel on Antichrist is another good example of von Trier's soundtrack genius (which I am just realizing).
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von Trier shooting the opening of Melancholia in super slow motion with just the sounds of Wagner's piece almost echoed what Kubrick did with The Blue Danube. |
This thread basically boils down to classical lovers coming to defend their genre. This thread doesn't mean what most people think it means. They read the thread title and are all like "oh hell no". I like classical music myself but I understand that question that Burning Down posed.
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Lol keep telling yourself that.
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