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04-23-2011, 12:26 PM | #1 (permalink) |
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Giacinto Scelsi
Listening to The Orchestra Works 2 as performed by Peter Rundel and the ORF Vienna Radio Symphony Orchestra, and this is absolutely blowing my mind. I've had little to do with classical, modern or otherwise, outside of a bit of Rachmaninoff and sparing Scriabin, and neither one prepared me for this.
This is some of the most skin-crawling music I've ever heard. Where do I go with Scelsi after this? |
12-11-2011, 11:21 AM | #2 (permalink) |
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I'm bumping this thread because I just remembered how ****ing sick Scelsi's work is, and a sample would probably help pique interest. I've only heard the Orchestral Works 2 so far, which I've yet to find a copy of, so I've neglected the remainder of his work, but I get the feeling his piano and viola works are just as worthwhile. |
12-16-2011, 02:45 AM | #4 (permalink) |
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I was raised by people with disdain for twentieth century composers so I was never exposed to this stuff. I like it though so I hope those in the know will post some more here.
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12-16-2011, 09:00 PM | #5 (permalink) | ||
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As for Scelsi, I really like. Reminds me a lot of Ligeti's more out there works.
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12-19-2011, 01:34 AM | #6 (permalink) | |
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Seriously! I thought my father would be proud when, as a kid, I tried to talk to him about Rites of Spring but he just kind of smirked and told me that Stravinsky doesn't count.
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12-19-2011, 02:04 AM | #7 (permalink) | |
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As fantastic as it is, I meant more stuff like this:
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12-19-2011, 02:30 AM | #8 (permalink) | |
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What you and Pedestrian have posted seems more like it belongs in the Post Rock thread.
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12-19-2011, 11:45 PM | #10 (permalink) | ||
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Especially when working with microtones which I believe is only technically achievable with stringed instruments, and electronics. Obviously, however, it's much easier with . Maybe it's possible with piano, but may require very fragile intricate tunings. unless Scelsi invented his own instruments ala Harry Partch, it must have been a task alone to find string players who were willing, and able, to pull off that style of playing as it's only really possible on fretless string instruments.
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