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07-06-2015, 03:52 PM | #81 (permalink) | |
Zum Henker Defätist!!
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How about someone actually answer me about why it matters what the composition of 4'33 actually is. What would be the difference in the end result if John Cage just drew a picture of Dickbutt on every page? If it makes no difference, then why does the existence of a composition matter?
Edit: Hell, Dickbutt might make the performers laugh, thereby making even more "music".
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07-06-2015, 03:54 PM | #82 (permalink) |
SOPHIE FOREVER
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You are the only one harping on this. The concept is the key point of the piece, the composition determines the length of time. Could you explain why it matters?
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07-06-2015, 03:55 PM | #83 (permalink) | |
moon lake inc.
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07-06-2015, 04:00 PM | #84 (permalink) | ||
Zum Henker Defätist!!
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I don't know why. One of the key points the pro-4'33-as-music folk keep harping on about is that it is a composition, which implies that that's somehow important.
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07-06-2015, 04:07 PM | #85 (permalink) | ||
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Studies show that when a given norm is changed in the face of the unchanging, the remaining contradictions will parallel the truth. |
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07-06-2015, 04:16 PM | #86 (permalink) | |||
Born to be mild
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I get we have different interpretations of humour, but my not being able to "get" your jokes doesn't make mine any less valid than yours.
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07-06-2015, 04:16 PM | #87 (permalink) | ||
Zum Henker Defätist!!
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But let me try my hand... Sit down at 11:30:00. Don't play **** or I'll punch you in the nuts. "Stop" at 11:34:33. Love, The guy from Mortal Kombat I just composed that **** if you can believe it.
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07-06-2015, 04:22 PM | #89 (permalink) | |
Zum Henker Defätist!!
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07-06-2015, 04:24 PM | #90 (permalink) | |
SOPHIE FOREVER
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You're really grasping at straws if this is really all you have to go on to claim that it isn't music. I could go and tell musicians which notes to play out of a song I thought up, but it's a lot easier to put it on paper and show it to them. What does it matter if there's an alternative? The route that Cage went was not the one you propose, the compositional route.
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Studies show that when a given norm is changed in the face of the unchanging, the remaining contradictions will parallel the truth. |
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