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View Poll Results: What is your favorite album? | |||
Live |
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0 | 0% |
Untitled - PSF 15/16 |
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1 | 50.00% |
Allegorical Misunderstanding |
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0 | 0% |
Hisou (Pathétique) |
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0 | 0% |
The Caution Appears |
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0 | 0% |
Purple Trap (The Wound That Was Given Birth to Must Be Bigger Than The Wound That Gave Birth) |
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0 | 0% |
A Death Never to Be Complete |
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0 | 0% |
The Time is Night |
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0 | 0% |
Withdrawe, This Sable Disclosure Ere Devot'd |
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1 | 50.00% |
Gold Blood |
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0 | 0% |
A Little Longer Thus |
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0 | 0% |
The Wisdom Prepared |
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0 | 0% |
I Saw It! That Which Before I Could Only Sense... |
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0 | 0% |
Origin's Hesitation |
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0 | 0% |
Eien no ho ga, saki ni te o da****a no sa (1978-It Was Eternity That Reached Out First... ) |
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0 | 0% |
Naziranai |
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0 | 0% |
Voters: 2. You may not vote on this poll |
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#1 (permalink) |
They/Them
Join Date: Nov 2010
Posts: 1,914
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![]() Fushitsusha Formed: 1978 Genres: Noise, noise rock, psychedelic rock ![]() Fushitsusha is what I see as the darker side of psychedelic music, and I use the word "psychedelic" like I would use it to describe Throbbing Gristle... "other-worldly" (although, less so in TG's case) and atmospheric. Darker because well... just listen to them and you'll see for yourself! You'll find that their music blurs the line between rock and noise music and creates this treacherous yet beautiful landscape of absolutely relentless sound. The only constant member of the band is Keiji Haino, whose guitar playing and singing is the primary focus of the music. His playing can best be described in the following ways: visceral, elegant, abrasive, ethereal, and contemplative. Visceral in that most of his playing is improvised. Elegant in that he plays the guitar with an air of grace and beauty that is unique only to him. Abrasive in that it is often loud, dissonant, and atonal. Ethereal in that he can be rather atmospheric and hypnotic. And contemplative in that he is very cautious and pays extremely close attention to his improvisations (you really need to know Haino's philosophy behind making music to fully understand this). The drums and bass are often very simple and played in a selfless manner. What I mean by selfless is that they aren't there to be showy... they're there to set up a steady beat for which Haino can fall back to after he goes off into a tangent. This is where I make the comparison to The Velvet Underground. Not for the noisy, feedback-driven aesthetic, but for the rhythm sections. Both feature relentless amounts of energy and steady, selfless playing. Recommended albums:
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