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View Poll Results: Rate! | |||
Excellent | 3 | 60.00% | |
Very Good | 1 | 20.00% | |
Solid | 0 | 0% | |
Average | 1 | 20.00% | |
Poor | 0 | 0% | |
Crap | 0 | 0% | |
Voters: 5. You may not vote on this poll |
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02-10-2011, 01:10 AM | #11 (permalink) | |
\/ GOD
Join Date: May 2010
Location: Nowhere...
Posts: 2,179
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Can't stand the guy, personally. But, to each his own.
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02-10-2011, 10:48 AM | #12 (permalink) |
Music Addict
Join Date: Sep 2009
Location: -_-_-_-_~__~-~_-`_`-~_-`-~-~
Posts: 1,276
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Err, as I said in context of the entire sentence, he's a great critic when it comes to bringing in historical elements. Never said he was any good in general, and for the most part he isn't, especially if you take a gander at his 'philosophy' section.
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02-12-2011, 03:17 PM | #13 (permalink) |
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Join Date: Apr 2010
Posts: 1,776
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Wow! It took a couple of listens before it started to sink in. I think this album is perfect to apply Cage's quote to, the one that opened this club. I'm paraphrasing: When I tried to ignore it, it was tiring, when I really listened to it, I found it fascinating.
Many of you have already expressed the way I feel about this album. It is cathartic, almost primal in its bareness, raw and gives off an uncomfortable feeling of alienation, deeply seeded. It reminded me immediately of Jandek, specifically on Six and Six, incidentally from around the same time. Like Skaligojurah pointed out, there's something archetypal about a lonely man and his guitar, the same essence that can be found in blues, a direct expression of pain. That's what Haino and Jandek have in common. But, where Jandek emits a formal naivety, interested only in pure emotion, (which in turn can become very tiring and repetitive for the listener), Keiji Haino actually knows what he's doing formally and is choosing to strip down that form in favor of direct, free expression. This, in turn, makes Watashi Dake very unpredictable at times and ultimately more satisfying for me as a listener. What hit me the most about this album is that it feels like a deeply personal prayer, sometimes, in its most intense moments, like a ritual of self-exorcism. The opening track with all the weeping, screaming, whispering, is almost like some soul from hell, and there's only his voice as the purest instrument. 'Going Home' is the perfect closing, as the title suggests. It's very quiet, evoking some weariness, release and finally peace. And I agree with others that the bonus track 'Sacrifice' just doesn't fit here and I will listen to it separately from now on. But, yes, it's a pure explosive expression of self-destruction. If I had to rate it, I really wouldn't know how. It just feels so personal and expressive, that if I tried to dissect it formally and 'objectively', it would be like a violation. But, speaking of ratings, how do you all feel about polls where you can vote for different ratings? Do you want me to start adding them to these discussion threads?
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02-12-2011, 03:45 PM | #14 (permalink) | |
one-balled nipple jockey
Join Date: Dec 2010
Location: Dirty Souf Biatch
Posts: 22,006
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02-17-2011, 01:28 AM | #15 (permalink) | |
air quote
Join Date: Jun 2009
Location: pollen & mold
Posts: 3,108
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This album bores the shit out of me. I doubt I'll listen to it again. I like the artist's convictions but I'm depressed right now and this album can't even hold my attention. Feel free to kick me out of the club if this means my avant-garde cred isn't sufficient.
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Like an arrow,
I was only passing through. |
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02-17-2011, 05:21 AM | #16 (permalink) | |
They/Them
Join Date: Nov 2010
Posts: 1,914
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EDIT: We're currently listening to AMMMusic by AMM. We'll be discussing it next week. |
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02-17-2011, 06:19 AM | #17 (permalink) | |
Mate, Spawn & Die
Join Date: May 2007
Location: The Rapping Community
Posts: 24,593
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