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#1 (permalink) | |
gimme gimme
Join Date: Dec 2012
Location: istanbul
Posts: 897
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I can commit to that. Since I first arrived, I've had the sense that if I didn't respond to lounge posts or participate in the popular threads I wouldn't fit in or might not get noticed. Somehow, though, it's important to remember that this is a music forum, where neither your post in the member pic thread nor your time spent on tinychat or whatever the f should really matter. Maybe that's what everyone means by cliqueyness. I'm not sure, I've tried to stay out of it so far. But yeah. |
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#2 (permalink) | |||
...here to hear...
Join Date: Nov 2010
Location: He lives on Love Street
Posts: 4,444
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Lots of very sensible stuff being said in this thread; Trollheart about ignoring posts; GB about the conduct of debates are both spot on imo.
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I´m sure I´m not the only one to notice the irony that this community-center thread is much hotter than the music forum threads that it intends to promote. We all like to rub shoulders in the same thread occasionally, and that doesn´t often happen in the music forums. You can post in those and be completely ignored, and I´m sure that affects newbie moral more than the ranting and drama they sometimes witness. So, in a rather rambling post, I´m suggesting:- i) the lounge and its policing are being done well enough as is. ii) MB could encourage more action in the music threads. One possibility could be to re-start the weekly genre threads that Pedestrian, I think, was the last to operate. Remember those ? They were good at generating the frisson of a crowd scene in a music forum. (A variation could also be to nominate a particular forum for attention each week.) iii) understandably, old-timers (and I don´t exclude myself from this behaviour) sometimes leapfrog newbies´ posts and just reply to their friends posts back up there in the thread somewhere... Perhaps we should be more aware of how demoralizing this may seem to a newbie.
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"Am I enjoying this moment? I know of it and perhaps that is enough." - Sybille Bedford, 1953 |
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