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Pink Floyd "Endless River"
This album is going to require some serious listening. There are eighteen songs presented by Pink Floyd here all trying to convey something different to the listener.
Even after a twenty year hiatus we can still immediately pick out that distinctive sound. Are we going to actually hear anything new and breath taking here? Probably not, but if you are a fan of long melodic songs this album is a must for you. It stands on the past efforts of perhaps some of the best musicians in our lifetime and it is worth a very intent listening. The songs date back to a side project called the big spliff around the time of the Division Bell album! Numerous hours of recorded songs were listened to by the band and selections were made of what they considered the most interesting songs. A reworking of the songs was undertaken and Endless River is the result. There are also bonus tracks for those who want to seek them out. Apparently this will be the last offering of anything new from Pink Floyd so all those who enjoy this band should take the time to bask in their past glories.:hphones: |
I just need someone's opinion about this, because I haven't taken the time to give this album a proper listen, because I know the OP says that it is, but i'm curious if other people have said the same thing.
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It's boring. Has some moments then ruins it in the same song with most cases. I think I said earlier: Kenny G attempts ambient music.
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I wasn't crazy about Division Bell as an album and I'm not really crazy about these newly released tracks. Maybe it's just my appreciation for Roger that doesn't allow Pink Floyd without him to sound half as great as they did with him.
The newly released material is a special treat for Pink Floyd's die-hard fans but it's kind of a sleeper for the rest of us. |
I gave it a listen a few days ago, should probably give it another. Overall I felt that the album wasn't cohesive or set up right. It sounded inconsistent and lost in translation to me. There were only a few songs I can say that I did enjoy, but most of the others really didn't strike a chord in me. The album is good when you compare it to other releases, but it is not even close to being what they're capable of.
I'd give it a 5.5/10... |
Very boring. Sounds like what it is, a bunch of unfinished songs that really needed Roger Waters. Might make a good soundtrack. Maybe a montage scene of intrepid thief's breaking into a bank. Or a Bill Bixby like character walking down a road with his backpack. If I just heard it without knowing who it was I might think Yanni or John Tesh except for the first song which appears to be a complete rehash of Shine on you crazy diamond.. Some brief moments of great guitar but overall just really boring.
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From the lukewarm and largely mediocre reviews of this final release, I wasn’t expecting very much from my favourite band, though dearly hoping that I wouldn’t be too disappointed. The main reason for this was that the album was decidedly and emphatically going to be an instrumental album. The word used being ‘ambient’, which suggests a mellow, soundscape-type recording perhaps in the vein of ‘Tubular Bells’ or something noodling like that. My immediate thoughts were “why?” and how strange that there were not going to be any vocals apart from the final song (of 18 tracks) which presumably was made so that we had a promotional single for the radio.
What it is, you see, is a tribute in the most part to Floyd keyboardist and effects wizard Richard Wright who died in 2008. All of the music features his playing, the sound arguably which defined the band – alongside David Gilmour’s unmistakeable guitar. And the record is far, far from being mellow… After a brief introductory sound effects piece, which was always the norm on a Pink Floyd album, the music comes in. And does it just. Loudly, it positively CRASHES its way in like a juggernaut. I actually turned my headphone selector down a notch and almost leapt from the floor where I was situated for this event. Nick Mason’s drums have never sounded so powerful, so up to the forefront of a Floyd album and it’s a joy to behold. Gilmour’s guitars are incredible. He never disappoints of course but he even excels his own considerable talents on this record. For the next hour the listener is subjected to a wonderful and incredibly well-produced album and when the final ‘song’ “Louder Than Words” ends the disc, it’s almost as if it doesn’t belong; As if the album perhaps SHOULD have been wholly instrumental, being the technically sound occasion that it is. To this listener at least, it’s a magnificent record. |
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It's all good though. If you are satisfied with it. Good on you. |
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No idea why you are getting so worked up mate? |
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What kind of albums you got in that collection of yours? |
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I'm still finding my way around the forum. Is there a good place where I could post my music lists? |
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But yeah, members journal area when you're able to post a journal, write one out with detail on what you intend to use it for. You can look at member journals right now to get an idea on how to go about it. |
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Hang in. The initiation is tough, but once you're past that, it's all cool. Kinda....... Sorta........ |
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Brave newcomer, Floydy, who goes against the flow with your enthusiasm for this album! but yes, MB is a great place for swapping views - in fact we rather thrive on contrary opinions, so I hope you stick around.
Perhaps I´m not doing the album full justice, as I´ve only heard six minutes of It´s what we do, but I´m already overwhelmed with a soporific sense of deja vu. What sad irony that a band which was once a by-word for innovative music has chosen to lock itself into such a depressingly retro style. (My apologies if I dent in any way your own perfectly valid enthusiasm, Floydy. Enjoy what your heart tells you to, and don´t worry about tedious wet blankets on the internet, ok?) Quote:
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It sounds like Pink Floyd. Perhaps not Dark Side Of The Moon, or the Wall for that matter, but if you think there is no colour on the canvas here perhaps you should get better paints. I believe from a pure artistic standpoint musically they deliver what they always have. A interesting collection of songs that are not bound by a three and a half minute requirement for consumer consumption.:clap: |
I'll have an extensive review of this up in my journal hopefully by next week. If not, then definitely the one after that. It's already signposted, but I want to make sure I take the time to listen to it properly and not be influenced by what I think, or don't think, it should or will sound like.
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This album wants to be grand, it wants to be epic, it wants to flow fluently but it gets in the way of itself. I think it was Ki that said that the album has its moments, but in those same songs, the album stonewalls itself or hits a wall. Parts of the album start of like they're going to go to that grand place we know Pink Floyd can go, that catches your attention fully...but, it never really happens here. So if the band aimed to take this material that they had around, and rework them in to an album that could live up to what other albums they've done lived up to, that's where it got last in translation. Because while this sounds like a Pink Floyd album, it lacks that certain charm or ambition their other albums mostly all had. This album just sounds...empty, dull. Well, there is your explanation, I tried. Sorry if it doesn't help you understand what I meant, but at least I know what I meant by it haha. Quote:
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All Pink Floyd's albums have instrumentals on them, but this is almost the full record. No matter, I enjoyed it :) |
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Thanks for the explanation, ContrivedN; a nice description of the disparity that can arise between an initial concept, glorious and grand, and its ultimate appearance, paulty and lack-lustre. So, yes, "lost in translation" is a good phrase for it.
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Shouldn´t judge a book by its cover, of course, but even the album art of Endless River suggests that we´re in for something that is saccharin but not substantial; put a ribbon across the corner and it´d make a good design for a chocolate box. How Syd Barratt would´ve loathed it ! Anyway, I´m glad Trollheart is going to give us his opinion. At present, I have more curiosity about his review than I do about the album. |
I liked it, didn't love it just liked it. It did it's job and for guys in their 70's not too shabby not a great album, but certainly not bad.
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I'm not viewing it as a Pink Floyd album. It's a b-sides collection, essentially. Looking at it like that, I wasn't disappointed or impressed. It was just a curiosity.
I'm also trying to remember that this is a tribute to Richard Wright. It's pretty clear they wanted the keyboards to shine through the entire album, and I think they did that brilliantly. Unfortunately, Richard Wright's keyboards always worked better in the context of the band. That's where his genius was...without him, the Pink Floyd sound would not have existed. It was subtle but essential. Focusing on him, however, yields some pretty boring drivel. To me, the Division Bell was their final album (and still not really that great). This is just something to check out if you are curious. |
Full, extensive review now up http://www.musicbanter.com/members-j...ml#post1509822
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Liked the review a lot I would agree with nearly everything in there. I would like to say that after listening to it a few more times and reading numerous reviews and going back to past albums it really does show itself as a the if at times with like Trollheart said in his review are very closely related to Shine On You Crazy Diamond, and Skins could really just be a polished more ambient new - agey version of the war section in Saucerful Of Secrets, and again I agree with the Run Like Hell similarities.
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Great review, thanks!
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I've been hesitant to check this out. I'm a huge Floyd fan and don't want to ruin the magic. Sh-should I try it? Or should I just listen to Dark Side again?
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I'd say that yes, this album is worth a listen, but just one. I listened out of respect of a band I have loved for a long time. But I was horribly let down. I know what this album is, I understand the bands intention behind it. But that isn't an excuse for what they offered as a final album. They could have put in the time to give fans what they deserved to have as a final album.
This is the note the band wanted to go out on, and I guess that is what matters. I don't believe a band should cater to every little demand from their fans, as believe that hinders any band creatively and stunts growth. I wanted a real new album like many of us wanted. But yeah, anyway... |
So my opinions in this thread are now irrelevant. I enjoy this album.
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I'd give it a 5/10... It's quite boring.
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According to Gilmour "I really don't see Pink Floyd in my future", so that's that. Kind of how I feel too, after listening to TER. Meh, maybe Nick Mason will release a solo ah no I can't keep a straight face! :D
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