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Originally Posted by Unknown Soldier
But I think Moroder produced the album to suit the Sparks, sure You could dance to Beat the Clock and wiggle to a few of the other compositions. The Sparks actually explored dance music on some of their later recordings.
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If I'm not mistaken I think they continued working with Moroder up until 1981. The album that followed "No. 1 in Heaven" (Terminal Jive) has been cited by the bros as their least favourite. (Which makes me wonder why they cut a third record with him.) According to the story, they didn't have a lot of creative input because Moroder had other plans in mind (and took over so much of everything that went into it). It still sort of sounds like a Sparks album, but it's nowhere near as incredible as "No. 1 in Heaven".
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