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04-06-2011, 09:20 PM | #34 (permalink) |
Rocket Appliances
Join Date: Oct 2009
Posts: 1,335
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Never really got the hype for this album. It's pretty good, but definately nothing mind-blowingly amazing. The only songs I really like are "To here Knows When", "When You Sleep", and "Blown a Wish". The rest are just ok.
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04-07-2011, 07:37 AM | #36 (permalink) |
The Great Disappearer
Join Date: Apr 2008
Location: URI Campus and Coventry, both in RI
Posts: 462
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I'm glad my hyperbolic writing combined with a polarizing album caused some discussion.
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The Edge... there is no honest way to explain it because the only people who really know where it is are the ones who have gone over. |
04-17-2011, 04:18 PM | #37 (permalink) |
Music Addict
Join Date: Jul 2008
Posts: 267
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I've recently grown to like this album a lot more. I think my favorite song might be 'Loomer', really beautiful.
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rateyourmusic |
04-17-2011, 06:33 PM | #38 (permalink) |
Music Addict
Join Date: Apr 2011
Location: San Diego
Posts: 57
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Late to this discussion. Wanted to make a small correction to Davey Mores first, and very good, post. A lot of the times the bands gazed at their shoes, instead of at their audiences, because they had all sorts of effects pedals that they had to switch between with their feet. At least that's what I've heard. So it's not just because they were pretentius, it was kinda necessary to play this kind of music.
As to the discussion afterwards, I must admit I found starrynight's position kind of weird. I think my main problem was when he said this: 'I think a band is important as the music is good to me' Why use the word 'important' when it's completely interchangable with 'good'? The discussion was mainly about whether anything could be called objectively important at all... Which is a boring discussion really (The answer is: Of course it can. Loveless is objectively important. There, I just did. If anyone finds that sentence to be meaningful, then it can be called objectively important in a meaningful way). If you accept that some albums have historical importance, and that that importance can be measured by examining historical statements from before, during and after, then there are very few albums that has as good a claim to being important as Loveless has. Plus, it's brilliant.
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Agnes Varda's Le Bonheur + thoughts on women in Akhmatova and Mizuguchi: The Centrifugue |
04-18-2011, 03:30 AM | #39 (permalink) | |
Music Addict
Join Date: Mar 2011
Posts: 937
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Quote:
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04-18-2011, 04:10 AM | #40 (permalink) |
Music Addict
Join Date: Apr 2011
Location: San Diego
Posts: 57
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You're (re-)stating the obvious, my good sir. And it's kinda boring... I'd much rather read what you think are better influences, and why.
Or let's discuss something else, perhaps: Which albums took the sound of Loveless the furthest? I'd argue the real successors to the shoegaze-throne was the early wave of Post-Rock. The Lost Generation. Quique by Seefeel and DI Go Pop by Disco Inferno (especially) are probably the two albums I feel used the template of Loveless the best.
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Agnes Varda's Le Bonheur + thoughts on women in Akhmatova and Mizuguchi: The Centrifugue |
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